Death Streamer
Directed by Charles Band2024 72mHorror
3.0
A modern-day vampire employs technologically advanced glasses that enable him to hunt and LIVE STREAM his bloody feasts.
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Death Streamer Ratings & Reviews
- Jacob O’NealJuly 26, 2025I’m a fan of Charles Band. His neo noir series of films that he’s currently doing intrigued me, almost as if he’s moving more toward movies that look like movies and not some cheesy cardboard sets in a tiny room like the Evil Bong movies. But this movie was just dumb. I see what they tried to do, but it didn’t work. The only two things I knew I count on while watching this were attractive girls showing off their bodies and some fun and sometimes exciting kills. But the story was a weak tech movie with a vampire twist. It was boring. The girls were a mixed bag. If you’re into guys, even they weren’t much to look at either. The acting was wooden. I miss the days of actors like Tim Thomerson and Tracey Scoggins showing up Band’s movies. They may be B or even D grade stars, but they had something that made movies like Trancers, Dollman and Demonic Toys fun. Hell, they even had songs by Blue Oyster Cult in Bad Channels. Not to say we need names in the movies. We don’t. We just need to see people we want to watch go through a story and these actors were not it. The story didn’t do them any favors either. Watch it if you want. You might like something about it. I don’t hate it. But after 401 movies (Band puts a counter on every film in the credits) maybe it’s time for Band to look for ways to infuse a little a little more effort into the projects he does.
- jackmeatOctober 21, 2024My quick rating - 3.6/10. In this flick, a modern-day vampire takes advantage of advanced technology to hunt his prey in both the real world and virtual spaces, all while live-streaming his brutal feasts to a bloodthirsty online audience. As his fanbase grows, a trio of young supernatural investigators picks up his trail, only to find themselves becoming the hunted. The premise is undeniably unique, bringing a fresh, tech-driven twist to the vampire genre. Unfortunately, the execution falls short. Sean Ohlman as the vampire is an odd casting choice—he comes off more like a quirky Youtuber than a menacing creature of the night. His lack of a commanding presence strips away much of the dread you’d expect from such a role, making it hard to take his villainy seriously. One thing Full Moon Productions delivers, as expected, is gratuitous nudity, but it stands out here for its hilariously absurd use. There's actually a scene where breasts are used almost as weapons, which speaks volumes about the film's over-the-top, tongue-in-cheek nature. The finale is where the film truly collapses. The swarm of bats feels like a low-budget afterthought, a CGI mess that’s laughable rather than climactic. It's unclear if the ending was setting up a sequel or if the filmmakers simply ran out of ideas, as the abrupt finish leaves you unsatisfied. Despite a few laughs, the movie has more dialogue than action. The concept had potential, but it gets bogged down by clunky delivery, weak performances, and a lackluster script. The balance between horror and humor is uneven, leaning too far into the absurd. Ultimately, this film is another miss from Full Moon saved only by some scattered moments of fun.
