12
1981    2 Std., 31 Min.Drama, Kriegsfilm
6.856%6.3
Berlin im Januar 1945: Die Rote Armee kommt der Hauptstadt des in sich zusammen brechenden Deutschen Reiches immer näher. Trotzdem weigert sich Hitler, die Stadt zu verlassen und von einem anderen Ort aus das letzte Aufbäumen des Landes zu dirigieren. Er zieht sich mit seinem Stab und Eva Braun in den unterirdischen Bunker zurück. Nach 105 Tagen begeht er mit seiner gerade angetrauten Frau und der Familie Goebbels Selbstmord. Als die Überlebenden des Dramas den Bunker verlassen, liegt Berlin in Trümmern.
Regie George Schaefer
  • Anthony HopkinsAdolf Hitler
  • Richard JordanAlbert Speer
  • Cliff GormanJoseph Goebbels
  • James NaughtonJames O'Donnell
  • Michael LonsdaleMartin Bormann
  • Martin JarvisJohannes Hentschel
  • Michael KitchenRochus Misch
  • Andrew RayMajor Otto Günsche
  • Piper LaurieMagda Goebbels
  • Susan BlakelyEva Braun
  • Robert AustinWalter Wagner
  • Geoffrey BatemanRiebold
  • Graham BishopHelmut Goebbels
  • Nathalie BoulmerElga Goebbels
  • Yves BrainvilleGen. Hans Guderian
  • Jane CarrGreta Hentschel
  • Georges CorrafaceGard SS #1
  • Michael CulverGen. Mohnke
  • Larry DannMoss
  • Erick DesmarestzGard SS #2
  • CravanThePugilist18. Mai 2026
    They really need to change the poster on this, because this totally is NOT a comedy. But it's advertised as like a Monty Python sketch.
  • stuhannaford23. August 2025
    Well acted, and Hopkins is absolutely fantastic, giving a genuinely chilling portrayal. That being said, I found myself at odds with the film as a whole for long periods. Whether intentional or not, there are at times scenes that I felt showed some form of sympathy for those in and around Hitler, most notably officers. There’s a strange tone that shows itself every now and again, the fond looking back at ‘the good old days’, a certain distancing from evil of some and at times, a humanising of the leader of the Nazi party. Likely intentional, a kind of, it is even more evil, through the unmasking of him as a bogeyman, and revealing him to just be human, but nonetheless, I’m not sure it hits the right note. There are clear scenes that counterbalance any form of empathy, no doubt, but I felt uneasy at times. There’s a tendency to lean towards ‘they were just loyally doing their job,’ which for me is naive, and downplays some of the most incredibly abhorrent moments the world has ever seen, facilitated by such figures. The story itself, is a fascinating one, but I would suggest the telling via Downfall, as a far more authentic and harrowing option.

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