Rund 20 Jahre ist es her, dass Andrea "Andy" Sachs und Emily Charlton als Assistentinnen der Modemagazin-Chefin Miranda Priestley unter deren teuflischer Art litten. Inzwischen haben die beiden Frauen jedoch ganz eigene Karrierwege eingeschlagen, Emily sogar überaus erfolgreich als Managerin einer Luxus-Marke, für deren Werbekampagnen unfassbar viele Dollar auf die hohe Kante gelegt werden. Von einem derartigen Budget kann Miranda Priestley derzeit jedoch nur träumen. Die Zeiten des rollenden Rubel sind für sie vorbei, denn im Internet-Zeitalter verkauft sich ihre klassisch gedruckte Zeitschrift „Runway“ immer und immer schlechter. Doch wie das Schicksal so will, kreuzen sich die Wege von Miranda, Andy und Emily nach all dieser Zeit wieder – und auch Art Director Nigel darf nicht fehlen, wenn es im New Yorker Modezirkus wieder rundgeht.
Der Teufel trägt Prada 2 ansehen bei
- OdinTheRavenKingvor 1 Tag## Synopsis After years of journalism, Andy is fired along with her whole team by her newspaper. However, her old employer just so happens to be in need of a journalist to help spin the yarn and save their own career. ## Review I started the last review with some troubling things, so this time I am going to call out the social justice person, Amari. So it shows her constantly telling Miranda that she can't say things, but then she immediately turns around and tells Charles, someone who sits where Anne used to, that they can't use the restroom. Calling him Charles the Chair since he can't leave the chair. The hypocrisy is excessively annoying because it happens way too much in real life. This movie does something very well that you typically only see in movies that have long wait times between sequels. Keeping true to the original. This movie came out 20 years after this first which means that bringing back all the original cast is a feat of its own with how big everyone has become since [[The Devil Wears Prada]]. However, they are all consummate professionals and believe in the work and the characters. That means the story and the people are exactly how we left them, just with more wrinkles, which is a good thing. The story is very cute. I found it to be very funny in a way that I didn't expect. I really appreciate the frustration of the old crew with the new generation, the new generations frustration with the others. There is also such a great weaving of people playing roles in the background that we don't really see, but do follow their characters' story. I also love the bow at the end. ## [My Rating] This is a love letter to the original story and the fans. It is just as cute and as good as the first. Honestly, Anne and Emily are the highlights from a character and capability growth perspective. They are the powerhouses in this movie. Meryl is still good as well, but she was outstanding in the last one. Stanley Tucci is still my favorite. I don't know if it is the shadow loving parent bit or just his delivery, but he would be a great person to have in your life. This movie is an 8. ## [Parental Rating] Just like the last one, there is nothing really wrong with it. I think my parents will resonate with Meryl being lost in the new rules. There is limited language, no violence, and sex. They would for sure watch it with the granddaughters. Approved by both.
- Hakihikovor 1 TagOlder Glamour, Slower Pace There's something genuinely satisfying about watching this cast slip back into these roles two decades later, and that comfort is really the engine of the whole thing. It sits somewhere between nostalgic comfort food and a more clear eyed look at an industry that's changed almost beyond recognition since the original, and that tension between cozy callback and current day reality gives it more weight than a simple cash in sequel would have had. The performances are the clear highlight. Watching Miranda Priestly navigate a world that no longer automatically bows to her is genuinely compelling, an older, sharper, slightly more human version of the dragon lady we remember, even if the writing doesn't always seem sure how vulnerable they want her to feel from scene to scene. The returning ensemble slots back in with real ease, particularly the more biting, scene stealing supporting players, and the chemistry between the old guard feels unforced rather than manufactured for fan service. Visually it's exactly the glossy, covetable spectacle you'd hope for, full of striking costume work and the kind of fashion forward sequences that made the original so much fun to look at. The energy in these montages still pops, even when the scenes around them sag a little, and the soundtrack carries that same propulsive, dance worthy charge that made the first film so rewatchable. The writing aims for something more ambitious than pure nostalgia, gesturing at real anxieties about the collapse of print media and the journalism industry, and there's a sincerity to that angle that's almost admirable given how easily the film could have coasted on charm alone. It doesn't always commit fully to that sharper satirical edge, but the intent is clearly there. The main drag is pacing. The middle stretch loses momentum, settling into a kind of comfortable inertia where the plot idles rather than builds, and it's here that the film's reach occasionally exceeds its grip, more interested in mood and atmosphere than forward motion. Still, when it's running on the strength of its cast, it's hard not to enjoy yourself, even through the slower patches. It's not the lean, sharp machine the original was, but there's enough star power and genuine craft here to make the return worthwhile, slow stretches and all.
