Les Misérables
Les Misérables
In 19th-century France, Jean Valjean, who, for decades, has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.
Manuel Frangis reviewedApril 16, 2025
I just watched Les Misérables, and I give it 4 out of 5 stars. This movie is big in every way — big emotions, big performances, big musical numbers, and a story that feels like it was made to shake you up a little. It’s dramatic, it’s heartbreaking, it’s hopeful, and even though it’s long and a lot to take in, it’s one of those movies that leaves a mark. I’m glad I finally sat down and gave it the full attention it deserves.
The story, based on the famous musical and Victor Hugo’s novel, follows Jean Valjean, a man who served time for stealing bread and is trying to rebuild his life while being hunted by a relentless officer named Javert. But that’s just the beginning. It’s also about love, sacrifice, justice, redemption, and revolution. There are so many characters and layers, and even though it gets overwhelming at times, it all ties together beautifully in the end.
Hugh Jackman as Jean Valjean gives everything he has in this role. He sings, he cries, he struggles, and you feel all of it. He brings so much heart and emotion to the character. You can see how haunted he is by his past, how badly he wants to be a better man, and how hard that is in the world he’s stuck in. It’s a performance full of pain and hope, and it really anchors the whole movie.
Russell Crowe as Javert is a bit more divisive. He’s serious and intense, and I think he plays the role with the right amount of stubbornness and pride. His voice might not be as strong as some of the others, but I still liked the way he carried himself. He felt like a man trapped by his own beliefs, and that’s what Javert is all about.
Anne Hathaway as Fantine absolutely destroys in the best way. Her version of “I Dreamed a Dream” is heartbreaking. It’s raw, stripped down, and full of emotion. She doesn’t hold back, and it pays off. Even though she’s not in the whole movie, her performance sticks with you.
Amanda Seyfried and Eddie Redmayne are sweet as Cosette and Marius. Their love story isn’t my favorite part of the movie, but it works, especially when you bring in Samantha Barks as Éponine. Her solo is another standout — full of quiet pain and longing that hits hard without needing to go over the top.
The direction and visuals are strong. Tom Hooper keeps the camera in close a lot, which makes everything feel personal, but also a little claustrophobic. The sets and costumes are detailed and dirty in the right way — you feel like you’re in 1800s France, right in the middle of all the grime and desperation. The music is non-stop, and that’s the only thing that can feel a little much. It’s a full-on sung-through musical, so there’s barely any dialogue. If you’re not into musicals, this might feel like too much.
I give Les Misérables 4 out of 5 stars because it’s bold, emotional, and full of unforgettable performances. It’s long and sometimes heavy, but it tells a powerful story about redemption, love, and standing up for what’s right. Overall Les Misérables is a sweeping, emotional musical with a lot to say and a cast that really delivers. It’s not a light watch, but it’s absolutely worth it.