One Battle After Another
Regie Paul Thomas AndersonVor 16 Jahren hat die Widerstandsgruppe namens „French 75“ auf einen Schlag 200 Häftlinge aus den Fängen des skrupellosen United States Immigration and Customs Enforcement – kurz: ICE – befreit. Danach verschwanden die Widerständler, darunter auch der von allen nur Ghetto Pat genannte Bob Ferguson, von der Bildfläche. Heute ist Bob getrieben von Paranoia, denn er fürchtet, dass es der damalige ICE-Colonel Steven J. Lockjaw immer noch auf ihn abgesehen hat.
One Battle After Another Rezensionen & Wertungen
- Dom02087615. November 2025What the hell did I just watch?
- Ray Hopkinvor 3 TagenWow, yet again, an absolute masterpiece by PTA. He really is one of the greatest directors ever, every one of his movies is a classic. DiCaprio, Penn, Del Toro, Infiniti, all perfect casting. Just such a well told story, and such a confident comment on today's society with the rise of the far right and the options that the left feel they need to make to stop the far right. Yet again, PTA creates a movie with great characters with deep motivations, who, through dark humour and intertwining storylines, find themselves fighting elements that are out of their control. Highly recommended.
- Grahamvor 3 TagenLast 30 minutes were good, otherwise.. meh
- thomasrogers75327. September 2025PTA might actually be one of the greatest directors of our time I also loved Leo and Del Toro
- shadow58813. Mai 2026Pretty bad movie.
- Rob Logan | The Geek Generation2. Mai 2026I liked a lot of individual moments in this more than the whole of it. The performances were good, but I hated most of the characters outside of Willa and the Sensei. I couldn’t have cared less what happened to Bob or Lockjaw, so I wasn’t really invested in many aspects of the story, which in itself was overly dragged out to an unnecessary length. That being said, it was shot incredibly well, so I’ll give it that.
- Magnus Parde16. November 2025"One Battle After Another" is less a movie and more a chaotic descent into tasteless indulgence. From the opening scene, it’s clear the director was preoccupied with titillation over storytelling. The film plays out like a bizarre mashup of a 1970s disaster flick—except instead of tension or drama, we’re treated to a parade of gratuitous encounters that feel wildly out of place. Imagine an airplane spiraling toward doom while the passengers are inexplicably more interested in hooking up than surviving. That’s the tone. And it’s exhausting. The script is incoherent, the pacing erratic, and the characters are caricatures of bad decisions. There’s no emotional core, no thematic depth—just a relentless barrage of scenes that seem designed to provoke rather than entertain. It’s not edgy. It’s just lazy. Worse still, this film feels emblematic of a broader decline in Hollywood’s creative standards. If this is what the industry is banking on, it’s no wonder audiences are turning away. Substance is being replaced by shock value, and the result is a product that caters to the lowest common denominator. If trends like this continue, the only viewers left will be those who’ve given up on cinema as an art form. Avoid at all costs. This isn’t a battle worth fighting.
- Jean Sean2. Mai 2026Teyana Taylor is a terrible actress and if they completely omitted her from the movie and instead had ppl recalling the actions of her character through dialogue, nothing in this film would've been lost and likely would've improved the film drastically. It felt like she was acting in a tyler perry movie while serious actors around her were doing their absolute best. Benicio Del Toro was fantastic, Regina Hall was incredible. Some cool concepts in the film but overall was not the masterpiece for me that everyone claimed it was. I wouldn't even say it was award worthy but everyone loves to gobble PTA.
- Angel23. Dezember 2025After watching this movie, I am starting to understand that Europe and the USA have become completely different worlds. I had the chance to get to know an American for a while two months ago, and I've already got a hint of the same dissonance. The music, the actors, the shots, a masterpiece, but regarding the script, for some reason, I always have the same feeling. Like if I am watching a documentary about an alien civilization in despair about to collapse, that doesn't have anything to do with my reality in Europe. Don't get me wrong, we are about to collapse too, but for completely different reasons xD. A background of total disconnection about what is happening in the movie, and what I believe is true because of my context. I can't imagine this happening, that's the problem. But a bigger problem is if this can be in the imaginarium of somebody else. I wonder if there would be a point where the content from America just connects with Americans, specifically from just one side, because the other side doesn't control the narrative in cinemas. Currently, it does not connect with me anymore. I suppose if I live there, and I vote democrats this is a full masterpiece, but I remember with sadness and melancholy when Hollywood was the fabric of dreams with no sides, now it is just another tool for propaganda. I kinda understand why the youngsters don't get it, you need to go back more than 20 years to find dreams instead of advertisement in cinemas. Many kids tell me they didn't watch The Lord of the Rings ever, so ask them if they know about Back to the Future or Indiana Jones is pointless most of the time, they will never understand what a movie was at that time for your imagination, for your growth, for your hopes and beliefs. Now you are just injected with hatred, revenge and pain.
- Austin Burke24. Oktober 2025One Battle is enthralling, delivering a relentless and action-fueled experience that never lets up until the final frame. Every performance is fantastic, while Penn’s Lockjaw steals his moments through sheer menace. The film is occasionally frightening but maintains balance with a wickedly comedic edge, especially with Leo, who is reveling in his role’s unhinged charm. It exudes chaotic and politically-charged energy but never lets its father/daughter story get lost along the way…
- eriklangen26. April 2026Leonardo DiCaprio is a paranoid stoner dad whose biggest enemy is his own memory.
- DC18. April 2026Good film worth your time.
- Raphael Dreier14. November 2025boring movie
- Charles Hilton27. November 2025I made it 20 minutes into the movie and couldn't stand it anymore. Good cinematography, and acting, but that's about it. Just a painful movie to watch. It's like being on a subway with a schizophrenic yelling nonsense. You just mind your time and be quiet until it's your stop, but you're looking around for the nearest exit the entire time.
- eyeofthetornado4. Oktober 2025Best movie of 2025 so far. I will not write a review, everybody has to see themselves
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One Battle After Another Trivia
One Battle After Another wurde am 24. September 2025 veröffentlicht.
Regie in One Battle After Another führte(n) Paul Thomas Anderson.
One Battle After Another hat eine Spielzeit von 2 Std., 41 Min..
One Battle After Another wurde produziert von Adam Somner, Sara Murphy, Paul Thomas Anderson, Liam Briscoe.
Vor 16 Jahren hat die Widerstandsgruppe namens „French 75“ auf einen Schlag 200 Häftlinge aus den Fängen des skrupellosen United States Immigration and Customs Enforcement – kurz: ICE – befreit. Danach verschwanden die Widerständler, darunter auch der von allen nur Ghetto Pat genannte Bob Ferguson, von der Bildfläche. Heute ist Bob getrieben von Paranoia, denn er fürchtet, dass es der damalige ICE-Colonel Steven J. Lockjaw immer noch auf ihn abgesehen hat.
Die Hauptcharaktere in One Battle After Another sind Bob (Leonardo DiCaprio), Col. Steven J. Lockjaw (Sean Penn), Willa (Chase Infiniti).
One Battle After Another ist bewertet mit 16.
One Battle After Another ist eine Krimi, Drama, Thriller Film.
One Battle After Another hat eine Benutzerbewertung von 8.5 von 10.
One Battle After Another hatte ein Budget von 175 Mio. $.
One Battle After Another erzielte Einnhamen von 209,4 Mio. $ an den Kinokassen.