11
1990    1 t 45 mAction, Adventure
6.263%53%6.2
Se på Prime Video
På Prime Video
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Med lige dele trusler og løfter forener den grumme gangster Big Boy Caprice byens underverden. Kriminalbetjent Dick Tracy synes bestemt ikke om den nye udvikling inden for organiseret kriminalitet, og han sætter sig for at putte Caprice bag tremmer for enhver pris. Ikke overraskende gør Caprice en del modstand.
Instrueret af Warren Beatty
  • Warren BeattyDick Tracy / Instruktør / Producer
  • Al PacinoBig Boy Caprice
  • MadonnaBreathless Mahoney
  • Dustin HoffmanMumbles
  • James CaanSpaldoni
  • Charlie KorsmoKid
  • Glenne HeadlyTess Trueheart
  • Mandy Patinkin88 Keys
  • Seymour CasselSam Catchem
  • James KeanePat Patton
  • Charles DurningChief Brandon
  • William ForsytheFlattop
  • James TolkanNumbers
  • Ed O'RossItchy
  • Dick Van DykeD.A. Fletcher
  • R.G. ArmstrongPruneface
  • Michael J. PollardBug Bailey
  • Paul SorvinoLips Manlis
  • Henry SilvaInfluence
  • Tom SignorelliMike
  • Risk The Bard22. april 2025
    pacing needed a lot work. very much enjoyed the over the top prosthetics, color palette and music. watch if you like campy comic accurate vibes.
  • Daniel Genser25. maj 2026
    They were so busy working on the look of the movie they forgot to out the movie in the movie. It plods along limply, and Beatty has zero preeence. So boring.
  • Richard25. oktober 2025
    Love the style, it’s like a living comic book punched onto celluloid. Warren Beatty directs and stars as the square jawed detective in a world that’s pure pulp fantasy: bold colors, matte-painted skylines and villains with prosthetics so wild they feel ripped straight from Sunday strips. It’s not just stylized, it’s committed. Every frame looks like it was inked, shaded and dipped in primary paint. The cast is stacked: Al Pacino goes full goblin as Big Boy Caprice, Madonna slinks through scenes as Breathless Mahoney and the supporting rogues gallery is a prosthetic fever dream. The plot? Classic noir, corruption, romance and shootouts in alleyways, but filtered through a lens that’s more pop art than realism. It’s campy, theatrical and unapologetically cartoonish. And that’s the charm. You don’t watch Dick Tracy for subtlety, you watch it for the vibe, the visuals and the sheer audacity of turning a comic strip into a Technicolor opera.

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