Allen Rivkin
Autor, Produzent, Darsteller
20. November 1903 — 17. Februar 1990 (86 Jahre)
Allen Rivkin (20 November 1903 – 17 February 1990) was an American screenwriter.
Rivkin was a advertising copy writer, who went to Hollywood and joined the RKO Pictures publicity department. He formed a film writing team with P. J. Wolfson, who got a writer’s contract on the strength of "Bodies Are Dust". They started at Universal Pictures the same day. Through a luncheon conversation that day decided to collaborate on a story. In less than two years the pair wrote ten screen plays. They later wrote for the B. P. Schulberg company at Paramount Pictures. He was one of the co-founders of the Screenwriters Guild, later the Writers Guild of America. He wrote several of his scripts with his wife, Laura Kerr.
From Wikipedia, the free encyclopedia.
Rivkin was a advertising copy writer, who went to Hollywood and joined the RKO Pictures publicity department. He formed a film writing team with P. J. Wolfson, who got a writer’s contract on the strength of "Bodies Are Dust". They started at Universal Pictures the same day. Through a luncheon conversation that day decided to collaborate on a story. In less than two years the pair wrote ten screen plays. They later wrote for the B. P. Schulberg company at Paramount Pictures. He was one of the co-founders of the Screenwriters Guild, later the Writers Guild of America. He wrote several of his scripts with his wife, Laura Kerr.
From Wikipedia, the free encyclopedia.
Bekannt aus
Filmografie
| 1959 | |
| 1959 | The Big Operator · as Screenplay |
| 1958 | Girls on the Loose · as Screenplay |
| 1958 | Live Fast, Die Young · as Screenplay |
| 1955 | The Road to Denver · as Screenplay |
| 1955 | The Eternal Sea · as Screenplay |
| 1955 | Timberjack · as Screenplay |
| 1954 | |
| 1951 | |
| 1951 | Grounds for Marriage · as Screenplay |
| 1950 | Gambling House · as Screenplay |
| 1949 | Tension · as Screenplay |
| 1947 | |
| 1947 | |
| 1946 | The Thrill of Brazil · as Screenplay |
| 1946 | Till the End of Time · as Screenplay |
| 1945 | |
| 1942 | Kid Glove Killer · as Screenplay |
| 1942 | |
| 1942 | Joe Smith, American · as Screenplay |
| 1941 | Highway West · as Screenplay |
| 1941 | Bad Men of Missouri · as Contributing Writer |
| 1941 | Singapore Woman · as Screenplay |
| 1940 | Typhoon · as Screenplay |
| 1939 | Let Us Live · as Screenplay |
| 1939 | |
| 1938 | Straight Place and Show · as Screenplay |
| 1938 | The Baroness and the Butler · as Contributing Writer |
| 1937 | |
| 1936 | Champagne Charlie · as Screenplay |
| 1935 | Bad Boy · as Screenplay |
| 1935 | Black Sheep · as Screenplay |
| 1935 | Our Little Girl · as Screenplay |
| 1934 | |
| 1933 | Dancing Lady · as Screenplay |
| 1933 | Meet the Baron · as Screenplay |
| 1933 | Headline Shooter · as Screenplay |
| 1932 | The Devil Is Driving · as Screenplay |
| 1932 | What Price Hollywood? · as Screenplay |
| 1931 | Are These Our Children · as Minor Role |
| 1960 | Here's Hollywood · as Self |
| 1962 | Saints and Sinners · as Story |
| 1957 | M Squad · as Teleplay |
| 1953 | Battle Circus · as Story |
| 1951 | It's a Big Country: An American Anthology · as Story |
| 1951 | Schlitz Playhouse of Stars · as Teleplay |
| 1949 | The Accused · as Contract Writer |
| 1949 | My Dream Is Yours · as Adaptation |
| 1946 | Dead Reckoning · as Adaptation |
| 1940 | Behind the News · as Story |
| 1937 | Second Honeymoon · as Contract Writer |
| 1937 | This Is My Affair · as Story |
| 1937 | Love Is News · as Original Dialogue |
| 1936 | Under Two Flags · as Additional Dialogue |
| 1936 | It Had to Happen · as Additional Scenes |
| 1933 | Melody Cruise · as Additional Dialogue |
| 1933 | The Girl in 419 · as Adaptation |
| 1933 | Picture Snatcher · as Adaptation |
| 1932 | 70,000 Witnesses · as Additional Dialogue |
| 1932 | Is My Face Red? · as Theatre Play |
| 1932 | Night World · as Story |