G
1963    1 t 52 mGyser, Thriller
7.487%82%7.1
Se på Apple TV
På Apple TV
Køb $9.99Reklame
Det var et ondt hus, et hus hvor ondskab havde eksisteret fra begyndelsen. Stedet er den 90 år gamle gård kaldet Hill House. Der bor ingen der, eller ser det sådan ud? Men du er velkommen. For selvom du ikke tror på spøgelser, er der ingen tvivl om den rædsel og terror, der hersker i "The Haunting". Robert Wise vendte tilbage til psykologisk rædsel i denne meget beundrede filmatisering af Shirley Jacksons "The Haunting of Hill House." Fire mennesker kommer til huset for at studere dets overnaturlige. Eller er det selve huset, der tiltrak mindst en af ​​de fire? Svaret vil lamme dig.
Directed by Robert Wise
  • Julie HarrisEleanor Lance
  • Claire BloomTheodora
  • Richard JohnsonDr. John Markway
  • Russ TamblynLuke Sanderson
  • Fay ComptonMrs. Sanderson
  • Rosalie CrutchleyMrs. Dudley
  • Lois MaxwellGrace Markway
  • Valentine DyallMr. Dudley
  • Diane ClareCarrie Fredericks
  • Ronald AdamEldridge Harper
  • Pamela BuckleyFirst Mrs. Crain (uncredited)
  • Frieda KnorrSecond Mrs. Crain (uncredited)
  • Amy DalbyAbigail Crain at 80 years old (uncredited)
  • Rosemary DorkenAbigail Crain's Nurse's Companion (uncredited)
  • Verina GreenlawDora Fredericks (uncredited)
  • Howard LangHugh Crain (uncredited)
  • Paul MaxwellBud Fredericks (uncredited)
  • Susan RichardsNurse (uncredited)
  • Mavis VilliersLandlady (uncredited)
  • Robert WiseInstruktør / Producer
  • James Saenz
    James Saenz29. oktober 2025
    “i dislike lobster, crack my knuckles when i’m nervous, save buttons, and sleep on my left side.” “why on the left side?” “i read someplace it wears the heart out quicker.” i adore shirley jackson. my first introduction to her, as i’m sure it was for a lot of people, was reading the lottery in middle school. i was immediately captivated by her writing style, but it wasn’t until i watched flanagan’s adaptation of the haunting of hill house that i made the effort to read this story. few stories have impacted me the way his interpretation have, and it’s so different from the text. both are magnificent works of art in their own right, but after reading the original story i didn’t think a straightforward, faithful film adaptation would work well. i’m so happy i was wrong. this has some of the most creative camerawork i’ve ever seen, and the lens explores the spaces beautifully. every second of this is underpinned with a think layer of malaise and unease, even if in a vacuum the scares appear to be very tame. so much attention is paid to the atmosphere that when the inexplicable hauntings happen, you’ve fully bought into the fear of the characters. the house feels alive and malignant, parasitic and manipulative. eleanor, with all of her insecurities and crippling desires, never stood a chance; what a sad, horrible tale about loneliness and abandonment.
  • Steve Zodiac
    Steve Zodiac12. august 2026
    The original version of "THE HAUNTING" is the creepiest scariest, ghostly atmospheric BEST haunted house movie ever made in Hollywood history It's an absolute must see if you like ghost stories (Warning: Stay away and forget the lousy terrible 1999 remake)
  • Kevin Ward
    Kevin Ward10. august 2026
    An incredibly effective psychological/supernatural horror from 1963. But I was definitely most impressed by the camerawork. Practically every shot had something interesting about the way the camera moved, tilted, or focused. Really brings the Hill House to life. 
  • nykfistt
    nykfistt16. maj 2026
    masterpiece.
  • Atomic70
    Atomic702. august 2026
    The Haunting uses Eleanor’s psychological collapse to expose how mid‑century patriarchy pathologizes female emotion. The film frames her instability through schizophrenia‑coded tropes—hallucinations, dissociation, and self‑erasure—yet never allows her interiority to be understood on her own terms. Instead, male authority figures interpret, contain, and ultimately exploit her vulnerability. Theo’s queer-coded presence introduces a subtle lesbian subtext that destabilizes the house’s rigid gender dynamics. Her confidence and emotional autonomy contrast sharply with Eleanor’s fragility, revealing how female intimacy is simultaneously desired, feared, and punished within patriarchal narratives. Misogyny operates as the film’s architecture: Eleanor is infantilized, dismissed, and manipulated until the house becomes a metaphor for the social structures that consume women who cannot conform. Her final surrender is not just supernatural—it is the tragic endpoint of a system that denies women agency, voice, and psychological legitimacy.
  • pilgrimFL
    25. juni 2026

    Truly frightening

    The Robert Wise treatment of Shirley Jackson's "The Hunting of Hill House" has creeped me out since I first saw it in the 1960s. Definitely A Must-watch!

Se Spøgeriet på Hill House-videoer

  • The Haunting
    The HauntingTrailer
  • The Haunting (Trailer 1)
    The Haunting (Trailer 1)Trailer

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