16
2010    1 Std., 37 Min.Action, Adventure
6.247%54%6.3
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Offiziell hat die US-Regierung noch nie etwas von Clay und seinen Jungs Jensen, Pooch, Roque und Cougar gehört, inoffiziell erledigt das Quintett heikle Aufträge für Onkel Sam – bis der geheimnisvolle Schurke Max ihren Hubschrauber bei einem Einsatz in Bolivien abschießen lässt, es anstelle des Teams aber 25 Kinder erwischt, welche Clay und seine Einheit bei dem Einsatz gerettet hatten. Für tot gehalten tauchen die fünf Elitesoldaten unter.Kurze Zeit darauf macht Aisha das Team ausfindig und ihm ein Angebot: Sie schafft die fünf in die USA zurück und gibt ihnen die Chance zur Rache, falls sie ihr helfen Max zu kidnappen. Das Quintett willigt ein, doch schon bald müssen die Profis bei ihrer Jagd auf den größenwahnsinnigen Superschurken feststellen, dass nicht jeder der Beteiligten mit offenen Karten spielt…
Regie Sylvain White
  • Jeffrey Dean MorganClay
  • Zoe SaldañaAisha
  • Chris EvansJensen
  • Idris ElbaRoque
  • Columbus ShortPooch
  • Óscar JaenadaCougar
  • Jason PatricMax
  • Holt McCallanyWade
  • Peter MacdissiVikram
  • Peter Francis JamesFadhil
  • Tanee McCallJolene
  • Mark GintherGoliath Guard
  • Daniel KalalGoliath Guard
  • Colin FollenweiderGoliath Guard
  • Garrett WarrenGoliath Guard / Second Unit Director
  • Rey HernandezArmored Car Guard
  • Ernesto Morales RamosNabil
  • Evan MirandLead Chryon Guard
  • Noel EstrellaIndian Thug Leader
  • Gunner WrightJet Pilot
  • Shaydeknight24. Januar 2026
    The Losers is a frustratingly middling comic book adaptation. It has enough strengths to remain watchable, but too many structural and writing problems to ever rise above the merely mediocre. The film's strongest asset is its ensemble. The cast is uniformly strong, and several actors elevate the material. Chris Evans stands out in particular, displaying a loose charisma and comic timing that make his scenes consistently engaging. Idris Elba brings authority and presence, grounding the team dynamic even when the script falters. Jason Patric's appearance is also welcome, he remains a capable and compelling actor, and his career trajectory continues to feel like a missed opportunity in Hollywood. As an adaptation of the Vertigo comic, the film is serviceable but noticeably toned down. The sharper edges of the source material are softened, resulting in something safer and more conventional. While this makes the movie more accessible, it also drains it of much of its personality. It wants to be edgy without fully committing to the attitude or consequences that would justify that tone. The dialogue is one of the film's weakest elements. Conversations often feel padded and circular, with conflicts that exist primarily to delay resolution rather than deepen character or advance the story logically. Many of the plot's complications could be resolved through a quick 5-minute conversation between characters, which makes the extended exchanges feel artificial and tiresome. Ultimately, The Losers is not a bad film, but it is an uninspired one. It has decent action sequences, occasional enjoyable character moments, and competent direction from Sylvain White, but it never coalesces into something memorable. Too many unanswered questions, too much illogical dialogue, and too many familiar genre shortcuts leave it feeling hackneyed. The result is a movie that passes the time but leaves little reason to revisit it.
  • keithy07730. September 2025
    Ok, kinda tries to be funny and serious but isn't either.

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