Cross of Iron

Directed by Sam Peckinpah
R
1977    2h 13mWar, Drama
7.471%87%7.1
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German commander Hauptmann Stransky places a squad in extreme danger after Sergeant Rolf Steiner refuses to lie for him.
  • James CoburnUnteroffizier / Feldwebel Rolf Steiner
  • Maximilian SchellHauptmann Stransky
  • James MasonOberst Brandt
  • David WarnerHauptmann Kiesel
  • Klaus LöwitschUnteroffizier Krüger
  • Vadim GlownaGefreiter Kern
  • Roger FritzLeutnant Treibig
  • Dieter SchidorAnselm
  • Burkhard DriestSchütze Maag
  • Fred StillkrauthUnteroffizier Schnurrbart
  • Michael NowkaDietz
  • Véronique VendellMarga
  • Arthur BraussZoll
  • Senta BergerEva
  • Demeter BitencHauptmann Pucher (uncredited)
  • Igor GaloLeutnant Meyer (uncredited)
  • Katherine HaberNurse Sadie Finkelstein (uncredited) / Production Assistant
  • Wolf C. HartwigHartwig (uncredited) / Producer
  • Wolfgang HessSchütze Maag (voice) (uncredited)
  • Sweeney MacArthurBoy Soldier (uncredited)
  • Mister ArnMay 15, 2025
    Liked the chaotic pace and framing of the movie it truly fits the subject. However I found the ending very unsatisfying and foolish.
  • Plexxor the Pretty GoodMay 11, 2026
    Absolutely epicly watchable Peckinpah, not all of his are, they may be great but this is a cohesive storyline. Tells another side of German soldiers just trying to maintain their humanity as proud Germans...not all were monsters, most were just soldiers like you or me.
  • TubzJuly 26, 2025
    Another great action sequence war movie but also allows the characters to show their personal side. Script needed a better ending.
  • flavo43November 28, 2025
    Cross of Iron is a brutal, unflinching war film that stands out for showing the conflict from the German side—something rarely explored with such honesty. Sam Peckinpah’s signature chaotic, gritty style is on full display, painting war as senseless, exhausting, and corrosive to everyone involved. James Coburn delivers a powerful performance as Sergeant Steiner, a battle-weary soldier whose face alone conveys the futility and despair of endless fighting. Yet despite his disillusionment, Steiner remains fiercely loyal to his men, embodying a raw, grounded bravery. Maximilian Schell offers a sharp counterpoint as the newly arrived officer desperately chasing glory and the prestigious Iron Cross, even at the cost of others’ lives. Their conflict drives the film’s tension, highlighting pride, class resentment, and the moral collapse of war. While Cross of Iron may not be Peckinpah’s finest work, it is undeniably impactful—chaotic, violent, deeply antiwar, and ultimately an engrossing, memorable piece of cinema.

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