Tonino Delli Colli
Skuespiller, Filmklipper
20. november 1922 — 16. august 2005 (82 år)
From Wikipedia, the free encyclopedia
Tonino Delli Colli (20 November 1923 – 16 August 2005) was an Italian cinematographer.
Cousin of Franco Delli Colli, Antonio (Tonino) Delli Colli was born in Rome, and began work at Rome's Cinecittà studio in 1938, at the age of sixteen. By the mid-1940s he was working as a cinematographer and in 1952 shot the first Italian film in colour, Totò a colori. He went on to work with a number of acclaimed and diverse directors including, Sergio Leone (The Good, the Bad and the Ugly, Once Upon a Time in the West and Once Upon a Time in America), Roman Polanski (Death and the Maiden and Bitter Moon), Louis Malle (Lacombe, Lucien), Jean-Jacques Annaud (The Name of the Rose), and Federico Fellini, whose last three films he photographed.
His collaboration with Pier Paolo Pasolini was especially fruitful: they made twelve films together, including Pasolini's debut Accattone (1961), Mamma Roma (1962), The Gospel According to St. Matthew (1964), The Decameron (1971), The Canterbury Tales (1972) and Salò o le 120 giornate di Sodoma (1976).
His last film was Roberto Benigni's Life Is Beautiful (1997), for which he won his fourth David di Donatello for Best Cinematography. In 2005 he was awarded the American Society of Cinematographers' International Achievement Award. In August of the same year, he died at home in Rome.
Tonino Delli Colli died from a heart attack in 2005 at the age of 81 in Rome, Italy.
In 2005, Delli Colli was posthumously awarded the Lifetime Achievement Award at the 13th annual Camerimage Film Festival in Łódź, Poland.
Tonino Delli Colli (20 November 1923 – 16 August 2005) was an Italian cinematographer.
Cousin of Franco Delli Colli, Antonio (Tonino) Delli Colli was born in Rome, and began work at Rome's Cinecittà studio in 1938, at the age of sixteen. By the mid-1940s he was working as a cinematographer and in 1952 shot the first Italian film in colour, Totò a colori. He went on to work with a number of acclaimed and diverse directors including, Sergio Leone (The Good, the Bad and the Ugly, Once Upon a Time in the West and Once Upon a Time in America), Roman Polanski (Death and the Maiden and Bitter Moon), Louis Malle (Lacombe, Lucien), Jean-Jacques Annaud (The Name of the Rose), and Federico Fellini, whose last three films he photographed.
His collaboration with Pier Paolo Pasolini was especially fruitful: they made twelve films together, including Pasolini's debut Accattone (1961), Mamma Roma (1962), The Gospel According to St. Matthew (1964), The Decameron (1971), The Canterbury Tales (1972) and Salò o le 120 giornate di Sodoma (1976).
His last film was Roberto Benigni's Life Is Beautiful (1997), for which he won his fourth David di Donatello for Best Cinematography. In 2005 he was awarded the American Society of Cinematographers' International Achievement Award. In August of the same year, he died at home in Rome.
Tonino Delli Colli died from a heart attack in 2005 at the age of 81 in Rome, Italy.
In 2005, Delli Colli was posthumously awarded the Lifetime Achievement Award at the 13th annual Camerimage Film Festival in Łódź, Poland.
Filmografi
| 1987 | Intervista · as Tonino Delli Colli (uncredited) |
| 1980 | I'm Photogenic · as Director Of Photography (uncredited) |
| 2006 | Sergio Leone: The Way I See Things · as Self |
| 2001 | Sergio Leone: Cinema, Cinema · as Self - Dop |
| 1987 | La rosa dei nomi · as Self |
| 1986 |
| 1961 |
| 1997 | Life Is Beautiful · as Director Of Photography |
| 1997 | Marianna Ucrìa · as Director Of Photography |
| 1995 | Looking for Paradise · as Director Of Photography |
| 1994 | Death and the Maiden · as Director Of PhotographyPå Plex |
| 1993 | Thirst for Gold · as Cinematographer |
| 1992 | Bitter Moon · as Director Of Photography |
| 1991 | Especially on Sunday · as Director Of Photography |
| 1991 | Una storia semplice · as Director Of Photography |
| 1990 | L'africana · as Director Of Photography |
| 1990 | The Voice of the Moon · as Director Of Photography |
| 1988 | Stradivari · as Director Of Photography |
| 1987 | Intervista · as Director Of Photography |
| 1986 | The Name of the Rose · as Director Of PhotographyPå Plex |
| 1986 | Ginger & Fred · as Director Of Photography |
| 1984 | The Future Is Woman · as Director Of Photography |
| 1984 | Once Upon a Time in America · as Director Of PhotographyPå Plex |
| 1983 | Trenchcoat · as Director Of Photography |
| 1981 | Tales of Ordinary Madness · as Director Of Photography |
| 1981 | Fantasma d'amore · as Director Of Photography |
| 1981 | Camera d'albergo · as Director Of Photography |
| 1980 | Sunday Lovers · as Director Of Photography |
| 1980 | Temporale Rosy · as Director Of Photography |
| 1980 | I'm Photogenic · as Director Of Photography |
| 1979 | Dear Father · as Director Of Photography |
| 1979 | Lovers and Liars · as Director Of PhotographyPå Plex |
| 1978 | Blood Feud · as Director Of PhotographyPå Plex |
| 1978 | First Love · as Director Of Photography |
| 1977 | Viva Italia! · as Director Of Photography |
| 1977 | Beach House · as Director Of Photography |
| 1977 | The Purple Taxi · as Director Of Photography |
