16
1996    1 Std., 50 Min.Drama, Thriller
7.383%85%7.0
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Der Kopenhagener Drogendealer Frank will mit seinem Komplizen Tonny 200 Gramm Heroin an einen schwedischen Kunden verkaufen und erhält den Stoff für den Deal von dem jugoslawischen Gangsterboss Milo. Allerdings ist die Polizei über das Drogengeschäft informiert und Frank ist gezwungen die gesamte Ware während der Flucht in einem See zu versenken. Die Gesetzeshüter können ihm zwar nichts nachweisen, aber dafür steht Frank auch ohne Drogen und Geld da und hat ein äußerst großes Problem am Hals. Er schuldet Milo eine Summe von 230.000 Kronen und muss ihm diese innerhalb kürzester Zeit zurückzahlen.
Regie Nicolas Winding Refn
  • Kim BodniaFrank
  • Mads MikkelsenTonny
  • Laura DrasbækVic
  • Zlatko BurićMilo
  • Slavko LabovićRadovan
  • Peter AnderssonHasse
  • Vasilije BojičićBranko
  • Lisbeth RasmussenRita
  • Levino JensenMike
  • Nicolas Winding RefnBrian / Regie / Drehbuch / Produzent
  • Thomas Bo LarsenJunkie
  • Lars BomUro'er
  • Michael HasselflugUro'er
  • Jesper LohmannMikkel
  • Steen FridbergLasse
  • Gordon KennedyAnders
  • Gyda Hansen Mor
  • Kenneth SchultzSteff
  • Coco C.P. DalbertTheis
  • Karsten SchrøderKarsten
  • lennyofficialvor 4 Tagen
    A gripping and brutal film set in Copenhagen's criminal underworld. The plot revolves around Frank, a young drug dealer partnered with Serbian criminals—to whom, however, he becomes indebted. This comes about through the absurd twists and turns that unfold as Frank attempts to close specific deals. The situation spirals out of control with each passing day, turning the protagonist into an increasingly enraged beast, constantly scrambling for cash to settle his debts. The events play out over a tight timeframe of roughly a week, maintaining a heart-pounding pace. Just when everything seems resolved—with an agreement reached because the Serbian boss, Milo, feels their situation is attracting too much attention—Frank is "betrayed" and robbed by someone completely unexpected; this ending sets the stage for the story to continue. Technically, the film is simple yet frenetic; it relies on natural light—eschewing stylized color palettes or elaborate lighting setups—and is shot primarily handheld. This approach lends the film a raw realism that draws the viewer in, effectively sucking them into the vortex of violence and chaos from the very start. The performances are excellent and perfectly match the film's relentless pace. This story promises to develop into an interesting trilogy...
  • godzill41626. April 2025
    Although not especially unique, Refn has some serious, consistent personality attached to this one. Good characters, steady development, and most importantly, realized stakes.
  • Burnharm22. Juni 2026
    Pusher is a raw, almost documentary-like crime film that prioritizes immediacy over polish. What stands out most is how unrefined and emotionally exposed it feels the camera stays close to desperation, debt, and panic, and the story unfolds in a way that feels unstable rather than structured. The acting is intentionally hard to “judge” in a traditional sense because it doesn’t aim for theatrical performance or clean character arcs. It leans into awkwardness, pressure, and survival behavior, which makes everything feel more authentic but also slightly uncomfortable to evaluate. That’s part of the design: it resists refinement. What makes the film work overall is its consistency of tone. Even when it feels chaotic or rough, it never breaks its emotional logic. The experience is less about plot satisfaction and more about sustained tension and degradation. That rawness is exactly what gives it its impact.

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