

The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law."
ヒルストリート・ブルースの視聴方法
ヒルストリート・ブルースの評価とレビュー
- flavo432025年11月24日Hill Street Blues stands as a pinnacle of the police procedural genre—one of the first shows to portray not just crime, but the complex, messy personal lives of the officers behind the badge. It set the bar for every police drama that followed. The series wasn’t afraid to tackle controversial topics head-on, from racism and corruption to addiction, mental health, and systemic failures. What made it truly groundbreaking was its large, diverse ensemble cast, something far ahead of its time for network television. Each character felt layered, flawed, and genuinely human. I watched the series in syndication, since I was too young when it originally aired, and I made sure never to miss an episode. Its gritty realism, overlapping storylines, and documentary-style atmosphere created a world that felt authentic long before “gritty” became a TV buzzword. Hill Street Blues remains one of the most influential police dramas ever made, and it still holds up remarkably well.
- Richard1日前I watched this series on TV when it originally aired and it quickly became one of those shows I tried to catch every single week. No streaming, no recording, just making sure I was in front of the TV when the episode started. And honestly, that alone says a lot about how good it was. The show had a great mix of style, atmosphere and storytelling that made it stand out from everything else on TV at the time. Sure, some parts show their age, but the core of the series still holds up. The world, the tone, the characters… it all still works. It’s a reminder of a time when TV had a different rhythm and when a good series could genuinely become part of your weekly routine.
ヒルストリート・ブルースに関するトリビア
ヒルストリート・ブルースは、全7シーズンです。
ヒルストリート・ブルースは、全146話です。
ヒルストリート・ブルースの主要人物はFrank Furillo (Daniel J. Travanti), Robert Hill (Michael Warren), Mick Belker (Bruce Weitz)です。
ヒルストリート・ブルースはGregory Hoblit, Christian I. Nyby II, David Anspaugh, Rick Wallace, Thomas Carter, John Patterson, Georg Stanford Brown, Gabrielle Beaumont, Scott Brazil, Robert Butler, Stan Lathan, Jeff Bleckner, Randa Haines, Arthur Allan Seidelman, Don Weis, Corey Allen, Alexander Singer, John D. Hancock, Bill Duke, Richard Compton, Michael Switzer, Jack Starrett, Robert C. Thompson, Edwin Sherin, Bob Kelljan, Mark Frost, Oz Scott, Rod Holcombが監督を務めました。
ヒルストリート・ブルースはDavid Anspaugh, Sascha Schneider, Anthony Yerkovich, Grant Tinker, Michael Vittes, David Milch, Gregory Hoblit, Scott Brazil, David Lattがプロデューサーを務めました。
The original "ensemble drama," this is the story of an overworked, under-staffed police precinct in an anonymous inner city patterned after Chicago. We follow the lives of many characters, from the lowly beat and traffic cops to the captain of the precinct himself. This is the show that blazed the trail followed later by such notable ensemble dramas as "St. Elsewhere" and "L.A. Law."
ヒルストリート・ブルースはTV-14と評価されています。
ヒルストリート・ブルースは、ドラマ, 犯罪, 謎の番組です。
ヒルストリート・ブルースは、視聴者によって10点満点中8.8点をつけられています。
ヒルストリート・ブルースの話の長さは、49mです。
いいえ、7シーズンでこの番組は打ちきりになっています。






























