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Bye Bye Braverman
Directed by
Sidney Lumet
Approved
1968
1h 34m
Comedy
,
Drama
5.6
33%
33%
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Friends gather for the funeral of a friend. Sub-plots unfold as the group attempts to link-up to attend the funeral of their friend, Braverman.
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Where to Watch Bye Bye Braverman
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Cast of Bye Bye Braverman
George Segal
Morroe Rieff
Jack Warden
Barnet Weinstein
Joseph Wiseman
Felix Ottensteen
Sorrell Booke
Holly Levine
Jessica Walter
Inez Braverman
Phyllis Newman
Myra Mandelbaum
Zohra Lampert
Etta Rieff
Godfrey Cambridge
Taxi Driver
Alan King
The Rabbi
Anthony Holland
Max Ottenstein
Graham Jarvis
Man on Bus
Peter Gumeny
Man on Bus
Susan Wyler
Pilar
Leib Lensky
Custodian
Martin Abrahams
Student at Basketball Game (uncredited)
Hal Taggart
Mourner at Synagogue (uncredited)
Bye Bye Braverman Ratings & Reviews
Chicago Sun-Times
Roger Ebert
Sidney Lumet's "Bye Bye Braverman" is a good movie gone wrong.
Dennis Schwartz Movie Reviews
Dennis Schwartz
Satiric bittersweet funeral pic with a healthy dose of Jewish humor and a droll travelogue look at the NYC landscape.
EmanuelLevy.Com
Emanuel Levy
One of Sidney Lumet's most personal and Jewish films is not necessarily one of his best, but it's well acted.
Reel Film Reviews
David Nusair
...a palpable and thoroughly objectionable misfire that's surely the nadir of Lumet's robust body of work.
TIME Magazine
Richard Schickel
The result, called Bye Bye Braverman, has a lot to talk about, and nothing much to say.
New York Times
Renata Adler
Sidney Lumet has probably exhausted the cinema possibilities of drawing people together out of separate lives to attend funerals in semisatirical circumstances. It hardly ever works in fiction, and it does not seem the best vehicle for his movies at all.
Variety
Variety Staff
If the film meant to portray the four principals as basically clod characters, with some good points, it missed. If the idea was to portray them as basically good, with human frailties, insufficient depth was given along these lines, too.
The New Yorker
Pauline Kael
Despite the importance of verbal comedy to the whole conception, the dialogue is often wrecked by clumsy, imprecise readings, and though the sound is in sync, the voices seem disembodied.
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Bye Bye Braverman
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