Final Destination: Bloodlines

Final Destination: Bloodlines
Plagued by a violent recurring nightmare, college student Stefanie heads home to track down the one person who might be able to break the cycle and save her family from the grisly demise that inevitably awaits them all.
Hipster ZOMBIE reviewedMay 18, 2025
It’s been 14 years since the last Final Destination and with Bloodlines, the series has returned with a vengeance not wasting anytime to remind horror fans why it is such a beloved franchise.
Bloodlines is a blood-soaked, tension-packed revival that digs deep into the mythos of Death’s design while delivering some of the most inventive kills the series has ever unleashed.
The story centers on a cursed family haunted across generations, tying back to the original chain of survivors in a clever and satisfying way. By focusing on a mother and daughter—both unknowingly linked by the sins of the past—the film explores themes of inherited fate and guilt. This generational angle adds a fresh emotional depth, as the characters aren’t just fighting for survival—they’re trying to break a deadly legacy.
Where Bloodlines really shines is in its gore-drenched creativity. Fans of the franchise will relish the outrageous death sequences that blend suspense, misdirection, and explosive payoffs. One kill involving a bbq, trampoline, broken glass and a lawnmower is so tense and bizarre it practically demands a standing ovation. Another, set in a hospital and involves a vending machine and an MRI machine is brutal to watch.
The film also marks the final appearance of Tony Todd as the enigmatic William Bludworth. Though his screen time is brief, it’s poignant—his chilling presence anchors the mythology one last time. The end credits roll with a touching tribute to Todd.
Final Destination: Bloodlines may be the sixth film in a long-running series, but it feels anything but tired. With a sharper story, memorable deaths, and a proper farewell to a horror icon, it proves that even death can have a few tricks left up its sleeve.