ハムネット
監督:Chloé Zhao1580年、イングランド。貧しいラテン語教師ウィリアム・シェイクスピアは自由奔放なアグネスと出会い、互いに惹かれ合って熱烈な恋に落ちる。やがてふたりは結婚し、3人の子をもうける。しかし、ウィリアムが遠く離れたロンドンで演劇の道に進みはじめ、アグネスはひとりで家庭を切り盛りすることに。悲劇がふたりを襲った時、かつて揺るぎなかったその絆は試練を迎えるが。
ハムネットの評価とレビュー
- LivewireAdmin2025年12月8日I think the only reason I was able to reasonably hold it together through this is because the person next to me in the theater was absolutely sobbing and essentially crying for the both of us. I say reasonably, I still had a few tears running down the side of my face. Amazing performances, specifically Jessie Buckley and Jacobi Jupe. I now feel the urge to consume a bunch of Shakespeare's work. I feel like understanding more of his plays will allow me to pick up on more things in this, it's the type of movie that feels incredibly layered. Shit, this actually has me considering a re-watch of Eternals
- makdelart12時間前I generally avoid tearjerkers because these films are usually charlatanism. It's easiest to make a film about a dying child or a mother who has cancer, and everyone around them cries, sad music plays, and “what a beautiful film.” Here, we do have a fragment of Shakespeare's biography, so the story is not entirely fictional (which would somehow justify the events shown), but it has been filtered through the prism of a contemporary novel by Maggie O'Farrell. In addition, Max Richter's heart-wrenching music is a typical element of charlatanism here. On the plus side, I definitely count the spectacular photography in natural lighting, the set design, the costumes, and Jessie Buckley's acting.
- Hairon_p.h2026年2月5日I love movies that make me cry from sadness and happiness.
- rg94002026年2月4日I bawled. Grief is such a hard thing to capture and convey in a movie. It's doubly hard when the viewer expects it. I think it's no secret what this movie is about, and a lot of viewers will go into it expecting that moment. For it to work despite those expectations is very impressive. Chloe Zhao's signature bucolic scenery is omnipresent throughout this movie, and there's this dusting of magical realism that gives the movie an almost ethereal feel. However, the real driving force of this movie is Jessie Buckley. Don't get me wrong, Paul Mescal is great as well. However, it is Buckley that is the living, beating heart of this movie, and all Zhao has to do is zoom into her face, and the rest just works. There is a scene where all she is doing is raising her hand to grasp someone, and it broke me. That scene is right up there with some of the best scenes I've seen this year, period. This is a movie about grief, and how we can process and experience it in different ways. I think Zhao and Buckley really capture that theme so poignantly in this movie. I do have one criticism though. The first third of this movie is very slow, and it feels overlong since it's mostly a prologue to the main theme of the movie. I was honestly worried about how I would feel about the movie during this section. Editing it down would have made the movie leaner without losing anything in my opinion. Regardless, this movie hit me hard, so I have to rank it as one of the best movies of the year. I hope Buckley gets her much deserved flowers.
- Kevin Ward2025年12月18日Good Grief. This didn't hit as hard as I was expecting, but still that Jessie Buckley primal wail nearly wrecked me.
- Hakihiko2026年2月5日Graceful, Intimate, and Deeply Powerful "Hamnet" is an extraordinary film: delicate, emotionally devastating, and crafted with remarkable elegance. It's the kind of movie that speaks softly yet leaves a profound impact, lingering long after it ends. The performances are simply outstanding. Every emotion feels lived-in and authentic, carried with restraint and depth rather than excess. The cast delivers something rare: performances that feel intimate and universal at the same time, grounding the film's grief and love in something painfully real. Direction is confident and sensitive, allowing the story to unfold at its own pace without ever feeling slow. The film trusts silence, gestures, and small moments, and that trust pays off beautifully. The cinematography is stunning, with fantastic shots that feel almost painterly, while never losing their emotional purpose. The music is splendid, subtle, evocative, and perfectly placed. It enhances the emotional weight without ever manipulating it, blending seamlessly with the visuals and performances to create a deeply immersive experience. "Hamnet" is a film of rare emotional intelligence and artistic control. It's moving, elegant, and quietly devastating; a true cinematic achievement. Easily one of the best movies of 2025.
