Dawn of the Dead
Directed by Zack SnyderA nurse, a policeman, a young married couple and other survivors of a worldwide plague that is producing aggressive, flesh-eating zombies take refuge in a mega Midwestern shopping mall.
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Cast of Dawn of the Dead
Dawn of the Dead Ratings & Reviews
- KyGunMarch 27, 2025Best zombie movie of all time. Most realistic version in my opinion. If zombies were real this would be a believable reaction.
- The Gutter MonkeyOctober 17, 2024A rare remake that not only succeeds in living up to the original but, in some respects, actually outshines it.
- RyezooFebruary 20, 2025The amount of liberty taken here is extreme. This is a loosely based remake. The zombies looked great and it was a cool change of pace with them being super fast. The only problem is I can imagine Snyder just ripping off 28 Days Later seen this film came out afterwards. There's some pretty cool shots and the film looks pretty but asides from that this movie is really bad. The acting is atrocious across the board and there's only one likable character (Ving Rhames). Theirs no chemistry and they make stupid decisions. I found myself rooting for the zombies. Lastly the cars they rigged, were ridiculously stupid
- jackmeatJanuary 24, 2025My quick rating - 7.1/10. As far as remakes go, this 2004 Dawn of the Dead is about as good as one could expect when tackling a beloved horror classic. Directed by Zack Snyder in his feature debut and written by James Gunn, the film takes George A. Romero's 1978 masterpiece and injects it with adrenaline, ramping up the action, tension, and, of course, the speed of the zombies. While it doesn't reach the sociopolitical heights of the original, it carves its own bloody, suspenseful path. First, let’s address Ving Rhames—because when Ving Rhames actively seeks out a role, you know he’s bringing something special. Back in 2004, his presence was a stamp of quality assurance, and he doesn't disappoint here. His character, along with the rest of the ensemble, offers solid performances that give the audience enough to root for, even if the film leans more on action and thrills than deeply nuanced character arcs. The zombies, a major departure from Romero's shambling hordes, are terrifyingly fast, which ups the stakes and keeps the tension high throughout. The action is relentless, and Snyder wastes no time with a shocking, chaotic opening sequence that throws you into the apocalypse. It’s a clear signal that this version isn’t interested in the slow-building dread of the original—it’s a high-octane ride meant to keep your pulse racing. That said, the film does struggle to capture the social critique that made Romero’s Dawn of the Dead such a timeless piece of filmmaking. The original's exploration of consumerism, racial dynamics, and human nature during a crisis is mostly replaced with straightforward survival drama. The result is a visually impressive, fast-paced spectacle that entertains but lacks the philosophical depth of its predecessor. It feels like a prom night version of the original: polished, stylish, and eager to impress, but missing the substance that made Romero’s work resonate beyond the genre. There are a few head-scratchers along the way—most notably the ending. Starting outside Racine, Wisconsin, makes sense geographically, but the plan to escape via boat to an island? Lake Michigan doesn’t exactly have a lot of islands to hide on. Maybe there’s a throwaway line explaining a cross-country journey that I missed, but it’s a detail that always leaves me chuckling. What this flick lacks in sociopolitical insight, it makes up for with sheer entertainment value. With James Gunn’s script maintaining some of the core elements of the original and Snyder’s penchant for stylish visuals and breakneck pacing, it’s a worthy remake that stands tall among the wave of 2000s zombie flicks. The fast-moving zombies, intense action sequences, and solid acting make it a thrilling watch, even if it doesn’t quite reach the iconic status of Romero’s original. Ultimately, it’s a movie that prioritizes fun and frights over depth—and for that, it’s a success. Just don’t expect the sharp observations that made the 1978 version a true classic.
