切腹
監督:Masaki Kobayashi
彦根藩井伊家の上屋敷に津雲半四郎と名乗る浪人が現れ「切腹のためお庭拝借」と申し出た。生活に困窮した浪人が「切腹する」と言っては、庭や玄関を汚されたくない人々から金品を巻き上げることが流行っており、家老の斎藤勘解由は数ヶ月前にやってきた千々岩求女という浪人の話を始めた。家老が切腹の場を設けてやると言い出すと、求女は狼狽したあげく、竹光で腹を切った上に舌を噛んで絶命した、と。話を聞いた半四郎は、求女は自分の娘婿であることを告げた。
切腹の評価とレビュー
- SAlYANZ2026年3月2日Very deserving of its #1 spot on Letterboxd, personally 2001 is my GOAT film however.
- Daniel Gustavsson2025年7月11日Very atmospheric. It's slow but the tension and interesting plot keeps things intriguing throughout.
- Drunken Monkey Kombat2026年1月1日Rentaro and Nakadai are just brilliant in this. My all-time favorite movie.
- mickerdoo2025年11月4日The story unravels very stoically. Reveals the value of life and honor over classism. Glad it ramped up in the last 20 minutes.
- Varun2024年10月19日Intense Epic Perfection!!!
- Mike2024年10月11日Harakiri is a captivating film that has a great story and beautifully choreographed fights "What befalls others today, may be your own fate tomorrow." This film has an interesting story with multiple twists that were very well implemented within the plot structure. Both the pacing and plot felt really balanced. The plot was actually one of the most solid plots I've ever seen in a film. Usually I feel that the acting in older films aren't that good, but the acting was great and contributed heavily to the interesting story. The fight scenes had some great and realistic choreography, that created a lot of tension. The fight scenes had me paying full attention to see what moves the two opponents would make next. The synchronized movements of the opponents, was visually stunning and also kind of mesmerizing to look at. These synchronized movements felt like a dance between the opponents and created an abstract composition through the blocking of the characters. This was especially done extremely well during the final act, where you first see a group of men simultaneously lining up in front of Hanshiro Tsugumo, which then hold their Katana and take a step forward. Followed by 3 men behind them that grab their Katana. Which then ends with the men in the front taking another step forward right before they attack and retreat... all in sync. The cinematography was stunning. The slow zoom shots beautifully placed the emphasis on the emotions and body language of the characters. It also grabbed and held the attention of the viewer, which contributed to the overall immersion. The linear blocking of multiple characters, within the static framing, created beautiful symmetrical and linear compostions. Combine this with the extremely well choreographed fights, great acting and interesting story, and you will get a mesmerizing film that captivates you from beginning to end. Letterboxd: Mike_v_E
切腹に関するトリビア
切腹は1962年9月16日に公開されました。
切腹はMasaki Kobayashiが監督を務めました。
切腹の上映時間は2h 15mです。
切腹はTatsuyo Hosoyaがプロデューサーを務めました。
彦根藩井伊家の上屋敷に津雲半四郎と名乗る浪人が現れ「切腹のためお庭拝借」と申し出た。生活に困窮した浪人が「切腹する」と言っては、庭や玄関を汚されたくない人々から金品を巻き上げることが流行っており、家老の斎藤勘解由は数ヶ月前にやってきた千々岩求女という浪人の話を始めた。家老が切腹の場を設けてやると言い出すと、求女は狼狽したあげく、竹光で腹を切った上に舌を噛んで絶命した、と。話を聞いた半四郎は、求女は自分の娘婿であることを告げた。
切腹の主要人物はHanshiro Tsugumo (Tatsuya Nakadai), Motome Chijiiwa (Akira Ishihama), Miho Tsugumo (Shima Iwashita)です。
切腹はGと評価されています。
切腹はドラマ, Action, 履歴映画です。
切腹は、視聴者によって10点満点中9.7点をつけられています。
切腹の興行収入は$15,222です。