15
1950    87 mKriminalitet, Drama
8.198%93%8.0
Under en gigantisk, faldefærdig port i udkanten af 1100-tallets Kyoto har en præst, en skovhugger og en dagdriver søgt tilflugt fra den silende regn. Præsten og skovhuggeren har forinden vidnet i en retssag omkring mordet på en mand og voldtægten af hans hustru i en nærliggende skov. Mens de venter på, at vejret skal klare op, diskuterer de tre mænd den sælsomme process, hvor ingen af førstehåndsvidnernes forklaringer syntes at korrespondere med hinanden. Historien om, hvad der fandt sted i skoven, genfortælles på skift af banditten Tajomaru, kvinden, et medie repræsenterende den afdøde mand samt af skovhuggeren
Instrueret af Akira Kurosawa
  • Toshirō MifuneTajômaru
  • Machiko KyōMasako
  • Takashi ShimuraWoodcutter
  • Masayuki MoriTakehiro
  • Minoru ChiakiPriest
  • Kichijirō UedaCommoner
  • Noriko HonmaMedium
  • Daisuke KatōPoliceman
  • Akira KurosawaInstruktør / Manuskript / Filmklipper
  • Shinobu HashimotoManuskript
  • Ryūnosuke AkutagawaRoman
  • Jingo MinouraProducer
  • Masaichi NagataExecutive producer
  • Takashi MatsuyamaProduction Design
  • H. MotsumotoSet Decoration
  • Kazuo MiyagawaDirector Of Photography
  • Uichi ÔhataCostume Design
  • Tokuzō TanakaAssisterende instruktør
  • Teruyo NogamiSupervisor for manuskript
  • Mitsuo WakasugiAssisterende instruktør
  • Elliot04713. januar 2026
    If you love Nolan’s mind-bending non-linear timelines, know that Rashomon invented that style over 70 years ago. It wasn’t a blockbuster or feel-good flick, it’s pure cinema study, forcing you to rethink human nature and self-deception. Modern directors built their careers on its path, from Hollywood thrillers to courtroom dramas. Sure, today’s artists could mimic Van Gogh perfectly, but that doesn’t erase the original’s genius.
  • Steve Zodiac25. april 2026
    A brilliant, timeless, film noir, Ghost Story The truth is in the beholder!
  • vinaynair80715. juli 2025
    When they ask you which film shows true human nature show them this
  • Dagmar D.14. december 2025
    I wasn’t that impressed, too much drama and too much of annoying fake laughter.
  • PoetofCinema13. oktober 2025
    I strongly revere Akira Kurosawa for how he did Ryūnosuke Akutagawa’s work with justice and tact. It’s beyond impressive because I read Akutagawa’s work first and he was firstly extraordinary and legendary. I have to say, this film does deserve the hype it gets. This may sound cliché but yes the film is a masterpiece; it is, really. There is a lot to say about this iconic film directed by Kurosawa as the ambiguity, strangeness, action, interactions, dialogue, and imagery has been executed well to show the audience watching it enticed and interested in the film. As I said before, this film can get a lot of praise because how many good things are from this movie. Overall, a masterpiece.
  • Sam17. november 2025
    obviously historically important but idk not for me
  • Judit Garrido18. september 2025
    Excellent/
  • Sean27. april 2025
    See it twice!
  • Daniel Gois12. juli 2025
    The rhythm and story's certainly influence Tarantino. Kurosawa is awesome. So many layers and meanings. Very good
  • Joel1. juli 2025
    Kurosawa is so good always, I love how much range there is in his filmography the same way as I love Toshiro Mifune's range (although I desperately need to watch more of both of their films.) This is probably my least favourite Kurosawa film I've seen, but it's still a brilliant film. If only plex didn't have a 2.5 minute ad break every ~12 minutes...
  • mickerdoo10. juli 2025
    Weird and confusing. Interesting idea of a murder where three parties admit guilt. Just strange execution. Slow reaction shots.
  • Jaquan Willams15. juni 2025
    I love the movie. The story was amazing and on point. It was a great Japanese foreign film.
  • Jakkrit aree12. maj 2025
    Legend!!!!

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