Ash
4.671%53%5.2
On the mysterious planet of Ash, Riya awakens to find her crew slaughtered. When a man named Brion arrives to rescue her, an ordeal of psychological and physical terror ensues while Riya and Brion must decide if they can trust one another to survive.
RipLinesMan reviewed
April 24, 2025•
Ash wants to be Event Horizon (1997), but only captures the shadows, not the fire. Eiza González leads as Riya, a survivor in the aftermath of a massacre aboard a distant space station. She brings conviction, but the script drifts — more quiet than tension, more mystery than menace.
Aaron Paul’s Brion is watchable, but underwritten, and while Iko Uwais brings intensity as Adhi, his presence is more setup than payoff. The supporting cast — Kate Elliott as Clarke and Beulah Koale as Kevin — do what they can, but the film’s rhythm never quite locks in.
Compare that to Event Horizon, where Laurence Fishburne’s Captain Miller and Sam Neill’s Dr. Weir tear through grief and cosmic dread with urgency. That ship felt cursed — alive. In Ash, the station is eerily quiet, but rarely threatening. The horror comes in waves, but never crashes.
Both films ask: what happens when you wake up too late to stop the nightmare? But only one feels like it stares back. Ash aims high, but in space, drifting is still drifting.
RipLinesMan reviewed
April 24, 2025•
Ash wants to be Event Horizon (1997), but only captures the shadows, not the fire. Eiza González leads as Riya, a survivor in the aftermath of a massacre aboard a distant space station. She brings conviction, but the script drifts — more quiet than tension, more mystery than menace.
Aaron Paul’s Brion is watchable, but underwritten, and while Iko Uwais brings intensity as Adhi, his presence is more setup than payoff. The supporting cast — Kate Elliott as Clarke and Beulah Koale as Kevin — do what they can, but the film’s rhythm never quite locks in.
Compare that to Event Horizon, where Laurence Fishburne’s Captain Miller and Sam Neill’s Dr. Weir tear through grief and cosmic dread with urgency. That ship felt cursed — alive. In Ash, the station is eerily quiet, but rarely threatening. The horror comes in waves, but never crashes.
Both films ask: what happens when you wake up too late to stop the nightmare? But only one feels like it stares back. Ash aims high, but in space, drifting is still drifting.
