corradodalco
1følger
3følgere
Tilmeldt 2015
- The Storm
It doesn’t invent anything new on the classic theme of “forty-somethings stuck indoors, pretending everything is just fine,” but it works like a charm. With its brisk pace and frighteningly convincing cast, the film serves as a bitter elegy for the fragility of adult friendships—and the lengths we go to in order to hide the fact that time catches up with us all. Highly recommended if you enjoy watching the masks of youth crumble from the comfort of your own sofa—all while wondering, with a wry, bitter smile, just how many of your own friends actually put up with you.The Storm - The End of Oak Street
It blends spectacle with emotion, transforming an extraordinary survival situation into a story about human connection. David Robert Mitchell’s direction creates a haunting, atmospheric mood, while keeping human relationships—and the need to stand together in the face of the unexpected—at the heart of the film. Not everything is original, yet the movie successfully combines wonder, tension, and romantic sensibility without sacrificing the sense of adventure.The End of Oak Street - Animals
If you’re looking for a heart-pounding thriller, put away the anxiety meds and the ice cream—you’ll come away empty-handed. However, if you’re in the mood for a night on the couch to see how two lies and a bit of propaganda turn an ordinary politician into a superhero, give it a chance. Rating: a very generous 6.5. It’s fun for the evening, but by the next morning, you’ll have already forgotten even the title.Animals - Nel tepore del ballo
*Nel tepore del ballo* is a twilight elegy on the irreversibility of time and the wreckage ambition leaves in its wake. With his characteristic bittersweet grace, Pupi Avati transforms a nostalgic slow dance from youth into the ghost of a happiness never truly grasped. In the faded encounter between Massimo Ghini and Isabella Ferrari, memory offers neither salvation nor solace; it is merely the fragile, painful illusion of someone realizing—too late—that they have been dancing alone their entire life.Nel tepore del ballo - Less of a Stranger
It clearly illustrates how, after years spent making noise and living against the grain with a guitar in hand, the true challenge for a rock legend lies in knowing how to step out of the spotlight and finding the courage to retreat backstage. When the amplifier falls silent and the final note fades away, there are no encores to be called; one simply heads for the exit, leaving silence—and the void left behind—to do the talking for a long time to come.Less of a Stranger - Insidious: Out of the Further
The sense of déjà vu is strong, and the script is all too predictable, relying almost entirely on nostalgia rather than anything truly new. Visually, there are some inspired touches, and the tension holds up at times, but the original atmosphere has become somewhat diluted. A decent enough diversion for fans of the saga, but nothing more.Insidious: Out of the Further - The Gentleman Thief
Arriving at the third installment of a saga no one really asked for, director Randall Emmett plays it safe, churning out a textbook "direct-to-streaming" flick that recycles every single heist-movie cliché invented since the dawn of cinema. The plot is a factory for the all-too-familiar: a thief just looking to enjoy his retirement (a visibly weary yet undeniably charismatic John Travolta) is persuaded by his bungling brother to pull off "one last big job" in Miami. Surprise, surprise: the perfect plan turns out to be a trap. Who would have guessed?The Gentleman Thief
