Efter et ungt par gør et stop ved en forfærdelig ulykke på en fjern landevej, indser de, at de ikke kørte derfra alene. En dæmonisk skabning, kendt som The Passenger, får et lift og gør deres eventyr til et mareridt, de ikke kan undslippe.
Hvor man kan se Passenger
- cultfilmliker24. maj 2026This couple has exactly 0 combined time management skills. The opening, which seems to be many people’s favorite part, is almost entirely in the trailer which I had already seen in theaters. Just a note! Why was the horn stuck on when nobody was in the seat but not when the dude’s head was pressed against the steering wheel?? lol Very smart idea to stop and get out there at the end lol The plot and scares were egregiously predictable at points but the use of a projector as a flashlight was ingenuous so it almost evens out I think Andre liked Sinners a tiny bit too much. Also I think I don’t like happy endings anymore I realized I had fun and so did the audience so I can’t complain TOO much Watched at Warren Regal 21 Currently Ranked #42/80 in 2026 Ranked
- jackmeat4 dage sidenMy quick rating - 5.7/10. You know those road safety ads that tell you to stay alert. Take regular breaks. Watch out for hitchhikers? Passenger takes that advice, cranks it up, and basically says, "Also…maybe don't pick up ancient demons." The film opens with a bit of travel safety exposition. Followed by an introduction of two friends heading down a regular highway. Lucas (Miles Fowler) takes a potty break, but when he comes back to his car, Daniel (Alan Trong) is nowhere to be found. Open doors, blaring horn, and the creepy meter goes off in the red. It's a good start that grabbed my attention from the get-go. Six weeks later, the focus changes to Maddie (Lou Llobell) and Tyler (Jacob Scipio), her boyfriend, who have been enjoying the #VanLife dream. At a meetup known as Burning Van, they get a tip, which could easily grace an inspiring travel coffee mug: "People don't take trips…trips take people." The quote is incredibly unsettling, except for one thing. The movie immediately ignores its own rules. They're specifically warned not to drive at night because that's when the Passenger is strongest. So naturally, veteran traveler Diane (Melissa Leo), who has supposedly survived this nightmare for years, turns around moments later and says, "Let's hit the road...tonight." That's the horror equivalent of surviving every Nightmare on Elm Street movie and deciding, "You know what? I could really go for a nap." The movie never really explains what the Passenger can and can't do, which becomes increasingly frustrating. This thing seems capable of manipulating reality, turning day into night, appearing anywhere it wants, and generally playing by whatever rules the script needs at the time. If it can literally change the time of day, rerouting a few roads shouldn't exactly be beyond its skill set. That also raises another question. At one point, they mention they're "making good time," but...toward what? Nobody seems to know exactly where they are going. Kinda like patting yourself on the back for winning a race without a clue of where the finish line is. Still, for all its questionable logic, I found myself enjoying the ride. The religious myths and demons provide some background other than your basic story of a haunted road, and I did find myself wanting to know more about the Passenger. The mood is set nicely because of good lighting, angles of the camera, and good use of dark scenes. The scares are a mixed bag. There are more jump scares than the movie probably needs, but they are generally well done since the sound design is very effective in creating suspense prior to the scare. Even when you know something is coming, the audio still sets you up. Unfortunately, the ending goes a little off the rails. Rather than delivering a satisfying payoff to the mythology it spends the film building, director André Øvredal swings for something much bigger and stranger that didn't quite land for me. Passenger might not be breaking any ground in supernatural horror territory, nor will its characters ever earn their AAA membership in making decisions, but this is still a fun film to watch. The mood, imagery, and mythology work wonders to compensate for the story’s tendency to create rules on the fly. While Passenger might very well be your typical horror flick, it’s one worth watching. Even if I was occasionally yelling at the screen to stop driving into obvious danger.
- What_A_Jinx4 dage sidenNot sure what is the wildedt thing in this movie. The fact that these folks daily live includes going to the gym in the evening although they live in a van. Or renting a room every day in a different hotel and not sleeping in the van. These folks are LOADED. Brother in this economy that ghost better help me pay for the freaking gaz if he ends up rolling with me, I swear to god.
- Josh C7 dage sidenThis had been on my radar for quite a while and I was pretty excited to watch when it came out. It was a great movie that really packs a punch! A well put together thriller/horror movie that delivered gore, blood, jump scares, a little supernatural, eerie atmosphere and a well told story. The production, acting and directing were all top notch. Definitely one of my top fave horror films of 2026!
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- maj 2026 blev Passenger udgivet.
Passenger blev instrueret af André Øvredal.
Passenger har en spilletid på 1 t 34 m.
Passenger blev produceret af Walter Hamada, Gary Dauberman.
Efter et ungt par gør et stop ved en forfærdelig ulykke på en fjern landevej, indser de, at de ikke kørte derfra alene. En dæmonisk skabning, kendt som The Passenger, får et lift og gør deres eventyr til et mareridt, de ikke kan undslippe.
Nøglepersonerne i Passenger er Maddie (Lou Llobell), Tyler (Jacob Scipio), Diana (Melissa Leo).
Passenger er bedømt 15.
Passenger er en Gyser, Thriller-film.
Passenger har en publikumsbedømmelse på 5.5 ud af 10.
Passenger havde et budget på 15 mio. US$.
Passenger har indtjent 31,6 mio. US$ ved billetlugen.