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4 Months, 3 Weeks and 2 Days
Directed by
Cristian Mungiu
Not Rated
2007
1h 54m
Drama
7.9
96%
86%
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A woman assists her friend in arranging an illegal abortion in 1980s Romania.
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Cast of 4 Months, 3 Weeks and 2 Days
Anamaria Marinca
Otilia
Laura Vasiliu
Găbiță
Vlad Ivanov
Domnu' Bebe
Alexandru Potocean
Adi
Luminița Gheorghiu
Mrs. Radu
Adi Cărăuleanu
Dr. Radu
Liliana Mocanu
Unireal Hotel receptionist
Doru Ana
Gas pump attendant
Ion Sapdaru
Dr. Rusu
Cerasela Iosifescu
Receptionist Tineretului
Tania Popa
Night receptionist
Teodor Corban
Unireal Hotel receptionist
Eugenia Bosânceanu
Mr. Bebe's mother
Mărioara Sterian
Adela Racoviceanu
Georgeta Păduraru Burdujan
Mrs. Aldea
Geo Dobre
Dr. Aldea
Mădălina Ghițescu
Dora
Cătălina Harabagiu
Mihaela
Sânziana Tarța
Carmen
Adina Cristescu
The Bride
Constantin Bojog
Marcu
Cristina Burbuz
Marie-Jeanne Rusu
4 Months, 3 Weeks and 2 Days Ratings & Reviews
I.E. Weekly
Amy Nicholson
There's fascination in these still little dramas that feel more like voyeurism than cinema.
Detroit News
Tom Long
Observes with ruthless, artful precision. While plunging a knife through your soul.
Chicago Tribune
Michael Phillips
This is a beautiful film about ugly circumstances, set in 1987 near the end of the Ceausescu era in communist Romania.
Seattle Times
Moira MacDonald
The film emerges as a devastating personal drama, a suspenseful horror story and a powerful statement about life under a repressive regime.
Christian Science Monitor
Peter Rainer
It may seem perverse to contend that a movie with such a harrowing subject is nevertheless revivifying. But the New Wave of Romanian cinema is the most exciting in the world right now. 4 Months, 3 Weeks, and 2 Days is its latest masterpiece.
Philadelphia Inquirer
Steven Rea
The absolute clarity of the storytelling, the aching authenticity of the performances make for a film that will stay with you for at least as long as the period alluded to in its title. It might stay with you forever.
Chicago Sun-Times
Roger Ebert
A powerful film and a stark visual accomplishment.
Boston Globe
Ty Burr
Writer-director Cristian Mungiu confirms the Romanian cinema renaissance while creating a paradoxical marvel: a bleak tale of illegal abortion that powerfully affirms one's faith in people.
USA Today
Claudia Puig
Features impressive performances by the three main characters and powerful naturalistic cinematography.
San Francisco Chronicle
Mick LaSalle
First, this movie should be enjoyed. Later, marveled at. And then, once the excitement has faded, 4 Months, 3 Weeks and 2 Days really should be studied, because director Cristian Mungiu creates scenes unlike any ever filmed.
San Jose Mercury News
Bruce Newman
4 Months, 3 Weeks and 2 days feels like a kind of appendix -- and a bursting one at that -- to Krzysztof Kieslowski's Decalogue.
Austin Chronicle
Josh Rosenblatt
Virtuosic, assured, and possessed of undeniable aesthetic force, it's also hard not to turn away from.
MovieFreak.com
Sara Michelle Fetters
The winner of the 2007 Palme d'Or at the 2007 Cannes Film Festival, the movie is an instant classic, watching it as kinetically withering an experience as anything I any I've ever experienced.
Film Comment Magazine
Kristin M. Jones
[Christian] Mungiu has taken a leap forward into bold, focused storytelling.
Chicago Reader
Jonathan Rosenbaum
Cristian Mungiu's masterful chronicle is impressive above all for the way it respects the audience, expecting them to follow the implications of its multifaceted tale without always spelling them out.
The Deadbolt
Brian Tallerico
It's daring, challenging, and hard to take, but it's a story that should be told and very few filmmakers could have possibly told it this well.
Washington Post
Ann Hornaday
For film connoisseurs who are interested in how far the medium can go in depicting human stories with realism at its most confrontational and even discomfiting, 4 Months, 3 Weeks and 2 Days will provide a bracing breath of fresh cinematic air.
Wall Street Journal
Joe Morgenstern
Cristian Mungiu's elegantly crafted, brilliantly acted film, set in Bucharest in the late 1980s, near the end of the vile Ceausescu regime, needs special help in finding the audience it deserves.
Salon.com
Andrew O'Hehir
Oleg Mutu's deft handheld camerawork and Mungiu's meticulous reconstruction of Ceausescu-era Romania, in all its corruption, hypocrisy and drab cleanliness, create an overweening atmosphere of dread.
New York Post
V.A. Musetto
4 Months rings true, one reason being that the story was inspired by real-life events.
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