Wesley C. Miller
27. december 1894 — 19. april 1962 (67 år)
Wesley C. Miller (December 27, 1894 – April 19, 1962) was an American sound engineer. He was nominated for four Academy Awards, three in the category Sound Recording and one for Best Effects, Special Effects.
Filmografi
| 1958 | Andy Hardy Comes Home · as Recording Supervision |
| 1958 | The Badlanders · as Recording Supervision |
| 1958 | Party Girl · as Recording Supervision |
| 1958 | The Tunnel of Love · as Recording Supervision |
| 1958 | Cat on a Hot Tin Roof · as Recording Supervision |
| 1958 | Gigi · as Recording Supervision |
| 1958 | High School Confidential! · as Recording Supervision |
| 1958 | The High Cost of Loving · as Sound Supervisor |
| 1958 | The Sheepman · as Recording Supervision |
| 1958 | Saddle the Wind · as Recording Supervision |
| 1957 | Raintree County · as Sound RecordistPå Plex |
| 1957 | This Could Be the Night · as Recording Supervision |
| 1957 | Don't Go Near the Water · as Recording Supervision |
| 1957 | Jailhouse Rock · as Sound |
| 1957 | Man on Fire · as Recording Supervision |
| 1957 | Gun Glory · as Recording Supervision |
| 1957 | Silk Stockings · as Recording Supervision |
| 1957 | Designing Woman · as Recording Supervision |
| 1957 | Ten Thousand Bedrooms · as Recording Supervision |
| 1957 | The Wings of Eagles · as Sound Supervisor |
| 1956 | The Great American Pastime · as Recording Supervision |
| 1956 | The Opposite Sex · as Recording Supervision |
| 1956 | Gaby · as Recording Supervision |
| 1956 | Tea and Sympathy · as Recording Supervision |
| 1956 | The Power and the Prize · as Recording Supervision |
| 1956 | Lust for Life · as Recording Supervision |
| 1956 | High Society · as Recording Supervision |
| 1956 | Somebody Up There Likes Me · as Recording Supervision |
| 1956 | The Catered Affair · as Sound |
| 1956 | Forbidden Planet · as Sound Recordist |
| 1956 | The Last Hunt · as Recording Supervision |
| 1956 | Tribute to a Bad Man · as Recording Supervision |
| 1956 | The Teahouse of the August Moon · as Sound Recordist |
| 1955 | I'll Cry Tomorrow · as Recording Supervision |
| 1955 | Kismet · as Recording Supervision |
| 1955 | It's a Dog's Life · as Recording Supervision |
| 1955 | The Cobweb · as Recording Supervision |
| 1955 | Trial · as Recording Supervision |
| 1955 | It's Always Fair Weather · as Recording Supervision |
| 1955 | Interrupted Melody · as Sound Recordist |
| 1955 | Love Me or Leave Me · as Recording Supervision |
| 1955 | Hit the Deck · as Recording Supervision |
| 1955 | Jupiter's Darling · as Recording Supervision |
| 1955 | Bad Day at Black Rock · as Recording Supervision |
| 1955 | Many Rivers to Cross · as Sound Supervisor |
| 1954 | Green Fire · as Recording Supervision |
| 1954 | Deep in My Heart · as Recording Supervision |
| 1954 | The Last Time I Saw Paris · as Recording SupervisionPå Plex |
| 1954 | Brigadoon · as Recording Supervision |
| 1929 | The Broadway Melody · as Sound |