Oliver Tarney
Oliver Tarney is a British sound supervisor and sound designer known for his work with Ridley Scott and Paul Greengrass.
Oliver has been nominated for five Academy Awards to date. Tarney was first nominated in the Best Sound Editing category for the 2013 film Captain Phillips. He received his second Oscar nomination in 2016 for the film The Martian. Tarney's third nomination was for 1917 in 2020. The following year, he was nominated once again for News of the World, and in 2022, he received his fifth Oscar nomination for No Time to Die. Tarney has also been nominated for six BAFTAs, including in 2007 for United 93, along with Captain Phillips, The Martian, 1917, News of the World, and No Time to Die.
Description above from the Wikipedia article Oliver Tarney, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Oliver has been nominated for five Academy Awards to date. Tarney was first nominated in the Best Sound Editing category for the 2013 film Captain Phillips. He received his second Oscar nomination in 2016 for the film The Martian. Tarney's third nomination was for 1917 in 2020. The following year, he was nominated once again for News of the World, and in 2022, he received his fifth Oscar nomination for No Time to Die. Tarney has also been nominated for six BAFTAs, including in 2007 for United 93, along with Captain Phillips, The Martian, 1917, News of the World, and No Time to Die.
Description above from the Wikipedia article Oliver Tarney, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmografie
| 2016 | The Oscars · as Self - Nominee |
| 2014 | The Oscars · as Self - Nominee |
| 2025 | The Lost Bus · as Supervising Sound Editor |
| 2023 | Napoleon · as Supervising Sound Editor |
| 2022 | Empire of Light · as Supervising Sound Editor |
| 2022 | Thirteen Lives · as Sound Designer |
| 2021 | The Last Duel · as Supervising Sound Editor |
| 2021 | No Time to Die · as Supervising Sound Editor |
| 2020 | News of the World · as Sound Designer |
| 2019 | 1917 · as Supervising Sound Editor |
| 2019 | Battle at Big Rock · as Supervising Sound Editor |
| 2017 | The Current War · as Sound Designer |
| 2017 | All the Money in the World · as Supervising Sound Editor |
| 2017 | Suburbicon · as Supervising Sound Editor |
| 2017 | Alien: Covenant · as Sound Designer |
| 2016 | Jason Bourne · as Sound Designer |
| 2016 | The Nice Guys · as Supervising Sound Editor |
| 2015 | The Martian · as Supervising Sound Editor |
| 2014 | Big Eyes · as Supervising Sound EditorNa Plexu |
| 2014 | Exodus: Gods and Kings · as Sound Designer |
| 2013 | Captain Phillips · as Supervising Sound Editor |
| 2012 | Frankenweenie · as Supervising Sound Editor |
| 2011 | Sherlock Holmes: A Game of Shadows · as Sound Designer |
| 2011 | Unknown · as Supervising Sound Editor |
| 2011 | Coriolanus · as Supervising Sound EditorNa Plexu |
| 2010 | Green Zone · as Supervising Sound Editor |
| 2009 | Cracks · as Supervising Sound Editor |
| 2008 | Quantum of Solace · as Sound Effects Editor |
| 2006 | Casino Royale · as Sound Effects Editor |
| 2005 | Doom · as Sound Effects Editor |
| 2000 | Shadow of the Vampire · as Foley Recordist |