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Dot the I
Directed by
Matthew Parkhill
R
2003
1h 32m
Drama
,
Comedy
,
and more
6.7
25%
76%
Add to Watchlist
Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems.
More
Where to Watch Dot the I
Freevee
Free
Tubi TV
Free
Cast of Dot the I
Gael García Bernal
Kit Winter
Natalia Verbeke
Carmen Collazo
James D'Arcy
Barnaby F. Caspian
Tom Hardy
Tom
Charlie Cox
Theo
Yves Aubert
Maitre D'
Myfanwy Waring
Carmen's friend
Michael Webber
Landlord
Jonathan Kydd
Burger Bar manager
Michael Elwyn
Hotel manager
Len Collin
Hotel security
John Pearson
Kit's father
Tito Heredia
Flamenco guitarist
Olayo Gimenez
Flamenco singer
Mark Spalding
Policeman
Paul Shelley
Presenter
Graham McTavish
Detective 1
Michael Nardone
Detective 2
Tasha de Vasconcelos
Kit's mother
David Decio
Waiter
Matthew Parkhill
Director / Writer
George Duffield
Producer
Meg Thomson
Producer
Dot the I Ratings & Reviews
Chicago Reader
Jonathan Rosenbaum
Its trickery might seem cute or clever to viewers who don't take either movies or people very seriously, but to me it recalled cynical "puzzle" films like Memento and Irreversible, with no reason to exist apart from its gimmick.
Arizona Republic
Kerry Lengel
As much as it tries to be a smart, postmodern indie film, dot the i is pure Hollywood fluff.
Austin Chronicle
Marjorie Baumgarten
So in love with its own inventions and convolutions that it ignores all plausibility and audience acceptance.
Detroit Free Press
John Monaghan
Parkhill tries to keep new blood pulsing through the film, but the movie stalls by its third act, where he plays a trick that seems more desperate than fresh.
Houston Chronicle
Bruce Westbrook
Take a long, hard look at Parkhill's film, and you'll find too many i's undotted.
Atlanta Journal-Constitution
Eleanor Ringel Cater
While stylishly done, Parkhill's script isn't nearly as clever as he thinks it is, and the sucker punch near the end lacks, well, punch.
Denver Post
Michael Booth
It plays like the last paragraph of one of those Encyclopedia Brown stories, where the solution is an unknown twin brother or the wrong-sized footprint.
Chicago Sun-Times
Roger Ebert
The movie not only scatters undotted Is and uncrossed Ts in its wake, but unsquared circles, unfactored primes, unrisen souffles and unconsummated consummations.
Chicago Tribune
Jessica Reaves
Let me know if you figure it out.
New York Times
Stephen Holden
If Dot the i, the directorial debut of Matthew Parkhill (who also wrote the screenplay), has a crass visual flash, it fails to give its characters any credible substance.
New York Post
Kyle Smith
It's a hugely entertaining thriller disguised as a chick flick.
New York Daily News
Jack Mathews
Far too clever for his own good, Parkhill has fashioned a Chinese box of a story where the first twist sets up a second, that one sets up a third, and so on.
Boston Globe
Wesley Morris
Begins as a romantic comedy, turns into romantic thriller, then collapses into a sick and illogical self-reflexive noir. If this sounds even vaguely exciting, I promise it's not.
Newsday
John Anderson
Like the fire trucks that can't quite reach the burning building, there are a lot of good ideas racing toward Dot the I, and ... they ... can't ... quite ... get ... there. Besides, the movie is intent on self-immolation.
Entertainment Weekly
Lisa Schwarzbaum
Leaves too many t's double-crossed.
Village Voice
Ben Kenigsberg
Parkhill, far too eager to wow them in the end, has crafted a twist-is-everything scenario, evincing a sub-Mamet level of concern for plot holes or audience satisfaction.
San Francisco Chronicle
Mick LaSalle
It eventually crosses that elusive line into absurdity, rendering meaningless, in retrospect, most of everything that went before.
Seattle Times
Jeff Shannon
Implausibility and banality join forces to turn dot the i into the kind of pretentious, pseudo-clever claptrap that most wanna-be directors get out of their system during film school.
Ebert & Roeper
Richard Roeper
Gael Garcia Bernal I think is really becoming a major force as a leading man. He's very good.
Washington Post
Ann Hornaday
A gimmicky first-time feature that bears all the unfortunate earmarks of an ambitious but empty directorial vision.
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