オッド・トーマスはダイナーに勤務する20歳のコックである一方、実は霊能力の持ち主。女の子の霊に導かれて殺人犯を捜し出すなど、死者が見えると放ってはおけない。そんなある日、ダイナーでボダッハという気持ち悪い悪霊を大量に見つける。ボダッハは流血の惨劇が近づいていることをときに現れる悪霊だった。
- Nicholas Florio2026年1月24日Very corny. Target audience: tweens and "Twilight" fanatics. Possibly "Stranger Things" fans because of the cast. I'm a Stranger Things fan and I couldn't get into this. Eleven was way cooler than any of the quippy-dialogued female characters in this movie. It isn't a bad movie, it's just not really for adults, in my opinion...
- Shaydeknight2025年12月19日Odd Thomas feels like a lighter, superhero-adjacent cousin to ParaNorman or a more action-oriented variation on The Sixth Sense. It positions its protagonist as a gifted outsider who can see the dead and sense impending violence, but the film never quite settles into a tone that makes those elements come together properly. Having never read a Dean Koontz novel, I can't speak to the film's faithfulness to the source material. What does come across, however, is an apparent attempt to translate Koontz's literary dialogue style directly to the screen. The result is uneven at best. Much of the dialogue is stilted, emotionally flat, and oddly reminiscent of 1940s noir banter, only stripped of grit and charm, and replaced with glossy visuals and CGI. Occasionally it works, but more often it feels wooden and artificial. The voiceover is particularly problematic. While Anton Yelchin was quite a talented young actor whose early passing is genuinely tragic, the narration here is overly chipper, draining tension rather than enhancing it. It seems intended to capture the tone of the novel's internal monologue, but onscreen it becomes distracting and grating. From a technical standpoint, the film is competently made. Production values are high, the special effects are solid, and there are moments of genuine tension. The story itself is serviceable and occasionally engaging. Unfortunately, these strengths are undercut by inconsistent dialogue and character logic. Odd frequently behaves like a police officer (conducting investigations, inserting himself into dangerous situations) yet the film never adequately explains why he wouldn't simply pursue law enforcement if his goal is to stop bad people. Addressing his motivations is given seconds of screen time and why he does what he does remains frustratingly vague. Ultimately, Odd Thomas is less a horror film than an action-detective thriller with supernatural elements. It has the ingredients for something memorable, but they never fully gel. The end result is a film that is watchable, occasionally effective, but ultimately middle of the road.
- Michael Johnson2025年10月22日This movie is good, though not quite as great as the book. It really should’ve been made into a series. That way, they wouldn’t have had to leave out so many important characters. That said, for a runtime of just an hour and forty minutes, they did a great job with the time they had. It feels like a mix between Stranger Things and the American version of Dirk Gently, but it actually predates both by about three years. Overall, it’s worth watching for the writing alone.
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オッド・トーマス 死神と奇妙な救世主は2013年7月17日に公開されました。
オッド・トーマス 死神と奇妙な救世主はStephen Sommersが監督を務めました。
オッド・トーマス 死神と奇妙な救世主の上映時間は1h 36mです。
オッド・トーマス 死神と奇妙な救世主はStephen Sommers, John Baldecchi, Howard Kaplanがプロデューサーを務めました。
オッド・トーマスはダイナーに勤務する20歳のコックである一方、実は霊能力の持ち主。女の子の霊に導かれて殺人犯を捜し出すなど、死者が見えると放ってはおけない。そんなある日、ダイナーでボダッハという気持ち悪い悪霊を大量に見つける。ボダッハは流血の惨劇が近づいていることをときに現れる悪霊だった。
オッド・トーマス 死神と奇妙な救世主の主要人物はOdd Thomas (Anton Yelchin), Stormy Llewellyn (Addison Timlin), Wyatt Porter (Willem Dafoe)です。
オッド・トーマス 死神と奇妙な救世主はGと評価されています。
オッド・トーマス 死神と奇妙な救世主は謎, スリラー, コメディ映画です。
オッド・トーマス 死神と奇妙な救世主は、視聴者によって10点満点中6.5点をつけられています。
オッド・トーマス 死神と奇妙な救世主の予算は$2700万です。
オッド・トーマス 死神と奇妙な救世主の興行収入は$114.9万です。