Moonlight
7.498%79%7.4
Miami. Little ha dieci anni ed è il bersaglio dei bulli della scuola. Sua madre si droga, e lui trova rifugio in casa di Juan e Teresa, dove può parlare poco ma sa che può trovare le risposte alle domande che più gli premono. Nero fra soli neri, dei suoi coetanei non condivide l'atteggiamento aggressivo, l'arroganza che indossano fin da piccoli. Chiron -è questo il suo vero nome- non è un duro, ma nemmeno un debole. È gay e, anche se non lo dice, non sa essere chi non è, non sa e non vuole adeguarsi, così si ribella e finisce in prigione. Quando esce, Black è diverso, cambiato, apparentemente un altro, ma sempre lui.
- Spanktacular8 maggio 2025BrokeBlack Mountain. Absolutely worth the hype, beautiful emotional story with tremendous acting.
- Nicholas Florio8 dicembre 2025Great movie. It is sad but really good. Watch this if you are reading these reviews. This won't be a waste of your time.
- Lee Newton25 ottobre 2026Absolutely horrible.
- Tim and Ken16 febbraio 2026I've seen this movie 2 or 3 times. I always enjoy an LGBT coming of age story. Some other older gays might be able to relate to the challenges of coming out. The need to "act like one of the guys" to fit in. The sense that some of us are unable to come out to ourselves and others until there's some distance to feel safe enough to do so. But when it finally happens, it just feels so right, and freeing.
- jdough731 luglio 2026amazing!!!!!!!
- Garrett Wilkins22 luglio 2026Just as Andrea Arnold did in American Honey, Barry Jenkins turns his attention toward a part of America that mainstream filmmaking rarely cares to acknowledge. While American Honey follows one forgotten corner of the country's underclass, Moonlight reveals an entirely different one. Both films remind us just how many American stories remain untold. What struck me most was how little interest the film has in assigning blame or making a certain audience feel guilty by outright claiming any type of systemic injustice exists. It never seems interested in telling viewers what they're supposed to think. Instead, it simply presents its characters as they are, trusting that their humanity is enough to earn empathy on its own. I found that approach far more effective than the kind of mainstream dramas that arrive with their social justice lessons already baked into the screenplay. Mahershala Ali is phenomenal despite appearing for far less of the film than I expected. He had an aura of security about him that extended well beyond his limited screen time. I wasn't entirely convinced at first that Trevante Rhodes was the right choice for the film's final chapter. By the end, though, he had completely won me over as the right choice for the final act protagonist. Barry Jenkins directs with remarkable confidence and allows these performances and the silence between them to carry as much weight as the dialogue itself. I spent much of the film thinking less about where the story was going and more about what it was trying to say. It raises questions about identity, masculinity, sexuality, family, addiction, poverty, and belonging. I wondered whether it was subtly or perhaps even incidentally suggesting that society begins shaping a person's understanding of themselves long before they have the opportunity to define that identity on their own. Whether that was Jenkins' intention or simply my own interpretation, I appreciated that the film never forces an answer. But at the same time, I think Moonlight reaches into so many different areas that it never fully commits to any single one of them, and even though this can sometimes be a successful tactic, I can't quite say this film pulls that effort off well enough to be worthwhile. I have to say too, if I'm being forthright, I personally believe the Academy had stronger Best Picture nominees that year. With that said, I completely understand why Moonlight has become such a respected film. More than anything, I'm glad I watched the two A24 products, American Honey and Moonlight, back-to-back. They complement one another remarkably well, revealing two different perspectives of life beneath the surface of modern America without either one pretending to have all the answers.
- remii6 febbraio 2026What a debut movie
- arekyyz27 gennaio 2026Perfect.
- Kevin Ward3 luglio 2025Finally got around to watching this and holy sh🤩 it is so f🤩king good and worthy of all the praise. Such a powerfully moving story, it’s beautifully scored, with exquisite performances.
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Moonlight è stato rilasciato il 21 ottobre 2016.
Moonlight era diretto da Barry Jenkins.
Moonlight ha una durata di 1h 50min.
Moonlight è stato prodotto da Adele Romanski, Jeremy Kleiner, Dede Gardner.
Miami. Little ha dieci anni ed è il bersaglio dei bulli della scuola. Sua madre si droga, e lui trova rifugio in casa di Juan e Teresa, dove può parlare poco ma sa che può trovare le risposte alle domande che più gli premono. Nero fra soli neri, dei suoi coetanei non condivide l'atteggiamento aggressivo, l'arroganza che indossano fin da piccoli. Chiron -è questo il suo vero nome- non è un duro, ma nemmeno un debole. È gay e, anche se non lo dice, non sa essere chi non è, non sa e non vuole adeguarsi, così si ribella e finisce in prigione. Quando esce, Black è diverso, cambiato, apparentemente un altro, ma sempre lui.
I personaggi principali di Moonlight sono Black (Trevante Rhodes), Kevin (André Holland), Teresa (Janelle Monáe).
Moonlight è votato T.
Moonlight è un film Dramma.
Moonlight ha una valutazione di 7.9 su 10 dal pubblico.
Moonlight aveva un budget di 4 Mln USD.
Moonlight ha guadagnato 65 Mln USD al botteghino.