A
2021    1 t 48 mDrama
7.393%82%7.2
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Den midaldrende Fern mister sit arbejde, da den lokale gipsfabrik bliver lukket. Der er ingen grund til at blive hængende i byen, så Fern begiver sig af sted i sin lille varevogn, der nu er hendes hjem. Ud på de amerikanske landeveje sammen med de andre nomader, der - måske tvunget af omstændighederne - har sagt farvel til hus og hjem og nu lever det hårde, men frie liv på vejene.
Instrueret af Chloé Zhao
  • Frances McDormandFern / Producer
  • David StrathairnDave
  • Linda MayLinda
  • SwankieSwankie
  • Gay DeForestGay
  • Patricia GrierPatty
  • Angela ReyesAngela
  • Carl R. HughesCarl
  • Douglas G. SoulDoug
  • Ryan AquinoRyan
  • Teresa BuchananTeresa
  • Karie Lynn McDermott WilderKarie
  • Brandy WilberBrandy
  • Makenzie EtcheverryMakenzie
  • Bob WellsBob
  • Annette WebbAnnette
  • Rachel BannonRachel
  • Bryce BedsworthBryce
  • Sherita Deni CokerDeni
  • Merle RedwingMerle
  • jackmeat8. juli 2025
    My quick rating - 7.0/10. An exceptionally filmed flick headlined by a stellar acting job by Frances McDormand. Not like she ever turns in much less than that. You definitely have to switch your pacing, though, since the movie is a bit slow. Ok, it is very slow since it really plays out more like a docudrama, which, considering it is not, also adds to how well made this is. As McDormand travels throughout the USA as a modern-day nomad, it really just feels like you are there with her. All the things that being always on the move and not settling into one place. Constantly doing something different, in a new place, and adapting to the surroundings. And not only being on the move by choice, but having the system put you in the position to have to do it. The movie really only briefly touches upon corporate America pushing McDormand and many others out of their careers and homes. What it does show us is a fairly realistic look at being a wanderer. How realistic it is, I suppose, could be in question, but this surely doesn't glamorize the experience for the sake of Hollywood, but just presents itself as it is. Gorgeous cinematography mixed in along the road to give the viewer a glimpse of the country and the everyday people that inhabit it. I am sure that some of the people were local and underpaid (there seemed to be some parts where the interactions seemed a bit out of place), but then again, they would be anyway. Yes, this is part of my Oscar season watching, so I am already aware of its nomination. Deserving, yes, winner? Don't have that gut feeling like I did last year. Wouldn't surprise me, so we'll see.
  • Nilesh7 dage siden
    A quietly beautiful film that makes loneliness feel both heartbreaking and strangely freeing. Fern’s life close to nature often feels enviable, yet the silence around her carries deep emotional weight. With stunning landscapes, natural performances, and meditative pacing, Nomadland feels less like a movie and more like gently experiencing another human soul. What makes the film special is that it never judges or dramatizes Fern’s life. It simply observes her with empathy.
  • Mister Arn14. maj 2025
    Stunning use of cinematography to add to the drama of the film. Many of the scenes are the protagonist alone, with only the landscapes to interact with. These interactions feel real and convey an emotion.
  • Rowan Krzysiak13. februar 2025
    To me a disingenuous air surrounded the whole thing. I disliked the central performance and didn't care about anyone. Frustrating from the beginning, couldn't wait for it to end.
  • Apocalyptic2823. maj 2026
    Casting and acting are both top notch
  • macaronz28. april 2026
    Nomadland is a quiet masterpiece that proves exactly why it swept the Academy Awards. Frances McDormand anchors the film with a performance that feels less like acting and more like living. The sweeping landscapes reflect the internal journey of the workforce nomads. Using real-life nomads alongside professional actors adds a layer of truth rarely seen in cinema.
  • Vitor Lameirão Alves28. december 2025
    A meditative, contemplative piece akin to Into the Wild or The Rider, blending naturalistic performances with stunning cinematography. More impressionist painting than traditional narrative, it eschews plot arcs for mood, atmosphere, and quiet reflection. Beautiful, patient, and immersive—but not conventionally gripping or plot-driven.

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