- ADONIS00922時間前This show is what happens when a horror movie, a pride parade, and a crime scene have a baby. There’s so much nudity, gore, and chaos that it makes Deadpool look like a Disney character. That said, the ending was pretty predictable and honestly a bit underwhelming. It is what it is. At least there’s more in store with Vault Rising. Hopefully that’s worth watching and brings something fresh to the table.👌🏽💯
- Gabriel Cahue7日前The Boys is not just a superhero series; it is a dark mirror of our society. In a corrupted world, where supposed saviors have turned into rotten idols, a group of ordinary people rises to confront the filth disguised as virtue. The first season was a masterstroke: fresh, brutal, with a premise that shook the very idea of what it means to be a “hero.” But as the seasons went on, the narrative began to wear down. What kept it alive was the gore, the shock value, that fascination with how far decadence could go. And yet, The Boys stood firm as one of the best offerings in the genre, because it wasn’t just about superheroes—it was about power, corruption, and the price of idolatry. It’s no secret that behind this work is the same genius who brought The Walking Dead to life. That series fell into the trap of repetition and unnecessary extension, but The Boys managed to avoid that fate: it rose from its slump and consolidated itself as one of the most intense stories in television. The ending is frenetic, almost suffocating. Everything happens so fast that there’s barely room to process it, and perhaps that is its greatest strength: forcing us to feel the desperation of a world collapsing without pause. For me, it is the best superhero series ever made, and I doubt another will surpass it, because the golden age of superheroes in media is coming to an end. The Boys doesn’t just entertain—it reminds us that behind every cape and perfect smile may lie the worst kind of corruption. And in the end, the true heroes are not the ones who fly, but those who dare to confront the lie.
- Richard2025年10月18日Superheroes, but make them corporate, corrupt and terrifying. This show flips the superheroes genre on its head. Homelander is Superman with a god complex and zero empathy. The Seven are more brand ambassadors than heroes and Vought International runs it all like a PR machine. Enter Billy Butcher and his crew, regular humans with vendettas, grit and a lot of swearing. The violence is brutal, the satire is razor sharp and the moral compass spins like a broken drone. It’s not subtle, but it’s smart. The show dives into power, media and manipulation with a wink and a sledgehammer.
- trrs2026年5月24日This is a pretty good show overall. It has its moments where it tends to fall flat especially in the later half but even until the end it was good enough to keep me watching. I wouldn’t call it the best superhero show I’ve seen but I do like that it’s a different take on how the world would be if superheroes were supplemented into modern society. One of my only real issues is you sorta of need to watch the spin off GEN V in between some seasons in order to get more understanding of the passage of time between seasons but at the same time it’s pointless. But you’ll see if you ever watch this show all the way through. Overall easy watch good acting and entertaining
- Hakihiko2026年5月24日The Gold Standard of Superhero Chaos "The Boys" is a rare kind of series, one that not only maintains its quality over time but actually grows stronger as it goes. Across the years, it has built something that feels bold, honest, and unapologetically messy in the best possible way. The performances are consistently excellent and fully committed. Every character feels real, not because they are likable, but because they are deeply flawed. That human core is what makes everything work, even in the most extreme and over-the-top moments. Visually, the show is sharp and confident, always supporting the tone without overshadowing it. The action is impactful, often brutal, but never empty. It serves the story and reinforces the chaotic world it portrays. What truly stands out is the writing. Instead of relying on a traditional "big villain," the series builds tension from within. The real danger comes from the characters themselves, from their power, their egos, and their inability to control either. It presents a version of superheroes that feels disturbingly believable: not symbols, but humans with the ability to destroy everything. The pacing across seasons is impressive, especially for a long-running show. It is very rare to see a series improve rather than decline, and "The Boys" manages to do exactly that. Even if the final season does not quite reach the same heights as the previous ones, it remains extremely strong and satisfying. In the end, it is more than just a great show. It sets a benchmark for the genre, showing what superhero fiction can be when it dares to be darker, smarter, and more honest.
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20種類以上のプラットフォームで無料で使えます。お手持ちのデバイスをお選びください。ザ・ボーイズに関するトリビア
ザ・ボーイズは、全5シーズンです。
ザ・ボーイズは、全40話です。
ザ・ボーイズの主要人物はBilly Butcher (Karl Urban), Hugh 'Hughie' Campbell (Jack Quaid), Homelander (Antony Starr)です。
ザ・ボーイズはPhilip Sgriccia, Karen Gaviola, Sarah Boyd, Frederick E. O. Toye, Eric Kripke, Shana Stein, Stefan Schwartz, Nelson Cragg, Catriona McKenzie, Julian Holmes, Liz Friedlander, Batan Silva, Dan Trachtenberg, Steve Boyum, Alex Graves, Jennifer Phang, Sylvain White, Dan Attias, Matt Shakmanが監督を務めました。
ザ・ボーイズはKarl Urban, Hartley Gorenstein, Antony Starrがプロデューサーを務めました。
欲と名声にとりつかれたスーパーヒーローたち。非公式に「ザ・ボーイズ」と呼ばれるグループが腐敗したスーパーヒーローたちを倒そうとする。特殊能力を持たない彼らは根性と信念で悪しきヒーローに立ち向かう。
ザ・ボーイズはR18+と評価されています。
ザ・ボーイズは、Action, コメディ, 犯罪の番組です。
ザ・ボーイズは、視聴者によって10点満点中6.9点をつけられています。
ザ・ボーイズの話の長さは、60mです。
スタジオからの新しいシーズンに関する情報はまだありません。