16
2022    1 Std., 37 Min.Drama, Action
6.888%71%6.6
Nach dem Tod seines jüngeren Bruders, der nach einem vorzeitigen Polizeieinsatz verstorben ist, wird Abdel (Dali Benssalah) von der Front zurückgeschickt und findet seine Familie im Stich gelassen. Zwischen dem Rachedurst seines kleinen Bruders Karim (Sami Slimane) und dem Mordgeschäft seines großen Bruders, des Händlers Moktar (Ouassini Embarek), versucht er, die Spannungen abzubauen. Von Minute zu Minute verwandelt sich die Stadt Athena in ein Schloss, das Schauplatz einer künftigen Familientragödie und eines kollektiven Dramas wird. In dem Moment, in dem jeder glaubt, die Wahrheit gefunden zu haben, ist die Stadt drauf und dran, im Chaos zu versinken...
Regie Romain Gavras
  • Dali BenssalahAbdel
  • Anthony BajonJérôme
  • Alexis ManentiSébastien
  • Ouassini EmbarekMoktar
  • Sami SlimaneKarim
  • Radostina Rogliano
  • Karim Lasmi
  • Mehdi Abdelhakmi
  • Tarek Haddaji
  • Guy Donald Koukissa
  • Birane BaLe Négociateur
  • Sophie-Marie LarrouyNourisse
  • Nesrine AbdatLa soeur
  • Romain GavrasRegie / Drehbuch / Produzent
  • Ladj LyDrehbuch / Produzent
  • Elias BelkeddarDrehbuch / Geschäftsführender Produzent
  • Mourad BelkeddarProduzent
  • Charles-Marie AnthoniozProduzent
  • Jean DuhamelProduzent
  • Nicolas LhermitteProduzent
  • Nichrysalis10. Mai 2026
    Leave it to the French to make a cinematic epic about political unrest. With some Greek tragedy for good measure.
  • Dave Barnes10. Januar 2026
    I'm not a huge fan of foreign movies, but this was pretty strong. Worth a watch.
  • Varun19. Oktober 2024
    What intense energy this movie has. The intro is actually insane and the stakes keep ramping up with very few moments to breathe. Each section has long one shot takes with engaging and dynamic camera movements. It accurately captures the chaos and madness of a civil war while focusing on a single conflict within an apartment complex. The actors give really strong performances depicting the immense rage and sadness caused by police brutality. The few calm moments are used perfectly to give you context and backstory without any exposition. I’m honestly blown away with how they managed to shoot so many one take scenes with tons of people, fire effects, verticality, and huge props to the director and everyone involved in the logistics of this grand project. The only issue I have is with the conclusion, I didn’t think it was necessary to pick up that specific narrative and the movie would’ve been better off with an ambiguous ending.
  • Kevin Ward5. Juli 2025
    A technical marvel from a filmmaking perspective. The 11 minute ‘one take’ to open the film is mind blowing in it’s execution. At one point during this prolonged sequence, the camera does a 360 in middle of a packed van, exits the side door while it’s speeding down the road to capture a wide shot of the van. Incredible sequence and with the late title card drop, this one makes it onto one of my faves — Long Cold Open. The usage of tracking shots load the film with tension well beyond the opening sequence and the pace of the film never really lets up until the final act. Regarding that final act, there’s a character pivot that didn’t feel completely earned and as such some of this characters actions don’t feel completely justified.  And I suspect that there are many that will not like the final shot of the film. I’m conflicted because dramatically, I believe the final shot works extremely well, as it pulls back the curtain on the inciting incident. Thematically, I really don’t care for it’s message. I’m not in the ACAB camp, but there absolutely are systemic issues in many law enforcement institutions that prioritize protecting their own above protecting the citizens. I think that last shot parochially lets cops completely off the hook. Definitely worth checking out for it’s technical merits, even if the final act loses some luster.

Schaue Athena Videos

  • Athena (US Trailer 1)
    Athena (US Trailer 1)Trailer
  • Athena (US Teaser Trailer)
    Athena (US Teaser Trailer)Trailer

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