Wie in einem Spiegel
Regie Ingmar Bergman7.9100%92%7.8
Karin leidet unter einer unheilbaren Geisteskrankheit. Gemeinsam mit ihrem Mann Martin, ihrem Bruder Peter und ihrem Vater David macht sie Urlaub auf einer Ostseeinsel, als die Krankheit ausbricht, was alle Anwesenden zwingt, sich mit unangenehmen Wahrheiten auseinanderzusetzen. Mit Harriet Andersson und Max von Sydow.
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Wie in einem Spiegel Rezensionen & Wertungen
- makdelart16. Dezember 2025A study of a woman suffering from schizophrenia surrounded by men who love her, but who have their own reasons, motives and expectations. In her search for God, the woman sinks deeper into schizophrenia.
- CrossCutCritic5. Mai 2025Love and Madness in the Silence of God -- There are no demons in this film. Only a woman, unraveling. And a God, unmoving. --- In Through a Glass Darkly, Ingmar Bergman gives us not apocalypse, but intimacy — a four-person chamber play in which the collapse of the soul sounds less like thunder and more like a violin string tightening past pitch. Harriet Andersson is Karin, newly released from psychiatric care, returned to a remote island with her emotionally absent father, her searching husband, and her adoring younger brother. But what returns with her is not peace — it is a voice. From behind the wallpaper. From another world. A divine visitation. Or delusion. Or both. Bergman never tells us which. Because this film isn’t asking “Is God real?” It’s asking: “What if He is — and He doesn’t answer?” --- Karin believes God is speaking to her. That He will come through the wall and meet her face to face. But when He arrives, He has the face of a spider. And He tries to penetrate her. There are no symbols subtle here. Only the shattering of a woman who sought divine love and found divine violation. But this is not a blasphemous film. It is a Job film. It is a film that takes divine silence so seriously it puts madness in its place. Because for Karin — as for many of us — the need to be loved by God is not theological. It is survival. --- Her father, David — a writer who once tried to kill himself — stands for every parent, every priest, every preacher who substitutes art for intimacy and calls it care. He observes Karin. Records her. And then — too late — says he loves her. But Karin has already fallen. And that is what makes this a spiritual horror story: Not the schizophrenia. Not the voices. But the human ache for God to come and touch us — and the terror that, if He does, it might destroy us. --- Yet still... the film closes with a whisper of mercy. In the final scene, David tells his son that God is love. Not a presence, but a posture. Not a certainty, but a choice. And the boy — still too young to know what words can’t fix — says: “If that’s true, it’s a great help.” It is a quiet ending. But not a hopeless one. Because what Bergman offers us here is not the comfort of resolution — but the courage of waiting. --- Through a Glass Darkly is a cruciform film. Not because it preaches Christ. But because it suffers into silence. Because it dares to name the chasm between divine absence and human longing — and still, somehow, hopes. Even if God comes through the wall as a spider. Even if He says nothing at all. Even if the only echo is our own. --- Because perhaps love isn’t certainty. Perhaps love is what we choose to believe when belief feels like madness. And maybe faith is nothing more than the last thread we hold as we fall into the dark— whispering not that God is real, but that God is love. ---
Wie in einem Spiegel Trivia
Wie in einem Spiegel wurde am 16. Oktober 1961 veröffentlicht.
Regie in Wie in einem Spiegel führte(n) Ingmar Bergman.
Wie in einem Spiegel hat eine Spielzeit von 1 Std., 31 Min..
Wie in einem Spiegel wurde produziert von Allan Ekelund.
Karin leidet unter einer unheilbaren Geisteskrankheit. Gemeinsam mit ihrem Mann Martin, ihrem Bruder Peter und ihrem Vater David macht sie Urlaub auf einer Ostseeinsel, als die Krankheit ausbricht, was alle Anwesenden zwingt, sich mit unangenehmen Wahrheiten auseinanderzusetzen. Mit Harriet Andersson und Max von Sydow.
Die Hauptcharaktere in Wie in einem Spiegel sind Karin (Harriet Andersson), David (Gunnar Björnstrand), Martin (Max von Sydow).
Wie in einem Spiegel ist bewertet mit 12.
Wie in einem Spiegel ist eine Drama Film.
Wie in einem Spiegel hat eine Benutzerbewertung von 9.2 von 10.
Wie in einem Spiegel erzielte Einnhamen von 8.939 $ an den Kinokassen.