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House of D
Directed by
David Duchovny
PG-13
2004
1h 37m
Drama
,
Comedy
6.8
10%
73%
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By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
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Cast of House of D
Anton Yelchin
Tommy
Téa Leoni
Mrs. Warshaw
David Duchovny
Tom Warshaw
Robin Williams
Pappass
Erykah Badu
Lady / Bernadette
Frank Langella
Reverend Duncan
Magali Amadei
Coralie Warshaw
Claire Lautier
Madam Chatquipet
Zelda Williams
Melissa Loggia
Bernie Sheredy
Sasha
Olga Sosnovska
Simone
Mark Margolis
Mr. Pappass
Alice Drummond
Mrs. Brevoort
Willie Garson
Ticket Agent
Stephen Spinella
Ticket Seller
Orlando Jones
Superfly
Harold Cartier
Odell Warshaw
Gideon Jacobs
Gerard
Adam LeFevre
Monty
Leslie Lyles
Sondra
Mark Richard Keith
Pitcher
James Ockimey
Another Kid
Jonah Meyerson
Kid #2
Jill Shackner
Lead Girl in Gym
Lisby Larson
Mrs. Loggia
Michael Chapman
Doorman
Henry Strozier
Civil Servant
Andrée Damant
French Woman in Window
Étienne Draber
French Man in Window
Chantal Garrigues
French Wife in Window
Mary Fortune
Nurse #1
Lester Cohen
Irate Trotskyite
Roxy Toporowych
Miss Johnson
Francesca Buccellato
Mrs. Robinson
Erica Tazel
Reader
House of D Ratings & Reviews
San Francisco Chronicle
Mick LaSalle
As soon as Williams enters, simpering, this is a character that we wish would die a horrid death, or at least disappear. That's a problem Duchovny can't overcome.
Boston Globe
Wesley Morris
House of D dawdles along as the sort of 1970s-inflicted coming of age reminiscence that feels like the unprocessed ramblings of its creator.
Detroit Free Press
Terry Lawson
The year is young -- there is a movie featuring Paris Hilton due soon -- but it's hard to imagine anything in 2005 being more excruciating to endure.
Seattle Times
John Hartl
The kind of personal film that fails in a way that makes your teeth ache. It's obviously a labor of love on the part of its first-time writer-director, but as a coming-of-age memoir it lacks charm, originality and taste.
Denver Post
Michael Booth
Despite a weak foundation built with coming-of-age clichs, House of D almost works as a melancholy look back.
Arizona Republic
Bill Muller
What should be a 10-minute anecdote turns into a sluggish and overly sentimental tale that won't hold the interest of anyone outside Duchovny's immediate family.
Philadelphia Inquirer
Carrie Rickey
Less successful with these sentimentally embroidered holy fools and fairy-tale damsels than with its nicely drawn relationship between Tommy and Melissa.
Atlanta Journal-Constitution
Eleanor Ringel Cater
The movie never gels. It lies there, flat and unconvincing, with little spurts of florid melodrama.
Chicago Tribune
Allison Benedikt
Goes from bad to unbearable in a single scene.
Chicago Sun-Times
Roger Ebert
House of D is the kind of movie that particularly makes me cringe, because it has such a shameless desire to please.
Dallas Morning News
Philip Wuntch
The film never sidesteps the puddles of self-indulgence that soil many feature-length directorial debuts, particularly those of an autobiographical nature.
Austin Chronicle
Marrit Ingman
Dour, dry Duchovny's directorial debut is more weepy than creepy, a conventional coming-of-age story that flashes back to 1970s New York City.
Premiere Magazine
Peter Debruge
The movie presents Tommy's crisis and its resolution back-to-back, with little to suggest the years of damage that would require such a feel-good epilogue.
Washington Post
Nelson Pressley
It's a fable that's too fabulous by half.
Washington Post
Michael O'Sullivan
A little more literary than lifelike, House of D is a story that feels too pat, and too perfect, for its own good.
The Hollywood Reporter
Frank Scheck
Duchovny delivers a clearly heartfelt but terminally mawkish and awkward directorial debut.
Boxoffice Magazine
Tim Cogshell
In fact, it represents Duchovny as a capable writer and director with a promising career outside of the X-Files milieu.
Ebert & Roeper
Richard Roeper
It's unfortunate not so much for Duchovny as it is for the viewer, who must endure a cloying, achingly precious coming of age story.
Rolling Stone
Peter Travers
The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart.
New York Post
Lou Lumenick
Duchovny's evil alien twin (perhaps the same one who chose roles in Return to Me and Connie and Carla) must have written the schmaltzy, wildly improbable script.
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