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Daisies
Directed by
Věra Chytilová
Not Rated
1966
76m
Comedy
,
Drama
7.2
88%
82%
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After realizing that all world is spoiled, Marie and Marie are committed to be spoiled themselves. They rip off older men, feast in lavish meals and do all kinds of mischief. But what is all this leading to?
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Where to Watch Daisies
Criterion Channel
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Max
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Rent $3.99
Buy $11.99
Cast of Daisies
Jitka Cerhová
Marie I
Ivana Karbanová
Marie II
Helena Anýžová
Woman in toilet
Julius Albert
Elderly Gentleman
Jan Klusák
Young Gentleman
Jiřina Myšková
Oldřich Hora
Marcela Březinová
Toilet Keeper
Václav Chochola
Jaromír Vomáčka
Josef Koníček
František Uldrich
Oldřich Bašus
A. Drábek
J. Hrubý
J. Pech
Robert Kühnel
J. Laufer
L. Nedvěd
J. Tesárek
J. Bartoš
Miloslava Babůrková
V. Zikmund
Jiří Menzel
Jan (voice)
Daisies Ratings & Reviews
LarsenOnFilm
Josh Larsen
...wreaks havoc with an explosive playfulness that wouldn't be out of place in a Looney Tunes cartoon.
Filmspotting
Adam Kempenaar
Chytilova overtly says, 'I'm going to use cinema as a weapon against a world that uses these kinds of weapons'.
Slant Magazine
Ela Bittencourt
The film's daisies are young girls who have reached pubescence, and are fully aware of their sexual power, but aren't ready to embrace it, so they test it first.
Chicago Reader
Jonathan Rosenbaum
My favorite Czech film, and surely one of the most exhilarating stylistic and psychedelic eruptions of the 60s, this madcap and aggressive feminist farce by Vera Chytilova explodes in any number of directions.
Screen Queens
Katie Duggan
These women are doing more than just dallying with liberation; they may let themselves be a bit spoiled, but will continue to break down social conventions in the process, and not let any of their feminist energy or dissenting attitudes go to waste.
FilmWeek (KPCC - NPR Los Angeles)
Christy Lemire
It is so cool, weird, and fun... A statement against the violence in this world.
Backseat Mafia
Rob Aldam
A riotous explosion of colour, chaos and confusion.
Combustible Celluloid
Jeffrey M. Anderson
Daisies starts out like a bad 1960s student art film, but its colorful anarchy grows on you.
New York Times
Bosley Crowther
A pretentiously kookie and laboriously overblown mod farce.
Vague Visages
Natalia Winkelman
The Maries, and Daisies itself, are quintessential fruits of the Czech New Wave, deconstructing social hierarchies while embodying the free-flowing, iconoclastic ethos that roused and buoyed 1960s Czechoslovak cinema.
New York Magazine/Vulture
David Edelstein
Brace yourself for some of the most exuberant and disjunctive Pop Art imagery ever put onscreen, including scenes in which the scissors-happy hedonists shred not only objects and each other but the movie itself.
Village Voice
Melissa Anderson
These two slim, mod beauties revel in their infantile defilement before swinging from chandeliers and catwalking down the buffet table.
ianthomasmalone.com
Ian Thomas Malone
Much of Daisies' charm stems from Cerhová and Karbanová's impeccable chemistry, often moving in complete synchronicity with one another while their characters remain fundamentally unaligned with each other.
Bitch Media
Alyx Vesey
A silly trifle demonstrating formal innovations, radical yet contentious gender politics, and harsh consequences.
Newcity
Ray Pride
[A] surreal, sexy, socialist pre-Prague Spring daydream: artful anarchy rules with bonus "mod" pop-art eyeball-kick fashion.
Variety
Variety Staff
Two zany young teenage girls are the focus of this extremely funny, witty and expertly-fashioned film.
The New Yorker
Richard Brody
One of the great outpourings of cinematic invention in an age of over-all artistic liberation.
Film Inquiry
Frances Maurer
Its unconventional techniques involving color and editing, along with its bold ideology, place Daisies firmly as a paragon of the New Wave movement.
CinePassion
Fernando F. Croce
Just about the most ticklish barrage of nihilism in cinema
TV Guide
Incoherent.
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