| 1977 | The Forbidden Room · as Director Of Photography |
| 1976 | Caro Michele · as Director Of Photography |
| 1975 | Seven Beauties · as Director Of Photography |
| 1975 | Salò, or the 120 Days of Sodom · as Director Of Photography |
| 1974 | Till Marriage Do Us Part · as Director Of Photography |
| 1974 | Lacombe, Lucien · as Director Of Photography |
| 1974 | Venial Sin · as Cinematographer |
| 1973 | The Sensual Man · as Cinematographer |
| 1973 | Bawdy Tales · as Director Of Photography |
| 1973 | Deaf Smith & Johnny Ears · as Director Of Photography |
| 1972 | The Master Touch · as Director Of Photography |
| 1972 | The Canterbury Tales · as Director Of Photography |
| 1971 | The Decameron · as Director Of Photography |
| 1971 | Cometogether · as Director Of Photography |
| 1971 | Man of the Year · as Director Of Photography |
| 1971 | The Walls of Sana'a · as Director Of Photography |
| 1970 | Pussycat, Pussycat, I Love You · as Director Of Photography |
| 1970 | Rosolino Paternò, soldato... · as Director Of Photography |
| 1969 | Pigsty · as Director Of Photography |
| 1969 | Love Circle · as Director Of Photography |
| 1968 | Once Upon a Time in the West · as Director Of Photography |
| 1968 | OSS 117 Murder for Sale · as Director Of Photography |
| 1968 | Spirits of the Dead · as Director Of Photography |
| 1968 | Caprice Italian Style · as Director Of Photography |
| 1968 | Day of the Owl · as Director Of PhotographyPå Plex |
| 1967 | Ghosts, Italian Style · as Director Of Photography |
| 1967 | China Is Near · as Director Of Photography |
| 1966 | The Good, the Bad and the Ugly · as Director Of Photography |
| 1966 | Target for Killing · as Director Of Photography |
| 1966 | The Sultans · as Director Of Photography |
| 1966 | The Hawks and the Sparrows · as Director Of Photography |
| 1966 | Andremo in città · as Director Of Photography |
| 1965 | La mandragola · as Director Of Photography |
| 1965 | The Double Bed · as Director Of Photography |
| 1965 | The Camp Followers · as Director Of Photography |
| 1964 | Love Meetings · as Director Of Photography |
| 1964 | The Gospel According to St. Matthew · as Director Of PhotographyPå Plex |
| 1964 | Extraconjugal · as Director Of Photography |
| 1964 | The World's Most Beautiful Swindlers · as Director Of Photography |
| 1964 | Love in Four Dimensions · as Director Of Photography |
| 1964 | Liolà · as Cinematographer |
| 1963 | The Executioner · as Director Of Photography |
| 1963 | Ro.Go.Pa.G. · as Director Of Photography |
| 1963 | La bella di Lodi · as Director Of Photography |
| 1962 | Swordsman of Siena · as Director Of Photography |
| 1962 | Mamma Roma · as Director Of Photography |
| 1962 | La monaca di Monza · as Cinematographer |
| 1961 | Accattone · as Director Of Photography |
| 1961 | The Wonders of Aladdin · as Director Of Photography |
| 1961 | The Thief of Baghdad · as Director Of Photography |
| 1960 | Morgan the Pirate · as Cinematographer |
| 1960 | World by Night · as Cinematographer |
| 1959 | First Love · as Director Of Photography |
| 1959 | Le cameriere · as Director Of Photography |
| 1959 | Poor Millionaires · as Director Of Photography |
| 1959 | L'amico del giaguaro · as Director Of Photography |
| 1959 | Marinai, donne e guai · as Director Of Photography |
| 1958 | Venice, the Moon and You · as Director Of Photography |
| 1957 | La nonna Sabella · as Director Of Photography |
| 1957 | Poor Girl, Pretty Girl · as Director Of Photography |
| 1957 | Seven Hills of Rome · as Director Of Photography |
| 1957 | Female Three Times · as Director Of Photography |
| 1957 | Susanna tutta panna · as Director Of Photography |
| 1957 | Poor But Beautiful · as Director Of Photography |
| 1956 | Donatella · as Director Of Photography |
| 1956 | The Intruder · as Director Of Photography |
| 1955 | Piccola posta · as Director Of Photography |
| 1955 | Accadde al penitenziario · as Director Of Photography |
| 1955 | The White Angel · as Director Of Photography |
| 1955 | Le signorine dello 04 · as Director Of Photography |
| 1954 | L'ombra · as Director Of Photography |
| 1954 | Concert of Intrigue · as Director Of Photography |
| 1954 | Where Is Freedom? · as Cinematographer |
| 1954 | Mid-Century Loves · as Director Of Photography |
| 1953 | Nerone e Messalina · as Cinematographer |
| 1953 | Jolanda, the Daughter of the Black Corsair · as Director Of Photography |
| 1952 | Toto and the Women · as Director Of Photography |
| 1952 | I tre corsari · as Director Of Photography |
| 1952 | Toto in Color · as Director Of Photography |
| 1951 | Il padrone del vapore · as Director Of Photography |
| 1951 | Era lui, sì, sì! · as Director Of Photography |
| 1951 | Toto the Third Man · as Director Of Photography |
| 1951 | Milano miliardaria · as Director Of Photography |
| 1951 | Io sono il capataz · as Director Of Photography |
| 1950 | Il voto · as Director Of Photography |
| 1950 | Alina · as Director Of Photography |
| 1950 | Fugitive Lady · as Director Of Photography |
| 1949 | Fame and the Devil · as Director Of Photography |
| 1949 | City of Pain · as Director Of Photography |
| 1949 | Man of Death · as Director Of Photography |
| 1947 | Nada · as Cinematographer |
| 1946 | O sole mio · as Cinematographer |