ドライブ・イン・マンハッタン
監督:Christy Hall6.775%89%6.3
A chance conversation between a passenger and a taxi driver on the way from the airport suddenly takes on enormous significance. Now both see many things in their lives in different ways, and both understand that such meetings happen for a reason.
ドライブ・イン・マンハッタンの視聴方法
ドライブ・イン・マンハッタンの評価とレビュー
- fsüeda2025年2月27日The film’s only bright spot is Sean Penn’s performance; his depth and commitment to the character keep the audience engaged. However, Dakota Fanning delivers a lackluster performance, and her character feels shallowly written. The plot is predictable, and its pacing drags at times, making the film feel unnecessarily long. The dialogues often come across as artificial, and the interactions between characters lack depth. Additionally, the editing is disjointed, with transitions between scenes feeling uneven. From a cinematographic and atmospheric perspective, the film offers merely average craftsmanship, lacking a compelling visual aesthetic. In the end, despite Sean Penn’s strong performance, the film falls short in terms of narrative depth, character development, and storytelling impact, leaving little lasting impression on the audience.
- rg94002024年11月1日A baffling misogynistic mess. The entirety of this movie is a dialogue between Dakota Johnson and Sean Penn. I don't mind that if the conversations are engaging and filled with depth, but that is not the case here. Though I like Dakota, I would rather recommend Am I Okay as a showcase for her acting. Sean Penn's character doesn't really have much background or complexity. At one point, Dakota even comments that he needs to actually say something beyond anecdotes (though he doesn't really do that). Dakota's character is dealing with some relationship drama, and I did think this could be interesting. It's related to a sort of icky situation, but as the story progresses, I became more baffled because both her significant other that is texting her and Sean Penn make gross comments constantly about her. And yet, she seems to mostly take it in stride. Initially, I thought this movie was going to have some sort of twist, some sort of way of framing what is happening in an ironic or satirical light. However, as it reaches its end, you realize that no, the movie somehow seemed to ignore the misogynistic dialogue and almost justify it. It also suddenly shifts to a weird unearned plot development near the end. Overall, even if you aren't that sensitive to the objectifying dialogue, I am not really sure what you'll leave this movie with. There is no flashy cinematography, the dialogue isn't particularly great because it feels like a bunch of drunk teenagers, and the acting is very one-sided. The thematic core is also not exactly clear. I struggle to believe a real woman would have behaved the way Dakota did to either her creepy taxi driver or the creepy person who was preying on her. A complete misfire.
ドライブ・イン・マンハッタンに関するトリビア
ドライブ・イン・マンハッタンは2024年6月27日に公開されました。
ドライブ・イン・マンハッタンはChristy Hallが監督を務めました。
ドライブ・イン・マンハッタンの上映時間は1h 40mです。
ドライブ・イン・マンハッタンはEmma Tillinger Koskoff, Christy Hall, Ro Donnelly, Terry Dougas, Paris Kassidokostas-Latsis, Dakota Johnsonがプロデューサーを務めました。
A chance conversation between a passenger and a taxi driver on the way from the airport suddenly takes on enormous significance. Now both see many things in their lives in different ways, and both understand that such meetings happen for a reason.
ドライブ・イン・マンハッタンの主要人物はGirlie (Dakota Johnson), Clark (Sean Penn), Taxi Attendant (Marcos A. Gonzalez)です。
ドライブ・イン・マンハッタンはGと評価されています。
ドライブ・イン・マンハッタンはドラマ映画です。
ドライブ・イン・マンハッタンは、視聴者によって10点満点中8.9点をつけられています。
ドライブ・イン・マンハッタンの興行収入は$104.5万です。