Hollow Man

Directed by Paul Verhoeven
R
2000    1h 52mAction, Science Fiction
5.925%28%6.0
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Having discovered they could turn animals invisible, a group of scientists test the subject on a human. Head of research, Dr. Sebastian Caine decides to use himself as the subject. After the experiment can't be reversed, it takes a toll on Caine's personality, causing him to hunt down and kill his colleagues
  • Kevin BaconSebastian Caine
  • Elisabeth ShueLinda McKay
  • Josh BrolinMatthew Kensington
  • Kim DickensSarah Kennedy
  • Greg GrunbergCarter Abbey
  • Joey SlotnickFrank Chase
  • Mary RandleJanice Walton
  • William DevaneDr. Kramer
  • Rhona MitraSebastian's Neighbor
  • Tom Woodruff Jr.Isabelle the Gorilla
  • Pablo EspinosaWarehouse Guard
  • Margot RoseMrs. Kramer
  • Jimmie F. SkaggsWino
  • Jeffrey ScaperrottaBoy in Car
  • Sarah BowlesGirl in Car
  • Kelli ScottMom
  • Steve AltesDad
  • J. Patrick McCormackGeneral Caster
  • Darius A. SultanGate Guard
  • David VogtHelicopter Pilot
  • nsaf24May 10, 2026
    Special effects are great (which saves the film), but story drags on and ending is dissappointing. A bit of a voyouristic movie at best.
  • seanmcconnell451April 26, 2026
    Kevin Bacon... Sebastian Caine (Villain)
  • KalemDecember 10, 2025
    Streaming on Plex Now
  • RichardOctober 21, 2025
    I saw Hollow Man in the cinema and walked out with a strange cocktail of awe and unease. Technically, it was dazzling, Verhoeven’s team pushed CGI to new heights, rendering invisibility with a level of detail that felt almost surgical. Kevin Bacon’s transformation sequence? Still etched in my memory. Skin peeling away, organs fading, bones dissolving, it was like watching a biology textbook come to life and then vanish. But once the effects wore off, I was left staring at a hollow core. The film promised sci-fi thrills and moral complexity, but delivered a descent into voyeurism and violence that felt more mean spirited than meaningful. The tension was there, sure, but so was a creeping discomfort. Not the good kind. Sitting in that theater, I kept waiting for the story to justify its darkness. Instead, it leaned into it. Bacon’s character spirals from arrogant genius to invisible predator and while the cast (Elisabeth Shue, Josh Brolin) did their best to anchor the chaos, the script seemed more interested in shock than substance. Knowing now that Verhoeven himself regrets making it adds a layer of melancholy. He’s said the film lacked his usual satirical bite, that it was too conventional, too studio bound. And I felt that. It didn’t have the wild provocation of RoboCop or the gleeful excess of Starship Troopers. It was slick, cold and strangely joyless. A visually groundbreaking but emotionally vacant thriller. Seeing it in the cinema was like watching a master technician build a haunted house, only to realize he forgot to add the soul. Even Verhoeven wishes he’d taken a different path, and honestly? So do I.
  • hairydemonJuly 21, 2025
    not good. a dog was brutally killed. bad sign.

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