2025    89 Min.Drama, Horror
6.7100%5.6
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Im nebligen Norden Englands des Jahres 1859 betritt die junge Māori-Frau Mary Stevens ein abgelegenes Herrenhaus. Geplagt von rätselhaften Visionen und fern ihrer Heimat, stösst sie auf dunkle Geheimnisse und die verdrängte Kolonialvergangenheit Englands
Regie Toa Stappard
  • Ariāna OsborneMary
  • Toby StephensNathaniel Cole
  • Umi MyersPeggy
  • Erroll ShandJack Fenton
  • Jordan MooneyArthur Cole
  • Evelyn TowersyAnne
  • Mihi Te Rauhi DanielsHinemoana
  • Turia Schmidt-PekeArorangi
  • Toa StappardRegie / Autor
  • Victoria DabbsGeschäftsführender Produzent
  • Sharlene GeorgeProduzent
  • Paraone GloyneProduzent
  • Gal GreenspanGeschäftsführender Produzent
  • Rouzie HassanovaProduzent
  • RickyLee Waipuka-RussellProduzent
  • Jill MacnabGeschäftsführender Produzent
  • Phil BremnerGeschäftsführender Produzent
  • Badie AliGeschäftsführender Produzent
  • Hamza AliGeschäftsführender Produzent
  • Greg NewmanGeschäftsführender Produzent
  • preston.j525. Mai 2026
    Outstanding. Surpasses Indian Horse, Killers of the Flower Moon. Brilliant directing, videography, script, screenplay. Stunning. Haunting. An authentic story that goes beyond acting or performance. Hits on matriarchal inter-generational trauma, blood memory, birth trauma, forced incest, documentation manipulation, the evils and psychosis of possessive ownership, fetishization and theft and appropriation of Indigenous culture and identity, stolen women & children, interracial guilt and justice, the truth of dreams, awakening the spirit of Seeing and Listening, language rights and preservation, remembering our songs, honouring our lodges and homefires, gathering of the bones, ancestral calls to warrior rites of passage, and reclamation lifeways that will help the world understand how and why colonialism is a disgusting, imprisoning, invasive disease that needs to have its legacy end. This ends with freedom and prayers that we can heal from the torture, displacement, disenfranchisement, connect back to our relatives as stewards of the earth, and Return Home to be who we really are and with who belong. Carrying medicine and unconditional love.
  • Kevin Ward24. Mai 2026
    Mārama sizzles with gorgeous gothic visuals, rich period costuming, and a slow, simmering sense of dread. It’s an atmospheric critique of colonial exploitation finding Mary (Ariaana Osborne) as a young Maori woman sent from Aotearoa to Victorian England after receiving a mysterious letter about her parents. Once there, she becomes trapped in a wealthy whaler’s household and uncovers the lies, violence, and exploitation that shaped her past. Osborne is incredible as Mary. She carries the whole film with a dormant volcanic emotion, and that erupts in that party scene via a defiant haka. Easily the most unforgettable moment of the movie.

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