10年前にベストセラーを執筆して以来、その後全く売れないノンフィクション作家のエリソン（イーサン・ホーク）は、妻トレイシー（ジュリエット・ライランス）と二人の子供と共に、ペンシルヴァニア州郊外の一軒家へ引っ越した。しかしエリソンは、以前そこである事件が起きた事を、家族に伝えていなかった。 その家は、かつてスティーヴンソンという一家が住んでいたが、家族は惨殺され、幼い娘が失踪するという事件が起きていた。エリソンは、事件の真相を調べて本を書き、作家として起死回生を図るために越して来たのだ。
- rg94002025年10月31日This was the last movie I had to watch from the Science of Scare list which ranks horror moves based on viewer heart rates and heart rate variance. This movie was ranked first, above every other entry in the list. This is actually my second time watching the movie. I don't remember much from my first watch outside of hating the ending, and I had rated it 5/10. This time, I went in with an open mind and let it wash over me, watching it in the dark and fully paying attention. This is a scary movie. A very scary movie. There are a lot of jump scares, some of which really made my heart pound. However, the real scares come from the quieter moments. The sequences where the audio isn't building up to a crescendo like the traditional horror movie trope. In fact, there is one sequence where he is just walking around his house in silence, brilliantly filmed and really effective at creating atmosphere. I was literally jumping at shadows, thinking there where things in wide shots that did not exist. There is this muted soundtrack with garbled children voices that plays during certain scenes that by itself is super creepy and distinctive. It also just has some really unsettling and upsetting subject matter. I can confirm that my heart rate was much higher than when I had watched a lot of the other movies on the list. I also just have to admire the technical craft of the movie. The imagery is memorable, and it doesn't rely on shaky cameras. Even if there is home footage, it isn't overly aged and instead moves slowly, deliberately, smoothly. There isn't an over-reliance on gore, yet it still feels a lot more violent than some of the bloodier movies. With effective jump scares, a heightened atmosphere, and a lingering impact, it really hits multiple checkboxes in terms of horror. Look, I still hate the ending. It is abrupt and jarring. While I get what it is doing thematically, it also feels like it doesn't land the message. Outside of Ethan Hawke's character, everyone else is basically a cardboard cutout, and had we gotten more time with the characters, maybe the ending would have worked better. The plot isn't super dynamic. These are all valid complaints, and I am sure that was my focus in my initial watch. However, if you are looking for a fright fest, this is about as good as it gets.
- Kevin Ward2025年7月7日After seeing The Black Phone with my oldest son, we decided to check this out together since it seems to have many of the same ingredients that worked so well. Scott Derrickson direction, Ethan Hawke starring, children in peril, serial killer with a supernatural slant and of course some grainy video footage. We both had a great time with this. It’s not as scary as I was expecting. Kind of felt like he could have prevented the whole scenario by 1. Not moving into the murder house and/or 2. Turning on some god damn lights. It does have some genuine creep out moments, particularly when there’s creepy ass kids involved. It’s has a satisfyingly deranged ending. Great flick.
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フッテージは2012年10月5日に公開されました。
フッテージはScott Derricksonが監督を務めました。
フッテージの上映時間は1h 50mです。
フッテージはJason Blum, Brian Kavanaugh-Jonesがプロデューサーを務めました。
10年前にベストセラーを執筆して以来、その後全く売れないノンフィクション作家のエリソン（イーサン・ホーク）は、妻トレイシー（ジュリエット・ライランス）と二人の子供と共に、ペンシルヴァニア州郊外の一軒家へ引っ越した。しかしエリソンは、以前そこである事件が起きた事を、家族に伝えていなかった。 その家は、かつてスティーヴンソンという一家が住んでいたが、家族は惨殺され、幼い娘が失踪するという事件が起きていた。エリソンは、事件の真相を調べて本を書き、作家として起死回生を図るために越して来たのだ。
フッテージの主要人物はEllison Oswalt (Ethan Hawke), Tracy Oswalt (Juliet Rylance), Professor Jonas (Vincent D'Onofrio)です。
フッテージはPG12と評価されています。
フッテージはホラー, スリラー, 謎映画です。
フッテージは、視聴者によって10点満点中6.2点をつけられています。
フッテージの予算は$300万です。
フッテージの興行収入は$8251.5万です。