16
2017    1h 52minAction, Adventure
6.234%61%6.4
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Adaptación cinematográfica de la novela homónima de Vince Flynnm, cuya trama presenta a Mitch Rapp, un estudiante ejemplar que, tras la terrible muerte de su novia en una playa a manos de unos terorristas, decide cambiar el rumbo de su vida y dedicarse a la caza de esta clase de delincuentes. Un año más tarde, entra en las filas de la CIA, institución en la que estará a las órdenes de su mentor, Stan Hurley.
Directed by Michael Cuesta
  • Dylan O'BrienMitch Rapp
  • Michael KeatonStan Hurley
  • Taylor Kitsch'Ghost'
  • Shiva NegarAnnika
  • Sanaa LathanIrene Kennedy
  • Scott AdkinsVictor
  • David SuchetDirector Stansfield
  • Navid NegahbanMinister Behurz
  • Joseph LongGeneral Rostami
  • Charlotte VegaKatrina
  • Andrew PleavinAdmiral Bristow
  • Shahid AhmedAdnan Al-Mansur
  • Joost JanssenAmerican Operator
  • Adam CollinsAmerican Operator #2, Mansur Compound
  • Christopher BomfordBartender
  • Stephen ShaferBlackhawk Pilot
  • Vladimir FriedmanBorys Bartosh
  • Nick CavaliereBuilding Superintendent
  • Adam RobertsonDamage Control Officer
  • Trevor WhiteDr. Frain
  • HaroldBawls11 de mayo de 2026
    This movie was really fun. At the end of it I was hoping for a second one. But then I realized its 10 years old.
  • 5nbks1 de julio de 2025
    It’s definitely a great movie
  • Patrick Wai21 de abril de 2026
    Michael Keaton and Shiva Negar walk away with the movie, which is awkward for a film supposedly built around Dylan O’Brien’s revenge-bot hero and Taylor Kitsch’s villain. This had the bones of a real spy thriller, and with its bigger budget and glossy set pieces it clearly is not one of those duct-taped Scott Adkins side quests, which only makes the missed opportunity more annoying. Mitch Rapp is basically Jason Bourne with an axe to grind and the impulse control of a lit firecracker: all loose-cannon swagger, no patience, forever disobeying orders because apparently “training” just means sprinting toward explosions. The problem is that once it stops being a spy movie and starts lunging toward generic action spectacle, the plot becomes painfully predictable and the whole thing loses the one thing it needed most: intrigue. Keaton does grizzled-pro mentor work like a man cashing checks with dignity, Negar brings more presence than the script deserves, and the rest of the movie keeps mistaking noise for suspense. Perfectly watchable, mildly dumb, and much less clever than its expensive haircut suggests. Critics weren’t far off this lane either, often calling it generic, predictable, and a missed opportunity despite some solid action and Keaton’s presence.
  • Alyssia Madianna1 de agosto de 2025
    I actually liked it
  • Shaydeknight26 de marzo de 2026
    This film is a decent little spy thriller. It never quite rises to greatness, but it remains watchable. The cast does most of the heavy lifting. Dylan O'Brien brings enough intensity to sell the transformation from civilian to operative, Michael Keaton adds gravitas as the hardened mentor, and Taylor Kitsch plays a suitably volatile antagonist. None of the performances are weak, and that helps stabilize the film even when the material wobbles. The premise is a little far fetched, but the film handles it with reasonable discipline. The action sequences are grounded and mostly plausible, avoiding the superhero excess that often creeps into modern spy films. Fights feel physical, stakes feel tangible, and the direction keeps things moving without becoming chaotic. Still, parts of the film feel overly neat. Character motivations snap into place too conveniently, and the escalation unfolds with a sense of mechanical inevitability. Nothing is terrible, yet things never quite gel. It has the feel of a smaller production trying to echo a bigger franchise, competent but slightly derivative, like a scaled down version of a more ambitious spy thriller. The script also leans heavily on topical elements such as nuclear brinkmanship, terrorism, and media manipulation. These are clearly meant to make the story feel urgent and contemporary, but they're merely incorporated rather than explored. The result is a film that gestures at relevance without really doing much with it. In the end, it's solid but unremarkable. Good acting, decent direction, competent action, and a serviceable plot. It works, but it doesn't leave a lasting impression, apart from simply "meh".
  • Jeffrey12 de julio de 2025
    One of my fav's. "How do you train someone to be in the IMF"!

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  • American Assassin
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  • American Assassin (Trailer 2)
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  • A Means To An End
    A Means To An EndEntre bastidores
  • Scott Adkins On The Story
    Scott Adkins On The StoryEntre bastidores
  • Michael Keaton On Stan Hurley
    Michael Keaton On Stan HurleyEntre bastidores
  • Stephen Schiff On 'Mitch Rapp'
    Stephen Schiff On 'Mitch Rapp'Entre bastidores
  • Lysa Flynn On Vince Flynn's Fans
    Lysa Flynn On Vince Flynn's FansEntre bastidores
  • Lorenzo di Bonaventura On The Books
    Lorenzo di Bonaventura On The BooksEntre bastidores
  • Shiva Negar On Her Character 'Annika'
    Shiva Negar On Her Character 'Annika'Entre bastidores
  • Khalid Laith On His Character 'Sharif'
    Khalid Laith On His Character 'Sharif'Entre bastidores
  • Michael Cuesta On Shooting On Location
    Michael Cuesta On Shooting On LocationEntre bastidores
  • Buster Reeves On The Action In The Film
    Buster Reeves On The Action In The FilmEntre bastidores
  • Dylan O'Brien On His Character 'Mitch Rapp'
    Dylan O'Brien On His Character 'Mitch Rapp'Entre bastidores
  • Taylor Kitsch On His Character's Motivation
    Taylor Kitsch On His Character's MotivationEntre bastidores
  • Joost Janssen On His Role As Military Advisor
    Joost Janssen On His Role As Military AdvisorEntre bastidores
  • Sanaa Lathan On What Attracted Her To The Role
    Sanaa Lathan On What Attracted Her To The RoleEntre bastidores
  • Enrique Chediak On Understanding The Look Of The Film
    Enrique Chediak On Understanding The Look Of The FilmEntre bastidores
  • Nick Wechsler On The Appeal Of Vince Flynn's Material
    Nick Wechsler On The Appeal Of Vince Flynn's MaterialEntre bastidores

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