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Bedazzled
Directed by
Stanley Donen
1966
1h 43m
Approved
Comedy
,
Fantasy
,
Romance
6.8
74%
73%
Watch
A hapless loser sells his soul to the Devil in exchange for seven wishes, but has trouble winning over the girl of his dreams.
More
Cast of Bedazzled
Peter Cook
George Spiggot
Dudley Moore
Stanley Moon
Eleanor Bron
Margaret
Raquel Welch
Lilian Lust
Alba
Vanity
Robert Russell
Anger
Barry Humphries
Envy
Parnell McGarry
Gluttony
Danièle Noël
Avarice
Howard Goorney
Sloth
Michael Bates
Inspector Clarke
Bernard Spear
Irving Moses
Robin Hawdon
Randolph
Michael Trubshawe
Lord Dowdy
Evelyn Moore
Mrs. Wisby
Charles Lloyd Pack
Vicar
Lockwood West
St. Peter
Betty Cooper
Sister Phoebe
Roy Beck
Banker (uncredited)
Martin Boddey
Cardinal (uncredited)
Erik Chitty
Seed - Sir Stanley Moon's Butler (uncredited)
Valentine Dyall
God (uncredited)
Max Faulkner
Priest (uncredited)
Peter Hutchins
PC Roberts (uncredited)
John Steiner
TV Announcer (uncredited)
Robin Tolhurst
Daphne (uncredited)
Anna Turner
Shop Assistant (uncredited)
Bedazzled Reviews
Rob's Movie Vault
Rob Gonsalves
I found a lot of it only mildly amusing but always enjoyable, due mostly to the rapport between the mischievous Cook and the sawed-off sad sack Moore.
ColeSmithey.com
Cole Smithey
Here is a time capsule of '60s era self-loathing and misogyny captured in brilliant comic form.
Chicago Sun-Times
Roger Ebert
In films of this sort, too often the camera records the fun instead of joining in it. However, that is certainly not the case in this magnificently photographed, intelligent, very funny film.
The Nation
Robert Hatch
The film is one of those ventures that rely heavily on humorous costumes and the dropping of famous names.
Combustible Celluloid
Jeffrey M. Anderson
Cook and Moore were a perfect team, not only in their verbal delivery and acting styles, but also physically -- and cinematically.
Baltimore Sun
R.H. Gardner
It is rare one encounters such a sophisticated, articulate, civilized film, and I feel emboldened to recommend it to everyone except those who find irreligious references to God offensive.
New York Times
Bosley Crowther
Maybe the brand of British banter and buffoonery that Peter Cook and Dudley Moore bombard us with in Stanley Donen's Bedazzled would be very funny if it came in small bursts at not too frequent intervals in an expansive musical comedy or revue.
St. Louis Post-Dispatch
Myles Standish
A highly amusing satire based roughly on the Faust legend with Dudley Moore as the sad sack who sells his soul, and Peter Cook as the Prince of Darkness who gives him all his wishes -- but always with a catch.
New York Daily News
Kathleen Carroll
What I had hoped would be a gloriously novel spoof breaks down into a series of comic sketches. Some of them are inspired, one or two deserve to be damned.
San Francisco Examiner
Stanley Eichelbaum
Disregard the shortcomings of Bedazzled and enjoy it for what it is -- a light, frothy entertainment done with great verve and charm.
Boston Globe
Edgar J. Driscoll Jr.
"Faust gone mod" is the best way to describe Bedazzled, the sometimes witty, sometimes daffy and sometimes monotonous new British comedy
Philadelphia Inquirer
Henry T. Murdock
George is a card, Stanley is a dope, and Cook and Moore make them fascinating figures in an ingenuously constructed adventure in the bizarre.
Los Angeles Times
Charles Champlin
Cook and Moore perform wittily and engagingly but you do wish that Donen or someone had, at a point, saved them from themselves. It gives deviltry a bad name.
Philadelphia Daily News
Jack Helsel
Bedazzled is witty and well done, pardon the pun, a helluva funny adult comedy.
Variety
Variety Staff
Bedazzled is smartly-styled and typical of certain types of high British comedy.
Chicago Tribune
Clifford Terry
Overseen, rather than directed, by Stanley Donen, Bedazzled lacks consistency and cohesiveness, with some of the lines and situations seeming like Bob and Ray drop-outs via the Second City Improvisation Hour.
Pittsburgh Post-Gazette
Deborah Little
Bedazzled is probably the funniest movie of the year. It's a delightful collage of timely farce, irony and satire, framed by the relationship between God and the Devil. That sounds like an unpromising situation for a contemporary comedy, but it works.
Chicago Reader
Dave Kehr
The film is bright, inventive, and pointed -- one of the finest and funniest comedies of the 60s.
Austin American-Statesman
John Bustin
Rather like a revue comprising a fast series of gags and assorted fun, this story plays the percentages and wins on far more of its jokes than it loses.
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