TV-14
2024    15mアニメーション, Short
7.365%71%7.4
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「シークレット・レベル」は、世界中で愛されるビデオゲームの世界を舞台にオリジナルストーリーを描く大人向けのアンソロジーアニメシリーズ。「ラブ、デス&ロボット」のクリエイターによる15話から成る各エピソードは、ゲームとゲーマーへの賛歌だ。

1シーズン

  • シーズン 1
    シーズン 115話
  • Aleks LeSwordsman (voice)
  • Fred TatascioreArena Announcer (voice)
  • Keanu ReevesPilot (voice)
  • Parry ShenMC (young) (voice)
  • Ping WuMC (Old) (voice)
  • Lydia LookLi (voice)
  • Nelson LeeSean (voice)
  • Feodor ChinThug (voice)
  • Rae LimMC (Child) (voice)
  • Erin YvetteThe Voice (voice)
  • Temuera MorrisonOld Salt (voice)
  • Patrick SchwarzeneggerThe Kid (voice)
  • Steve BlumDispatch / Mechanic (voice)
  • Noah ManzoorSolon (voice)
  • Madeleine KnightMora (voice)
  • Laura WohlwendTally (voice)
  • Delroy AtkinsonLuzum (voice)
  • Umulisa GahigaAhokal (voice)
  • Paul RidleyOriel (voice)
  • Rita EstevanovichTiamat (voice)
  • ahwoo
    ahwoo2024年12月22日
    Felt more like a bunch of trailers. However, episodes 4, 5, 8, 11, 12, 13 and 14 were my favorites!
  • Callum
    Callum2025年11月4日
    ⭐⭐⭐⭐ (out of 5) Secret Level – Gaming’s Hidden Stories Unlocked Secret Level is what happens when you take video games, strip away the controllers, and turn them into miniature films that dare you to play along with your brain instead of your thumbs. It’s an anthology of game-inspired tales — some literal, some wildly abstract — that makes you think, squint, and occasionally mutter, “Wait… is this that game?” Each episode stands firmly on its own, but maybe too firmly. Unlike other anthologies where a stylistic through-line ties the stories together (Room 104 or Electric Dreams, for example), here every entry feels like it’s been made by a completely different studio. One episode might be slow and philosophical, another manic and cartoonish — all linked only by the DNA of gaming. It’s disorienting at times but also part of the fun. The best moments come when you suddenly get it — when the pieces click and the homage becomes obvious. Those moments are the payoff, and they’re why this show rewards attention rather than casual viewing. It’s not perfect, but Secret Level succeeds where it matters: it makes you think about how storytelling and interactivity overlap, and how games have quietly shaped the way we watch television. Pairing: A bowl of chips and an energy drink that’s gone slightly flat — because you’ve been too busy figuring out the puzzle to notice the time.
  • Joshua Mykitta
    Joshua Mykitta2025年9月26日
    Very entertaining for both those that recognize the universes and games and for those that do not
  • Daniel Gustavsson
    Daniel Gustavsson2025年4月11日
    The episodes are way too short to make any sort of impact. Some episodes (like SIFU) are not even creative either and rather feels like a trailer for the game. I was very disappointed with this.
  • dj_xwing
    dj_xwing2025年1月31日
    Amazing Series!!!
  • MacBobby Chibuzor
    MacBobby Chibuzor2024年12月29日
    Better than Love, Death, and Robots.
  • Marko Tavares
    Marko Tavares2024年12月17日
    Awesome!!!
  • Corey Burkes
    Secret Level
    2026年7月28日

    Regarding AI Filmaking

    So, Secret Level, like Love Death and Robots, is a great anthology series. The stories are top notch, yadda, yadda, yadda so on and so forth. Hands down, great storytelling. You get engaged by the stories easily. Do you sit watching the majority of these stories, or even the cutscenes in your favorite video game and say: “Man, that motion capture guy really captured the hell out of motion! Let me like, follow and subscribe to motion capture guy #14.” No, you don’t and fuck you if you say you do because you’re just being snarky. My point is generative AI is here and rapidly picking up pace with better visual consistency. As you know, online chatter expresses a lot of hate for AI videos. Thus the “AI slop” tag that’s as original as the people who say it. What’s not being said is the hate behind it scuttles what could be once you ignore the excessive hate. First, your average non-film industry filmgoer looking to be entertained … the ones who don’t care who directed the movie or who was the animator #56 from South Korea … isn’t thinking about jobs being lost in the film industry because it doesn’t affect them. Second, jobs don’t have to be lost in the industry if they adapt to the tools and stop bitching. There is zero difference between the use of motion capture technology and AI generated work when you start using it above the TikTok common user and really plow into it. There is no hate for motion capture even when used in some of our favorite movies. Change, especially in America, is the worst. Horses to cars, movies to TV, landlines to cellphones, “photoshopped”, President Barack Obama wearing a tan suit. If it’s not the same old same old, or better yet, if it threatens the job they’ve been slacking and skating by on…. Or it suddenly comes in a different color they are used to… it’s a problem (unless you’re a pedophile president) AI movies, when done with command of good storytelling mastery, will succeed like Secret Level and you won’t even notice if you stop complaining and just listen and watch the story.

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