
El Shatt - A Blueprint for Utopia
Regie Ivan Ramljak22. Juni 2023 1 Std., 36 Min.Dokumentarfilm, Historie,
7.9
Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used seeing in recent times. But the year is 1944, and the refugees are traveling from Europe to Africa. After Italian capitulation, and before the arrival of German army, 28,000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
El Shatt - A Blueprint for Utopia ansehen bei
El Shatt - A Blueprint for Utopia Trivia
El Shatt - A Blueprint for Utopia wurde am 22. Juni 2023 veröffentlicht.
Regie in El Shatt - A Blueprint for Utopia führte(n) Ivan Ramljak.
El Shatt - A Blueprint for Utopia hat eine Spielzeit von 1 Std., 36 Min..
El Shatt - A Blueprint for Utopia wurde produziert von Tibor Keser.
Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used seeing in recent times. But the year is 1944, and the refugees are traveling from Europe to Africa. After Italian capitulation, and before the arrival of German army, 28,000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.
Die Hauptcharaktere in El Shatt - A Blueprint for Utopia sind Living Newspaper Member (Bojan Brajčić), Living Newspaper Member (Lidija Florijan), Living Newspaper Member (Nada Kovačević).
El Shatt - A Blueprint for Utopia ist eine Dokumentarfilm, Historie, Kriegsfilm Film.
El Shatt - A Blueprint for Utopia hat eine Benutzerbewertung von 7.9 von 10.

