Léonce-Henri Burel
24. november 1892 — 21. marts 1977 (84 år)
Léonce-Henri Burel (23 November 1892 – 21 March 1977) was a French cinematographer whose career extended from the silent era until the early 1970s. He was the director of photography on more than 120 films, working almost exclusively in black-and-white.
After studying at the University of Nantes, he initially worked as a photoengraver before becoming a camera operator. At the Film d'Art company in 1915 he was noticed by Abel Gance and began a collaboration with him which extended over 16 films, including J'accuse, La Roue, and Napoléon. In the period of silent films he also worked on several productions with Jacques Feyder. During the 1930s he worked regularly with Jean Dréville and Henri Decoin. With Le Journal d'un curé de campagne, for which he won the best cinematography award at the Venice Film Festival in 1951, Burel began another important collaboration with the director Robert Bresson which continued through three further films. Burel also directed three films himself between 1922 and 1932.
Source: Article "Léonce-Henri Burel" from Wikipedia in English, licensed under CC-BY-SA 3.0.
After studying at the University of Nantes, he initially worked as a photoengraver before becoming a camera operator. At the Film d'Art company in 1915 he was noticed by Abel Gance and began a collaboration with him which extended over 16 films, including J'accuse, La Roue, and Napoléon. In the period of silent films he also worked on several productions with Jacques Feyder. During the 1930s he worked regularly with Jean Dréville and Henri Decoin. With Le Journal d'un curé de campagne, for which he won the best cinematography award at the Venice Film Festival in 1951, Burel began another important collaboration with the director Robert Bresson which continued through three further films. Burel also directed three films himself between 1922 and 1932.
Source: Article "Léonce-Henri Burel" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Filmografi
| 1968 | Abel Gance: The Charm of Dynamite · as Self (archival Footage) |
| 1964 | Filmmakers of our time · as Self |
| 1971 | Bonaparte and the Revolution · as Cinematographer |
| 1967 | Les compagnons de la marguerite · as Cinematographer |
| 1963 | Highway Pick-Up · as Director Of Photography |
| 1963 | Un drôle de paroissien · as Director Of Photography |
| 1962 | The Trial of Joan of Arc · as Director Of Photography |
| 1961 | One Night at the Beach · as Director Of Photography |
| 1959 | Pickpocket · as Director Of Photography |
| 1958 | That Night · as Cinematographer |
| 1958 | Quand sonnera midi · as Cinematographer |
| 1957 | A Bomb for a Dictator · as Director Of Photography |
| 1956 | A Man Escaped · as Director Of Photography |
| 1956 | Hello Smile! · as Cinematographer |
| 1955 | Diamond Machine · as Director Of Photography |
| 1955 | Marianne of My Youth · as Director Of Photography |
| 1954 | The Bed · as Director Of Photography |
| 1954 | Strange Desire of Mr. Bard · as Director Of Photography |
| 1953 | Napoleon Road · as Cinematographer |
| 1953 | The Other Side of Paradise · as Director Of Photography |
| 1952 | The Truth About Bebe Donge · as Director Of Photography |
| 1951 | Life in a Song · as Cinematographer |
| 1951 | Diary of a Country Priest · as Director Of Photography |
| 1949 | Valse brillante · as Director Of Photography |
| 1948 | Les casse-pieds · as Cinematographer |
| 1948 | Métier de fous · as Director Of Photography |
| 1948 | Carrefour du crime · as Cinematographer |
| 1947 | Rocambole · as Director Of Photography |
| 1947 | Passionnelle · as Cinematographer |
| 1947 | Rita · as Cinematographer |
| 1946 | Strange Fate · as Cinematographer |
| 1945 | La route du bagne · as Director Of Photography |
| 1943 | Mysteries of Paris · as Director Of Photography |
| 1943 | Ne le criez pas sur les toits · as Cinematographer |
| 1943 | A Woman in the Night · as Cinematographer |
| 1942 | Feu sacré · as Director Of Photography |
| 1941 | Le club des soupirants · as Cinematographer |
| 1941 | Venus of Paris · as Director Of Photography |
| 1940 | Pour le maillot jaune · as Cinematographer |
| 1940 | Forbidden Love · as Cinematographer |
| 1938 | She Returned at Dawn · as Director Of Photography |
| 1938 | Carrefour · as Director Of Photography |
| 1938 | Bargekeepers Daughter · as Cinematographer |
| 1938 | Mirages · as Director Of Photography |
| 1937 | Abused Confidence · as Director Of Photography |
| 1937 | Ballerina · as Cinematographer |
| 1937 | The Virgin Bride · as Director Of Photography |
| 1936 | Hélène · as Director Of Photography |
| 1935 | Napoléon Bonaparte · as Cinematographer |
| 1934 | A Man and His Woman · as Director Of Photography |
| 1933 | L'abbé Constantin · as Director Of Photography |
| 1932 | Love in Morocco · as Cinematographer |
| 1932 | Baroud · as Director Of Photography |
| 1931 | Dragnet Night · as Director Of Photography |
| 1931 | Danton · as Cinematographer |
| 1930 | The Mystery of the Yellow Room · as Director Of Photography |
| 1928 | The Three Passions · as Director Of Photography |
| 1927 | The Loves of Casanova · as Director Of Photography |
| 1927 | Napoleon · as Director Of Photography |
| 1926 | Michel Strogoff · as Director Of Photography |
| 1925 | Mother · as Director Of Photography |
| 1924 | The Swallow and the Titmouse · as Cinematographer |
| 1923 | The Wheel · as Director Of Photography |
| 1922 | Crainquebille · as Director Of Photography |
| 1921 | La terre · as Director Of Photography |
| 1919 | J'accuse! · as Director Of Photography |
| 1918 | The Tenth Symphony · as Director Of Photography |
| 1917 | The Torture of Silence · as Director Of Photography |
| 1916 | Les gaz mortels · as Director Of Photography |
| 1915 | La folie du Docteur Tube · as Director Of Photography |