Julie Bovasso
Darsteller
1. August 1930 — 14. September 1991 (61 Jahre)
Julia Anne Bovasso (August 1, 1930 – September 14, 1991) was an American actress of stage, screen, and television.
Bovasso was born in Brooklyn, New York and raised in the Bensonhurst neighborhood of this borough, the daughter of Angela Mary (née Padovani) and Bernard Michael Bovasso, a teamster. She was Albanian-Italian-American.
She attended The High School of Music & Art in Manhattan.
Bovasso appeared in numerous films, including Saturday Night Fever (1977) as Florence Manero, the mother of John Travolta's character, Tony Manero. She reprised the role in the film's 1983 sequel Staying Alive. Before Saturday Night Fever, she appeared in the 1970 Otto Preminger film Tell Me That You Love Me, Junie Moon.
In addition to Staying Alive, she was in a number of films in the 1980s, including Willie & Phil (1980), The Verdict (1982), Daniel (1983), Off Beat (1986), Wise Guys (1986), Moonstruck (1987). In the 1990s, Bovasso was seen in Betsy's Wedding (1990) and My Blue Heaven (1990).
On-stage, Bavasso wrote and appeared in avant-garde productions off-Broadway such as Jean Genet's The Maids. For the latter, she won the first Best Actress Obie (Off-Broadway) Award in 1956, presented to her by Shelley Winters.
Before her film work, Bovasso established the experimental Tempo Playhouse at 4 St. Marks Place in Manhattan during the 1950s. There, she introduced works of the Theater of the Absurd, including works by the playwrights Jean Genet, Eugene Ionesco and Michel de Ghelderode, to the professional theater in the United States.
Bovasso also performed with The Living Theater and had a longstanding relationship with La Mama Experimental Theatre Club. From 1968 to 1975, she directed many of her own original works at La MaMa, including Gloria and Esperanza, Schubert's Last Serenade, The Moondreamers, Standard Safety, and The Nothing Kid.
In addition to her work as a director and actor, her playwriting credits include the four-hour play Gloria and Esperanza, which Village Voice theatre critic Jerry Tallmer described as "a miracle, a mythopoetic fireworks display." A sought-after acting coach, Bovasso was known as an exacting instructor and her private New York workshops regularly included prominent performers. As per the DVD commentary, Bovasso coached both Cher and Olympia Dukakis on their Brooklyn accents in the film Moonstruck.
In earlier performances, she played Rose Corelli Fraser in the short-lived soap opera From These Roots. She was fired from that show due to a disagreement with producers.
Bovasso was born in Brooklyn, New York and raised in the Bensonhurst neighborhood of this borough, the daughter of Angela Mary (née Padovani) and Bernard Michael Bovasso, a teamster. She was Albanian-Italian-American.
She attended The High School of Music & Art in Manhattan.
Bovasso appeared in numerous films, including Saturday Night Fever (1977) as Florence Manero, the mother of John Travolta's character, Tony Manero. She reprised the role in the film's 1983 sequel Staying Alive. Before Saturday Night Fever, she appeared in the 1970 Otto Preminger film Tell Me That You Love Me, Junie Moon.
In addition to Staying Alive, she was in a number of films in the 1980s, including Willie & Phil (1980), The Verdict (1982), Daniel (1983), Off Beat (1986), Wise Guys (1986), Moonstruck (1987). In the 1990s, Bovasso was seen in Betsy's Wedding (1990) and My Blue Heaven (1990).
On-stage, Bavasso wrote and appeared in avant-garde productions off-Broadway such as Jean Genet's The Maids. For the latter, she won the first Best Actress Obie (Off-Broadway) Award in 1956, presented to her by Shelley Winters.
Before her film work, Bovasso established the experimental Tempo Playhouse at 4 St. Marks Place in Manhattan during the 1950s. There, she introduced works of the Theater of the Absurd, including works by the playwrights Jean Genet, Eugene Ionesco and Michel de Ghelderode, to the professional theater in the United States.
Bovasso also performed with The Living Theater and had a longstanding relationship with La Mama Experimental Theatre Club. From 1968 to 1975, she directed many of her own original works at La MaMa, including Gloria and Esperanza, Schubert's Last Serenade, The Moondreamers, Standard Safety, and The Nothing Kid.
In addition to her work as a director and actor, her playwriting credits include the four-hour play Gloria and Esperanza, which Village Voice theatre critic Jerry Tallmer described as "a miracle, a mythopoetic fireworks display." A sought-after acting coach, Bovasso was known as an exacting instructor and her private New York workshops regularly included prominent performers. As per the DVD commentary, Bovasso coached both Cher and Olympia Dukakis on their Brooklyn accents in the film Moonstruck.
In earlier performances, she played Rose Corelli Fraser in the short-lived soap opera From These Roots. She was fired from that show due to a disagreement with producers.
Bekannt aus
Filmografie
| 1992 | Article 99 · as Amelia Sturdeyvant |
| 1990 | My Blue Heaven · as Vinnie's Mother |
| 1990 | Betsy's Wedding · as Grandma |
| 1988 | |
| 1987 | Moonstruck · as Rita Cappomaggi |
| 1986 | Wise Guys · as Lil Dickstein |
| 1986 | Off Beat · as Mrs. Wareham |
| 1986 | A Time to Triumphauf plex.tv |
| 1985 | Doubletake · as Lou Dimona |
| 1985 | Doubletake · as Lou Dimona |
| 1984 | Miami Vice · as Bag Lady |
| 1983 | Daniel · as Frieda Stein |
| 1983 | Staying Alive · as Mrs. Manero |
| 1982 | The Verdict · as Maureen Rooney |
| 1981 | |
| 1981 | The Gentleman Bandit · as Doris |
| 1981 | Nurse · as Mrs. Mazzelli |
| 1980 | Willie & Phil · as Mrs. D'amico |
| 1978 | Just Me and You · as Waitress |
| 1977 | Saturday Night Fever · as Flo |
| 1970 | Tell Me That You Love Me, Junie Moon · as Ramona |
| 1962 | The Doctors and the Nurses · as Charge Nurse |
| 1961 | The Defenders · as Ruth Brenner |
| 1960 | The Iceman Cometh · as Pearl |
| 1959 | The Play of the Week · as Pearl |
| 1953 | The United States Steel Hour · as Betty Blake |
| 1952 | CBS Television Workshop · as Sadie (segment "tessie Malfitano") |
| 1969 | The Fall · as Self |