Last Night in Soho

Instrueret af Edgar Wright
15
2021    1 t 57 mDrama, Gyser
7.075%89%7.3
Se på Prime Video
På Prime Video
Køb $14.99Sponsoreret
Den ambitiøse unge modestuderende Eloise har slået sig ned i dagens London. Men i sine drømme bliver hun transporteret tilbage til 1960'ernes London, og her møder hun den jævnaldrende Sandie, en blændende sangstjerne in spe. Snart begynder den glamourøse 60'er-overflade imidlertid at krakelere. Sandie's liv tager en dyster drejning, og det truer med at trække Eloise's eget liv ned i mørket.
  • Thomasin McKenzieEloise Turner
  • Anya Taylor-JoySandie / Songs
  • Matt SmithJack
  • Rita TushinghamPeggy Turner
  • Michael AjaoJohn
  • Synnøve KarlsenJocasta
  • Pauline McLynnCarol
  • Terence StampSilver-Haired Gentleman
  • Diana RiggMs. Collins
  • Aimée CassettariEloise's Mother
  • Colin MaceTaxi Driver #1
  • Jessie Mei LiLara
  • Kassius NelsonCami
  • Rebecca HarrodAshley
  • Alan MahonToucan Bartender
  • Connor CallandDrunk Student
  • Josh ZaréStudent at Party
  • Jacqui-Lee PryceCollege Administrator
  • Elizabeth BerringtonMs. Tobin
  • James PhelpsCloakroom Attendant
  • Jill Platts20. marts 2026
    Loved it.
  • Fludor Admin10. marts 2026
    The story was well written and the movie was well played by the cast members. Everything about it seems to fit just right. It has a deep plot, guessing how the movie ends, is not an easy challenge. The horror factor is less about jumpscares, and more about the fragility of our mind, when facing the incredible.
  • jackmeat17. august 2025
    My quick rating - 7.5/10. This movie just looks amazing so far, for technical merits. Once the movie ended, that amazing feeling didn't leave. As far as horror goes, this one is up with the best of the year for sure. Thomasin McKenzie plays Eloise, a small-town girl heading to the big city to be a fashion designer. After she is not very impressed with her dorm mates, she finds her own place, and this is where her story and that of an aspiring singer played by Anya Taylor-Joy become intertwined. Seems for some reason, when she sleeps, she is thrust into the singer's life through her dream world. This flick is much more of a throwback type of psychological horror flick than we are used to presently, and that is a very good thing. There is an incredible amount of attention paid to detail in keeping the real world and dream states organized and entertaining as you start to piece together what is connecting the two. The movie starts off completely throwing you off to what to expect and moves slowly, developing the story and a wonderful cast along the way. But it never feels slow, as you are more drawn into Eloise's situation and putting it together. Director Edgar Wright knew exactly what he was doing with the pacing, and though for horror fans this may be too slow, this was completely on purpose to draw you in slowly while the entire menacing truth of what is going on builds. Absolutely impeccable flick in all aesthetics, and is only held slightly back by not going full horror when it could have easily done so. This may bother some, but I personally had no qualms with that choice. If you like the movie or not, you will be hard-pressed to deny just how incredibly well-made it is. I expect Oscar mentions when it comes time.
  • Coouge6. februar 2026
    Interesting 🧐
  • lial5531. maj 2025
    I need to get amnesia just so I can watch this movie again omfg 😭🖤
  • j.pete614. december 2025
    Most underrated Edgar Wright movie, I keep rewatching it. Great editing, great performances, great camera work man.
  • Nishant Arora17. juni 2025
    A neon-drenched fever dream, *Last Night in Soho* is a mesmerizing and cautionary tale about the dangers of romanticizing the past. Director Edgar Wright masterfully contrasts the dazzling allure of 1960s London with a dark, psychological horror story. The Good: The film is a technical and stylistic marvel. Wright’s signature energetic editing and meticulous sound design create a truly immersive experience. The seamless choreography that blends Thomasin McKenzie and Anya Taylor-Joy through mirrors and dreamscapes is breathtaking. The film's warning against toxic nostalgia is a potent and relevant theme, gorgeously wrapped in the glamour and grime of the Swinging Sixties. The Bad: While the first half is a stunning setup, the narrative stumbles in its final act. The shift from psychological thriller to a more conventional slasher-horror feels jarring and undermines some of its thematic depth. The plot's much-discussed twist can feel predictable, and the ghostly apparitions, while initially creepy, become repetitive and less effective as the film barrels toward its somewhat muddled conclusion. A visually stunning but thematically conflicted film, *Last Night in Soho* is an intoxicating experience that dazzles more than it completely satisfies.
  • NIronwolf12. oktober 2024
    Why does Edgar Wright always have to destroy vinyl? It seems like he likes it...
  • Eric Bakke12. oktober 2024
    It's like a vibrant episode of The Twilight Zone, but groovier.

Se Last Night in Soho-videoer

  • Last Night In Soho
    Last Night In SohoTrailer
  • Last Night In Soho (Trailer Tease)
    Last Night In Soho (Trailer Tease)Trailer
  • Last Night In Soho (Teaser Trailer 1)
    Last Night In Soho (Teaser Trailer 1)Trailer
  • Last Night In Soho: 60s Cinema
    Last Night In Soho: 60s CinemaBag kulisserne
  • Last Night In Soho: Edgar Wright On The Story
    Last Night In Soho: Edgar Wright On The StoryBag kulisserne
  • Last Night In Soho: Edgar Wright on Thomasin Mackenzie
    Last Night In Soho: Edgar Wright on Thomasin MackenzieBag kulisserne
  • Last Night In Soho: Edgar Wright On The Costume Design Of The Film
    Last Night In Soho: Edgar Wright On The Costume Design Of The FilmBag kulisserne
  • Last Night In Soho: Anya Taylor-Joy On Her Favorite Memory From Set
    Last Night In Soho: Anya Taylor-Joy On Her Favorite Memory From SetBag kulisserne
  • Last Night In Soho: Thomasin Mackenzie On What Attracted Her To The Story
    Last Night In Soho: Thomasin Mackenzie On What Attracted Her To The StoryBag kulisserne
  • Last Night In Soho: Matt Smith On Hearing About The Project For The First Time
    Last Night In Soho: Matt Smith On Hearing About The Project For The First TimeBag kulisserne
  • Last Night In Soho: Michael Ajao On Hearing About The Project For The First Time
    Last Night In Soho: Michael Ajao On Hearing About The Project For The First TimeBag kulisserne
  • Last Night In Soho: Krysty Wilson-Cairns On Making The Character Eloise Relatable
    Last Night In Soho: Krysty Wilson-Cairns On Making The Character Eloise RelatableBag kulisserne
  • Last Night In Soho: Krysty Wilson-Cairns On How She Became Involved In Last Night In Soho
    Last Night In Soho: Krysty Wilson-Cairns On How She Became Involved In Last Night In SohoBag kulisserne
  • Last Night In Soho: The Next Cilla Black
    Last Night In Soho: The Next Cilla BlackScene
  • Last Night In Soho: I Can See You Want It
    Last Night In Soho: I Can See You Want ItScene
  • Last Night In Soho: It's A Bit Old Fashioned
    Last Night In Soho: It's A Bit Old FashionedScene
  • Last Night In Soho: I'm Here To Meet The Owner
    Last Night In Soho: I'm Here To Meet The OwnerScene

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