- Ernesto Rodríguez10. Mai 2026Way deeper than I expected 👠🔥 This movie isn’t just about fashion anymore… it’s about power, ego, influence, and how people almost worship status in modern society. Miranda still controls every room she walks into, but now the movie mixes fashion with media, technology, ambition, and even religious/artistic symbolism. Stylish, smart, and surprisingly philosophical at times. 👠 Powerful performances 🧠 Deeper message underneath the glamour 🔥 Miranda still runs the world ⭐️⭐️⭐️⭐️
- hea1h12. Mai 2026Hmmm ok ok ok, was it really needed? I mean no but it definitely could’ve been worse. Do I think Anne Hathaways acting got worse somehow in this? yes. It’s giving like Disney fairytale vibes???? a little bit predictable, nothing that wowed apart from the surprise artist at the end which was cool. Same quippy jokes, regurgitated, not horrible but not exactly extremely refreshing. Very much being relatable to the whole AI crap. Do I really understand the plot line? No. Would it have worth been understanding? Also probably, no. Fine, but really just leave a classic alone. There’s no way it could’ve been done better so it just feels like, what, another chance to get a new generation in on it. Make it relatable to AI and make some more money because it’s obvious - Quite literally everyone will see this even if it is bad/mediocre. Shame really. They’ve also given opening for a third now. Let’s hope not. I think it distracts from a masterpiece. I miss a meaner, more forceful Miranda, a pry into her life. Not all of them ‘saving the day’ just like any other super hero movie.
- RustySpoonsssvor 6 TagenThe Devil Wears Prada 2 - A Sequel That Forgot the Point The sequel stumbles hard. The Devil Wears Prada 2 is a dull, uninspired follow‑up that mistakes snark for substance and cruelty for comedy. The script feels boring, plain, and shockingly uninterested in saying anything new about fashion, power, or ambition. Instead, it spends most of its runtime punching down, mocking anyone who isn’t obscenely wealthy, as if being “normal” is some kind of personal failure. In 2026, that tone is not just outdated; it’s tone‑deaf. The original film had bite, wit, and a sense of fun. This sequel has none of that. It’s mean‑spirited without being clever, shallow without being stylish, and ultimately feels like a brand cash‑grab that forgot why people loved the first movie in the first place.
Plex auf deine Abspielgeräte
Kostenlos auf 20+ Plattformen. Wähle deine.Der Teufel trägt Prada 2 Trivia
Der Teufel trägt Prada 2 wurde am 29. April 2026 veröffentlicht.
Regie in Der Teufel trägt Prada 2 führte(n) David Frankel.
Der Teufel trägt Prada 2 hat eine Spielzeit von 1 Std., 59 Min..
Der Teufel trägt Prada 2 wurde produziert von Wendy Finerman.
Rund 20 Jahre ist es her, dass Andrea "Andy" Sachs und Emily Charlton als Assistentinnen der Modemagazin-Chefin Miranda Priestley unter deren teuflischer Art litten. Inzwischen haben die beiden Frauen jedoch ganz eigene Karrierwege eingeschlagen, Emily sogar überaus erfolgreich als Managerin einer Luxus-Marke, für deren Werbekampagnen unfassbar viele Dollar auf die hohe Kante gelegt werden. Von einem derartigen Budget kann Miranda Priestley derzeit jedoch nur träumen. Die Zeiten des rollenden Rubel sind für sie vorbei, denn im Internet-Zeitalter verkauft sich ihre klassisch gedruckte Zeitschrift „Runway“ immer und immer schlechter. Doch wie das Schicksal so will, kreuzen sich die Wege von Miranda, Andy und Emily nach all dieser Zeit wieder – und auch Art Director Nigel darf nicht fehlen, wenn es im New Yorker Modezirkus wieder rundgeht.
Die Hauptcharaktere in Der Teufel trägt Prada 2 sind Miranda Priestly (Meryl Streep), Andy Sachs (Anne Hathaway), Emily (Emily Blunt).
Der Teufel trägt Prada 2 ist bewertet mit 0.
Der Teufel trägt Prada 2 ist eine Drama, Komödie, Liebesfilm Film.
Der Teufel trägt Prada 2 hat eine Benutzerbewertung von 8.4 von 10.
Der Teufel trägt Prada 2 hatte ein Budget von 100 Mio. $.
Der Teufel trägt Prada 2 erzielte Einnhamen von 678,4 Mio. $ an den Kinokassen.