
Giorgos Panousopoulos
Skuespiller, Instruktør, Producer, Forfatter, Filmklipper
3. februar 1942 — 10. marts 2026 (84 år)
Giorgos Panousopoulos (Greek: Γιώργος Πανουσόπουλος) (February 3, 1942 – March 10, 2026) was a Greek cinematographer, film director and screenwriter. He worked on 37 films between 1964 and 2004. His 1985 film Mania was entered into the 36th Berlin International Film Festival. His 1988 film Love Me Not? was entered into the 46th Venice International Film Festival.
Filmografi
| 2011 | Loafing and Camouflage: Sirens at Land · as Council Member |
| 2011 | |
| 2002 | The Bubble · as Aunt's Lover |
| 2001 | Athens Blues · as Man In The Office |
| 1999 | Female Company · as Cast |
| 1979 | O Asymvivastos · as Cast |
| 1974 | The Rehearsal · as Cast |
| 1973 |
| 2018 | |
| 2004 | |
| 2001 | |
| 1995 | |
| 1989 | |
| 1985 | |
| 1981 | |
| 1979 |
| 1995 | |
| 1989 | |
| 1985 | |
| 1982 | |
| 1981 | |
| 1979 |
| 2018 | |
| 2001 | |
| 1995 | Love Knot · as Screenplay |
| 1989 | |
| 1985 | Mania · as Screenplay |
| 1981 | A Foolish Love · as Screenplay |
| 1979 |
| 1985 | |
| 1981 | |
| 1973 | |
| 1970 |
| 2004 | Testosterone · as Director Of Photography |
| 2004 | Testosterone · as Idea |
| 2001 | Athens Blues · as Cinematographer |
| 1989 | Love Me Not? · as Director Of Photography |
| 1987 | Living Dangerously · as Cinematographer |
| 1985 | Mania · as Director Of Photography |
| 1984 | Loafing and Camouflage · as Cinematographer |
| 1984 | Sudden Love · as Cinematographer |
| 1982 | Arpa Colla · as Director Of Photography |
| 1976 | Happy Day · as Director Of Photography |
| 1976 | Death Has Blue Eyes · as Cinematographer |
| 1975 | Aldevaran · as Cinematographer |
| 1975 | Euridice BA 2037 · as Cinematographer |
| 1973 | John the Violent · as Director Of Photography |
| 1973 | The Great Love Songs · as Director Of Photography |
| 1970 | How I Became a Negro · as Cinematographer |
| 1968 | Kierion · as Cinematographer |
| 1966 | Cornerstone · as Cinematographer |
| 1965 | The Roundup · as Cinematographer |