- Jason Layton4日前Worth a watch if you are in the mood for a light history piece. Good script, good acting. I really liked the ending.
- yusefcabrera16時間前This is one of those films that really needs to be experienced in the cinema. I sat with strangers left and right, and we all cried! Those final moments in the film carried so much emotion and catharsis. Then it all fades to black and the credits roll but the cinema lights don't turn on yet.. And you sit there with the palpable silence of the audience and that haunting music all movie lovers know. Few films have that impact where the emotions of the audience (in the film's theater) extend to the theater you're sitting in. Currently my best film of 2026!
- hokasu1日前Beautiful.. a bit of an acting demonstration
- samotsama2026年2月3日Amazing performances
- DEXAPLEX4日前Good Grief!
- UniqueMovies Deb H2026年2月9日😢 Absolutely Heart-Wrenching! Outstanding acting 🌹🕊️ most definitely a must see and worth the watch 😢🕊️😢🌹🕊️🌹🕊️
- Chrispix4日前What a beautiful story and imaginative interpretation of the inspiration for one of the best known plays in human history. It's so easy to see the parallels between the reality and fiction, and enjoy the way that the writer blends those known facts with completely believable motivations of one of the most interesting historical figures. The acting is superb in every way, and the casting of the Jupe brothers as the young and old "Hamnet" is such an excellent choice to make the ending even more compelling.
- cultfilmliker2025年12月13日Portrait of a Lady that’s Tired I don’t get it tho - why did he call it HamLET Excruciating. Incredible music. Very effective little boy acting! I am so in love with Jessie Buckley. Perfect Oscar bait for her. She can and will win. Meanwhile I’m still constantly thinking about her performance in I’m Thinking Of Ending Things Got captioning glasses bc I knew it was Irish actors playing old Britains. They didn’t help considering I’m legally blind but it was close! Luckily didn’t need it for MOST of the film smh Watched at Warren Regal 21
- Ronald Rol2026年2月12日My wife, who never cries with movies, was crying the biggest part of the movie. I, who normally cries with almost every movie (tears of joy or emotion), did not cry, which was surprising looking at the amount my wife cried. I assume she cried for the both of us. Very good movie, and the sounds was amazing. I have a 5.2.4 system, and all the sounds where coming from where they needed to come from. I don't hear this with blockbusters, so I was surprised such a sound-wise, boring movie, was so good with the sound.
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ハムネットに関するトリビア
ハムネットは2025年12月4日に公開されました。
ハムネットはChloé Zhaoが監督を務めました。
ハムネットの上映時間は2h 6mです。
ハムネットはSam Mendes, Pippa Harris, Liza Marshall, Steven Spielberg, Nicolas Gondaがプロデューサーを務めました。
1580年、イングランド。貧しいラテン語教師ウィリアム・シェイクスピアは自由奔放なアグネスと出会い、互いに惹かれ合って熱烈な恋に落ちる。やがてふたりは結婚し、3人の子をもうける。しかし、ウィリアムが遠く離れたロンドンで演劇の道に進みはじめ、アグネスはひとりで家庭を切り盛りすることに。悲劇がふたりを襲った時、かつて揺るぎなかったその絆は試練を迎えるが。
ハムネットの主要人物はAgnes (Jessie Buckley), Will (Paul Mescal), Mary (Emily Watson)です。
ハムネットはGと評価されています。
ハムネットはBiography, ドラマ, 履歴映画です。
ハムネットは、視聴者によって10点満点中9.3点をつけられています。