18
1974    1 Std., 35 Min.Drama, Liebesfilm
5.235%43%6.0
Die erotischen Abenteuer der 21-jährigen Französin Emmanuelle, die ihren Mann, einen französischen Diplomaten, in Thailand besucht und dort längere Zeit verbringt. In Thailand wird Emanuela nicht nur mit den sich langweilenden und dekadenten Diplomatenkreisen aus dem Umfeld ihres Mannes konfrontiert, sondern auch noch mit dessen Wunsch nach absoluter freier Liebe. Deshalb stößt sie ihr Mann in alle nur möglichen Abenteuer und jede Begegnung ist Anlaß zu einer neuen Erfahrung. Und sie erliegt den Verführungen - von männlicher und auch weiblicher Seite...
Regie Just Jaeckin
  • Sylvia KristelEmmanuelle
  • Alain CunyMario
  • Marika GreenBee
  • Daniel SarkyJean
  • Jeanne ColletinAriana
  • Christine BoissonMarie-Ange
  • Gabriel BriandLe deuxième homme dans l'avion
  • Marion Webb
  • Gregory
  • Yves Rousset-RouardYves (uncredited) / Produzent
  • Just JaeckinRegie
  • Emmanuelle ArsanRomanvorlage
  • Jean-Louis RichardAutor
  • Richard SuzukiDirector Of Photography
  • Sylvia CharvillatCostumer
  • Christine FornelliKey Makeup Artist
  • Georges BrilCostume Designer
  • Andrea PfisterHairstylist
  • Philippe LericheRegieassistenz
  • Claudine BouchéSchnitt
  • Richardvor 1 Tag
    Emmanuelle is one of those movies you catch on late night TV and immediately understand why it became a cultural phenomenon, even if you also spend half the runtime wondering how something this slow, dreamy and oddly polite managed to shock the world in the 70s. Sylvia Kristel, our Dutch icon, is the reason the film works at all. She brings a calm, almost hypnotic presence to the screen. Even when the movie drifts into its more “exploratory” territory, she plays it with a kind of quiet elegance that makes the whole thing feel more like an art house meditation than the scandalous reputation it earned. The film itself is surprisingly restrained. It’s more about atmosphere than anything else, soft lighting, exotic locations and a constant sense that the director was trying very hard to make everything look classy. It’s slow, sometimes very slow, but it has a distinct style that sets it apart from the imitators that came later. This is a reminder of an era when a film could cause international controversy simply by being open about adult themes and when a Dutch actress could become a global icon almost overnight. Is it a masterpiece? No. Is it culturally important? Absolutely and Sylvia Kristel carries it with a grace that makes the whole thing strangely compelling, even decades later. A quiet, atmospheric relic of 70s cinema and a reminder of how one Dutch woman became an unexpected legend.

Schaue Emanuela Videos

  • Emmanuelle (US Trailer)
    Emmanuelle (US Trailer)Trailer

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