Warren Duff
Escritor, Productor
17 de mayo de 1904 — 5 de agosto de 1973 (69 años)
From Wikipedia, the free encyclopedia
Warren Duff (May 17, 1904 – August 5, 1973) was a film and television writer and producer.
As a writer, Duff wrote for films including, Fashions of 1934, Angels with Dirty Faces (1938), Experiment Perilous (1944), Step Lively (1944), Chicago Deadline (1949) and Appointment with Danger (1951)
He worked on television programs including The Rogues (1965), The Invaders, (1967) and Mannix (1967).
Duff, the producer of the film noir classic Out of the Past (1947), was once an actor and director on the New York City stage before turning to screenwriting when he entered the film business in 1931.
Nominated for the Edgar Allan Poe Awards: Edgar, Best Motion Picture, for Chicago Deadline (1949); shared with: Tiffany Thayer; 1950.
Warren Duff (May 17, 1904 – August 5, 1973) was a film and television writer and producer.
As a writer, Duff wrote for films including, Fashions of 1934, Angels with Dirty Faces (1938), Experiment Perilous (1944), Step Lively (1944), Chicago Deadline (1949) and Appointment with Danger (1951)
He worked on television programs including The Rogues (1965), The Invaders, (1967) and Mannix (1967).
Duff, the producer of the film noir classic Out of the Past (1947), was once an actor and director on the New York City stage before turning to screenwriting when he entered the film business in 1931.
Nominated for the Edgar Allan Poe Awards: Edgar, Best Motion Picture, for Chicago Deadline (1949); shared with: Tiffany Thayer; 1950.
Conocido por
Filmography
| 1967 | |
| 1967 | |
| 1967 | |
| 1967 | |
| 1966 | |
| 1964 | |
| 1955 | The Last Command · as Screenplay |
| 1954 | Make Haste to Live · as Screenplay |
| 1952 | The Turning Point · as Screenplay |
| 1950 | |
| 1949 | |
| 1949 | Chicago Deadline · as Screenplay |
| 1944 | Experiment Perilous · as Screenplay |
| 1944 | Step Lively · as Screenplay |
| 1944 | |
| 1943 | The Fallen Sparrow · as Screenplay |
| 1943 | The Iron Major · as Screenplay |
| 1941 | Shining Victory · as Contributing Writer |
| 1941 | The Lady from Cheyenne · as Screenplay |
| 1940 | 'Til We Meet Again · as Screenplay |
| 1939 | Invisible Stripes · as Screenplay |
| 1939 | Espionage Agent · as Screenplay |
| 1939 | Each Dawn I Die · as Screenplay |
| 1939 | The Oklahoma Kid · as Screenplay |
| 1938 | Angels with Dirty Faces · as Screenplay |
| 1938 | Gold Diggers in Paris · as Screenplay |
| 1938 | Gold Is Where You Find It · as Screenplay |
| 1937 | Submarine D-1 · as Screenplay |
| 1937 | Back in Circulation · as Screenplay |
| 1937 | Varsity Show · as Screenplay |
| 1937 | Ready, Willing and Able · as Screenplay |
| 1936 | Gold Diggers of 1937 · as Screenplay |
| 1936 | The Singing Kid · as Screenplay |
| 1935 | Broadway Gondolier · as Screenplay |
| 1935 | Sweet Music · as Screenplay |
| 1934 | The St. Louis Kid · as Screenplay |
| 1934 | |
| 1934 | Midnight Alibi · as Screenplay |
| 1934 | Twenty Million Sweethearts · as Screenplay |
| 1934 | The Crosby Case · as Screenplay |
| 1934 | Heat Lightning · as Screenplay |
| 1934 | I've Got Your Number · as Screenplay |
| 1933 | Deluge · as ScreenplayEn Plex |
| 1933 | The Constant Woman · as Screenplay |
| 1932 | Uptown New York · as Screenplay |
| 1962 | |
| 1959 | |
| 1951 | |
| 1950 | |
| 1947 | |
| 1947 | |
| 1946 | |
| 1944 |
| 1971 | Cade's County · as Written By |
| 1970 | Dan August · as Written By |
| 1969 | My Friend Tony · as Created By |
| 1965 | The F.B.I. · as Written By |
| 1963 | Burke's Law · as Written By |
| 1944 | Marine Raiders · as Story |
| 1943 | No Time for Love · as Adaptation |
| 1938 | Racket Busters · as Contributor To Screenplay Construction |
| 1937 | Stolen Holiday · as Story |
| 1936 | Stage Struck · as Contributor To Screenplay Construction |
| 1935 | Frisco Kid · as Story |
| 1935 | In Caliente · as Story |
| 1934 | Fashions of 1934 · as Story |
| 1932 | Lena Rivers · as Adaptation |
| 1932 | Strangers of the Evening · as Adaptation |
| 1932 | Hotel Continental · as Story |
| 1931 | X Marks the Spot · as Story |