Anora
作为当代影坛首屈一指的记录者，肖恩·贝克始终聚焦那些在美国资本主义幻梦边缘挣扎的追梦者与投机客。在这部大胆的反灰姑娘故事中，他的导演技艺臻至新境——这部融合新现实主义与神经喜剧的旋风之作，内核却饱含刺痛人心的力量。米奇·麦迪逊以电力四射的“巨星诞生式”表演惊艳银幕，饰演野心勃勃、脏话连篇的布鲁克林艳舞女郎兼性工作者阿诺拉。她的“不太白马王子”竟是一位俄罗斯寡头的纨绔之子。这段破碎童话就此展开——卡伦·卡拉古利安、尤拉·鲍里索夫与瓦切·托夫马相亦贡献了精彩演出——影片以颠覆性姿态撕开阶级之间的残酷现实。荣获2024年戛纳电影节金棕榈奖，再次奠定了贝克作为当代杰出作者导演的地位。
rg9400已评论
2024年12月21日•
Anora is a tour de force acting showcase for her, instantly propelling yet another Once Upon a Time in Hollywood Manson Family actor to soaring heights. The movie starts out with a frenetic pace, a sex-infused blitz through a week in Ani's life with Mark Eidelstein's Ivan. This part of the movie is visually engaging, though I preferred the second half. Here, the story slows down significantly and allows Madison's acting to truly shine. It's also where the comedy starts to burst through, with many laugh-out-loud moments that rival most modern comedies. Throughout, you can see how desperately she tries to fight and claw, even physically, for a chance to hold onto her Cinderella dream and in her belief in her own self-worth. As a viewer, we know where everything is headed; the movie makes no attempts to hide how it views its characters, yet it is fascinating to watch how much each of the characters try to resist the inevitable. Mikey's fiery acting demands all your attention, but it is excellently supported by Yura Borisov's quiet acting, managing to say so much without any words. The movie's structure feels decidedly unconventional, starting with a spiral, slowing down, before it ends with a screeching halt in what feels like a very un-Hollywood ending. The end result might initially feel anticlimactic, but this character study will linger in your mind, no small part due to that striking final image. Mikey has earned her laurels.
rg9400已评论
2024年12月21日•
Anora is a tour de force acting showcase for her, instantly propelling yet another Once Upon a Time in Hollywood Manson Family actor to soaring heights. The movie starts out with a frenetic pace, a sex-infused blitz through a week in Ani's life with Mark Eidelstein's Ivan. This part of the movie is visually engaging, though I preferred the second half. Here, the story slows down significantly and allows Madison's acting to truly shine. It's also where the comedy starts to burst through, with many laugh-out-loud moments that rival most modern comedies. Throughout, you can see how desperately she tries to fight and claw, even physically, for a chance to hold onto her Cinderella dream and in her belief in her own self-worth. As a viewer, we know where everything is headed; the movie makes no attempts to hide how it views its characters, yet it is fascinating to watch how much each of the characters try to resist the inevitable. Mikey's fiery acting demands all your attention, but it is excellently supported by Yura Borisov's quiet acting, managing to say so much without any words. The movie's structure feels decidedly unconventional, starting with a spiral, slowing down, before it ends with a screeching halt in what feels like a very un-Hollywood ending. The end result might initially feel anticlimactic, but this character study will linger in your mind, no small part due to that striking final image. Mikey has earned her laurels.
