1981    2 t 31 mDrama, Krig
6.856%6.3
Anthony Hoplkins vandt en Emmy® for sin "fremragende hovedrolle" i dette gribende og mesterlige portræt af Adolf Hitler i de sidste desperate måneder af Anden Verdenskrig. Den 16. januar 1945. De allierede nærmer sig Berlin fra øst og vest, deres bombefly angriber hovedstaden dag og nat, og Adolf Hitler flytter permanent ind i sin kommandobunker under kanslerbygningen. Den stadig mere irrationelle Hitler nægter at tro på, at krigen er tabt og udsteder vanvittige ordrer til en krympende skare af sine mest loyale tilhængere, alt imens hans drømme går op i flammer omkring ham... Filmens stærke ensemble byder på Richard Jordan som Albert Speer, Piper Laurie som Magda Goebbels, Cliff Gorman som Josef Goebbels og Michael Lonsdale som Martin Brorman.
Instrueret af George Schaefer
  • Anthony HopkinsAdolf Hitler
  • Richard JordanAlbert Speer
  • Cliff GormanJoseph Goebbels
  • James NaughtonJames O'Donnell
  • Michael LonsdaleMartin Bormann
  • Martin JarvisJohannes Hentschel
  • Michael KitchenRochus Misch
  • Andrew RayMajor Otto Günsche
  • Piper LaurieMagda Goebbels
  • Susan BlakelyEva Braun
  • Robert AustinWalter Wagner
  • Geoffrey BatemanRiebold
  • Graham BishopHelmut Goebbels
  • Nathalie BoulmerElga Goebbels
  • Yves BrainvilleGen. Hans Guderian
  • Jane CarrGreta Hentschel
  • Georges CorrafaceGard SS #1
  • Michael CulverGen. Mohnke
  • Larry DannMoss
  • Erick DesmarestzGard SS #2
  • stuhannaford23. august 2025
    Well acted, and Hopkins is absolutely fantastic, giving a genuinely chilling portrayal. That being said, I found myself at odds with the film as a whole for long periods. Whether intentional or not, there are at times scenes that I felt showed some form of sympathy for those in and around Hitler, most notably officers. There’s a strange tone that shows itself every now and again, the fond looking back at ‘the good old days’, a certain distancing from evil of some and at times, a humanising of the leader of the Nazi party. Likely intentional, a kind of, it is even more evil, through the unmasking of him as a bogeyman, and revealing him to just be human, but nonetheless, I’m not sure it hits the right note. There are clear scenes that counterbalance any form of empathy, no doubt, but I felt uneasy at times. There’s a tendency to lean towards ‘they were just loyally doing their job,’ which for me is naive, and downplays some of the most incredibly abhorrent moments the world has ever seen, facilitated by such figures. The story itself, is a fascinating one, but I would suggest the telling via Downfall, as a far more authentic and harrowing option.
  • CravanThePugilist18. maj 2026
    They really need to change the poster on this, because this totally is NOT a comedy. But it's advertised as like a Monty Python sketch.

Få Plex på dine enheder

Gratis på 20+ platforme. Vælg din egen.
Se alle understøttede enheder →

Bunkeren-trivia